Letters 10-24-2016

It’s Obama’s 1984 Several editions ago I concluded a short letter to the editor with an ominous rhetorical flourish: “Welcome to George Orwell’s 1984 and the grand opening of the Federal Department of Truth!” At the time I am sure most of the readers laughed off my comments as right-wing hyperbole. Shame on you for doubting me...

Gun Bans Don’t Work It is said that mass violence only happens in the USA. A lone gunman in a rubber boat, drifted ashore at a popular resort in Tunisia and randomly shot and killed 38 mostly British and Irish tourists. Tunisian gun laws, which are among the most restrictive in the world, didn’t stop this mass slaughter. And in January 2015, two armed men killed 11 and wounded 11 others in an attack on the French satirical magazine Charlie Hebdo. French gun laws didn’t stop these assassins...

Scripps’ Good Deed No good deed shall go unpunished! When Dan Scripps was the 101st District State Representative, he introduced legislation to prevent corporations from contaminating (e.g. fracking) or depleting (e.g. Nestle) Michigan’s water table for corporate profit. There are no property lines in the water table, and many of us depend on private wells for abundant, safe, clean water. In the subsequent election, Dan’s opponents ran a negative campaign almost solely on the misrepresentation that Dan’s good deed was a government takeover of your private water well...

Political Definitions As the time to vote draws near it’s a good time to check into what you stand for. According to Dictionary.com the meanings for liberal and conservative are as follows:

Liberal: Favorable to progress or reform as in political or religious affairs.

Conservative: Disposed to preserve existing conditions, institutions, etc., or to restore traditions and limit change...

Voting Takes A Month? Hurricane Matthew hit the Florida coast Oct. 6, over three weeks before Election Day. Bob Ross (Oct. 17th issue) posits that perhaps evacuation orders from Governor Scott may have had political motivations to diminish turnout and seems to praise Hillary Clinton’s call for Gov. Scott to extend Florida’s voter registration deadline due to evacuations...

Clinton Foundation Facts Does the Clinton Foundation really spend a mere 10 percent (per Mike Pence) or 20 percent (per Reince Priebus) of its money on charity? Not true. Charity Watch gives it an A rating (the same as it gives the NRA Foundation) and says it spends 88 percent on charitable causes, and 12 percent on overhead. Here is the source of the misunderstanding: The Foundation does give only a small percentage of its money to charitable organizations, but it spends far more money directly running a number of programs...

America Needs Change Trump supports our constitution, will appoint judges that will keep our freedoms safe. He supports the partial-birth ban; Hillary voted against it. Regardless of how you feel about Trump, critical issues are at stake. Trump will increase national security, monitor refugee admissions, endorse our vital military forces while fighting ISIS. Vice-presidential candidate Mike Pence will be an intelligent asset for the country. Hillary wants open borders, increased government regulation, and more demilitarization at a time when we need strong military defenses...

My Process For No I will be voting “no” on Prop 3 because I am supportive of the process that is in place to review and approve developments. I was on the Traverse City Planning Commission in the 1990s and gained an appreciation for all of the work that goes into a review. The staff reviews the project and makes a recommendation. The developer then makes a presentation, and fellow commissioners and the public can ask questions and make comments. By the end of the process, I knew how to vote for a project, up or down. This process then repeats itself at the City Commission...

Regarding Your Postcard If you received a “Vote No” postcard from StandUp TC, don’t believe their lies. Prop 3 is not illegal. It won’t cost city taxpayers thousands of dollars in legal bills or special elections. Prop 3 is about protecting our downtown -- not Munson, NMC or the Commons -- from a future of ugly skyscrapers that will diminish the very character of our downtown...

Vote Yes It has been suggested that a recall or re-election of current city staff and Traverse City Commission would work better than Prop 3. I disagree. A recall campaign is the most divisive, costly type of election possible. Prop 3, when passed, will allow all city residents an opportunity to vote on any proposed development over 60 feet tall at no cost to the taxpayer...

Yes Vote Explained A “yes” vote on Prop 3 will give Traverse City the right to vote on developments over 60 feet high. It doesn’t require votes on every future building, as incorrectly stated by a previous letter writer. If referendums are held during general elections, taxpayers pay nothing...

Beware Trump When the country you love have have served for 33 years is threatened, you have an obligation and a duty to speak out. Now is the time for all Americans to speak out against a possible Donald Trump presidency. During the past year Trump has been exposed as a pathological liar, a demagogue and a person who is totally unfit to assume the presidency of our already great country...

Picture Worth 1,000 Words Nobody disagrees with the need for affordable housing or that a certain level of density is dollar smart for TC. The issue is the proposed solution. If you haven’t already seen the architect’s rendition for the site, please Google “Pine Street Development Traverse City”...

Living Wage, Not Tall Buildings Our community deserves better than the StandUp TC “vote no” arguments. They are not truthful. Their yard signs say: “More Housing. Less Red Tape. Vote like you want your kids to live here.” The truth: More housing, but for whom? At what price..

Home · Articles · News · Music · Arvel Bird‘s violin journey
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Arvel Bird‘s violin journey

Kristi Kates - August 23rd, 2010
Arvel Bird’s Violin Journey
By Kristi Kates
The dulcet sounds of the violin are perhaps not usually thought of as being part of Native American musical culture. But musician Arvel Bird is drawing on little-known history to bring native violin sounds into the spotlight.
“You’re right - it’s not well-known as an instrument traditional to natives,” Bird explains, “but I understand that the violin was introduced to the indigenous people of North and South America beginning as early as 1689 by the Jesuit priests from Europe who brought the harp, guitar and violin so that they could have music for Mass on Sundays. So I think it’s safe to say that it’s been a tradition for the last 321 years. Almost 13 generations of some indigenous people have played the violin.”
While the history is fascinating to Bird, it was the sound that drew him to the instrument.
“I could go on about tribes and history and usage and music played, but that wasn’t what got me interested in playing the violin or using it to express my heritage,” he says, “it had already become the ‘voice’ of my music, so instead of singing or drumming or playing the flute, I simply applied/adapted the violin to my story-telling through music.”

Bird, who was born in Idaho and raised in Utah and Arizona, studied classical music for 11 years while in school, eventually working under the tutelage of renowned Hungarian violinist Paul Roland. Soon, he found himself being drawn to and inspired by the Appalachian, bluegrass, and Celtic styles of music; so he decided to tackle crafting his own mix of sounds that would also incorporate his Native American heritage.
“It was a tricky transition, but a deliberate and ongoing one,” Bird says. “I knew how to play the violin, but I didn’t know where music ‘came from,’ and so that became my goal. Classical playing is a great foundation for technique and training, but its very sterile and limiting when you play in an orchestra, and I knew I had a lot of my own music in me.”
“So, instead of learning more dead composers’ music, I quit taking music lessons, quit reading music, and began to explore other realms of music. As I began to incorporate the different styles into my own playing skills, it created my own “fusion.” That helped me to not compare myself with other people and players, allowed me to be myself and become my own musical artist. Now I’m not trying to do what anyone else does, and no one else can do what I do -and I don’t worry about that anymore,” he smiles.

Today, Bird is an acclaimed musician in his own right, having received six nominations just this year at the ISMAs (the prestigious Indian Summer Music Awards, which will be awarded this September) - and he has had the opportunity to work with a wide range of fellow musicians, including two standout experiences with Glen Campbell and Loretta Lynn.
“In the mid ‘80s, a band I was with won a big competition which landed us an opening spot for Alabama, Merle Haggard, and the Judds at the Phoenix Coliseum,” Bird remembers. “We were having a great time backstage in our dressing room after the show when in walks Glen Campbell, and he sat down to chat with us. Later that weekend we played in Cave Creek, Arizona, at a golf resort that Glen belonged to and happened to be at that day. We knew a few of his songs, so he got up and sang with us. Right there on the spot, he hired us to be his backup band - and I toured with him for almost six years. It was a great experience. During this time I moved to Nashville, Tennessee, where I auditioned for Loretta Lynn, who is also a wonderful person and very down to earth, funny and easy to get along with. I’ve been fortunate to play with some incredible stars.”

Bird’s albums get plenty of notice on their own, too; his latest set, Ride Indian Ride, was recorded in Nashville, with Bird’s goal being to honor the enduring spirit of the Indian motorcycle with a blues/rock style that uses both the violin and Native American flute as lead instruments.
“I also decided to add songs with lyrics to the instrumentals on this CD, to give people something to sing along with,” Bird explains, “I recorded honor songs about some of my First Nations heroes like Geronimo, Crazy Horse, Chief Joseph, the Cherokee Lighthorse, and one for the patriot chiefs, who fought for the rights of their people in peace and wartime.”
Bird says that he’s inspired by any number of things - other composers, movies, books - and generally prefers writing in the mornings, after his structured practice sessions.
“I start hearing a recurring piece of music start - a rhythm, a riff that adds color to a specific scene,” he explains, “when I feel ready, I normally book studio time in Nashville, where I’m familiar with the studio engineers and musicians. The creative/writing process varies from project to project, but usually I’ll start with a theme; the music itself is usually a reflection of my Native American (Southern Paiute) heritage and my Celtic roots. I also like to record music that honors the enduring spirit of the North American Indian, utilizing Native fiddling as well as Celtic fiddling.”

If you’re thinking that Bird’s compositions and songs contain plenty of colorful imagery, you’d be right. He’s as much a storyteller as he is a musician. And his upcoming show in Charlevoix will showcase plenty of examples of both.
“Fans have called the violin sounds cinematic and visual, which is what I was going for so that my audiences can take their own journey and find their own connection and identity to the Creator,” Bird says.
“I can promise the Charlevoix audience a concert which feels like a cross between Braveheart and Last of the Mohicans,” he continues, “mixed with some fiddle tunes and a few of my blues songs. What I hope happens is that they are transported for that two or three hour period into their own dreamworld, and take a musical journey around the world with me. Lastly, I never know who might be there that I can get up to perform with me, but I’ll be looking!”

Arvel Bird will perform in Charlevoix as part of the Black Cat Concert Series on Thursday, August 26 at 8 pm. Tickets ($15) and more info can be found at www.blackcatconcerts.com; more info on Arvel Bird can be found at www.arvelbird.com.

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