Letters

Letters 09-07-2015

DEJA VUE Traverse City faces the same question as faced by Ann Arbor Township several years ago. A builder wanted to construct a 250-student Montessori school on 7.78 acres. The land was zoned for suburban residential use. The proposed school building was permissible as a “conditional use.”

The Court Overreached Believe it or not, everyone who disagrees with the court’s ruling on gay marriage isn’t a hateful bigot. Some of us believe the Supreme Court simply usurped the rule of law by legislating from the bench...

Some Diversity, Huh? Either I’ve been misled or misinformed about the greater Traverse City area. I thought that everyone there was so ‘all inclusive’ and open to other peoples’ opinions and, though one may disagree with said person, that person was entitled to their opinion(s)...

Defending Good People I was deeply saddened to read Colleen Smith’s letter [in Aug. 24 issue] regarding her boycott of the State Theater. I know both Derek and Brandon personally and cannot begin to understand how someone could express such contempt for them...

Not Fascinating I really don’t understand how you can name Jada Johnson a fascinating person by being a hunter. There are thousands of hunters all over the world, shooting by gun and also by arrow; why is she so special? All the other people listed were amazing...

Back to Mayberry A phrase that is often used to describe the amiable qualities that make Traverse City a great place to live is “small-town charm,” conjuring images of life in 1940s small-town America. Where everyone in Mayberry greets each other by name, job descriptions are simple enough for Sarah Palin to understand, and milk is delivered to your door...

Don’t Be Threatened The August 31 issue had 10 letters(!) blasting a recent writer for her stance on gay marriage and the State Theatre. That is overkill. Ms. Smith has a right to her opinion, a right to comment in an open forum such as Northern Express...

Treat The Sickness Thank you to Grant Parsons for the editorial exposing the uglier residual of the criminalizing of drug use. Clean now, I struggled with addiction for a good portion of my adult life. I’ve never sold drugs or committed a violent crime, but I’ve been arrested, jailed, and eventually imprisoned. This did nothing but perpetuate shame, alienation, loss and continued use...

About A Girl -- Not Consider your audience, Thomas Kachadurian (“About A Girl” column). Preachy opinion pieces don’t change people’s minds. Example: “My view on abortion changed…It might be time for the rest of the country to catch up.” Opinion pieces work best when engaging the reader, not directing the reader...

Disappointed I am disappointed with the tone of many of the August 31 responses to Colleen Smith’s Letter to the Editor from the previous week. I do not hold Ms. Smith’s opinion; however, if we live in a diverse community, by definition, people will hold different views, value different things, look and act different from one another...

Free Will To Love I want to start off by saying I love Northern Express. It is well written, unbiased and always a pleasure to read. I am sorry I missed last month’s article referred to in the Aug. 24 letter titled, “No More State Theater.”

Home · Articles · News · Music · 4Play: Sia, The XX, The Roots,...
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4Play: Sia, The XX, The Roots, Groove Armada

Kristi Kates - August 16th, 2010
Sia - We Are Born - Hear Music
UK-via-Australia singer Sia returns with her fourth set, as produced
by Kylie Minogue collaborator Greg Kurstin; Inara George and The
Strokes’ guitarist Nick Valensi also chip in. First single “Clap Your
Hands” sets the dance-floor-friendly tracklisting in motion, alongside
other disco-ish hits “You’ve Changed” and “The Fight.” Elsewhere, Sia
shows off her balladry skills on a Madonna cover as well as her own
songs “I’m Here” and “Stop Trying” - she may have started as a simple
pop singer, but she’s gradually gaining more depth with each album.


The XX - XX - XL Recordings

The XX – ironically signed to XL Recordings for this set - blend
call-and-response male/female vocals with R&B tunes and arrangements
and ’80s synths. Have we lost you yet? It’s definitely a unique mix,
but one that works in a modern new wave way. Opening with the
obviously-titled “Intro,” the sparsely-edited instrumental flows into
the first introduction of singers Sim and Croft (not to be confused in
any way with Seals and Crofts), who proceed to shoegaze beautifully
and quirkily through songs like “Shelter,” “Basic Space,” and
“Crystalized.”


The Roots - How I Got Over - Def Jam

Hip-hop pioneers and Jimmy Fallon house band The Roots have taken
their time to put together their 9th studio album, but the wait was
definitely worth it audio-wise. First single “Dear God 2.0” remakes
the Monsters of Folk song (“Dear God”) and includes contributions from
M. Ward and Conor Oberst; John Legend also shows up - twice - to
collaborate with The Roots on “The Fire” and a revamp of his own tune,
“Again,” here re-dubbed as “Doin’ It Again.” It’s a bright, funky set
with The Roots’ usual snappy arrangements and deft musicianship.


Groove Armada - Black Light - Om Records
After spending a good part of the past 10 years of their career
collaborating with everyone from Fatboy Slim to the aforementioned
Kylie Minogue, Groove Armada’s latest brings in a little pop and a
little art rock to their Eurodisco sound, via the vocals of Will Young
and Roxy Music’s Bryan Ferry, respectively. “Shameless” offers up
Ferry’s smooth vocals and some spoken-word efforts (in French, of
course), while “Fall Silent” adds a dash of The Human League via
Empire of the Sun’s Nick Littlemore, and “History” adds Will Young’s
vocals to the ’70s/’80s mix.

 
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