Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Music · Rosanne Cash
. . . .

Rosanne Cash

Kristi Kates - August 23rd, 2010
Rosanne Cash’s LIST
By Kristi Kates
Rosanne Cash worked with a number of guest performers on her new
album, The List. A covers set, her first, that was narrowed down to a
select dozen songs from a list of an “Essential 100” that her father,
the late great Johnny Cash, gave to her when she was 18 years old, in
order to craft the foundation of her country-music education.
Each of these guest performers, so different in their styles and
approaches to music, were nonetheless fairly easy for Cash to define.
When asked what each one brought to the recording process in one word
(she sang duets with each of them), her answers were definitive - and
even, perhaps, somewhat unexpected.
“Bruce (Springsteen) brought romance; Jeff (Tweedy, of Wilco),
flawlessness; Rufus (Wainwright), creativity; and Elvis (Costello),
exuberance,” she smiles.

SONGS THAT SPEAK
Cash, who says she worked to create a “microcosm” of the original list
by including songs from Hank Williams, Jimmie Rodgers, and the Carter
Family, didn’t necessarily have a difficult time choosing which 12
songs to record; she simply chose the ones that spoke to her, and her
talents, the most.
“We chose songs that suited my voice, songs that I’ve been singing to
myself for all these years,” Cash explains.
In addition to getting the opportunity to translate these songs so
thoughtfully passed along to her by her father, working with her
husband, musician/producer/engineer John Leventhal, was another very
important element in the album’s process.
“Working with my husband, choosing the songs and talking about the
arrangements, was one of my favorite things about recording the
album,” she says, “the other was enjoying the emotional connection
I’ve had to these songs. It was a moving experience to sing them.”
For each of the 12 songs, which include Bob Dylan’s “Girl from the
North Country,” Guy Mitchell/Ray Price’s “Heartaches by the Number”
(which features Costello), and Patsy Cline’s “She’s Got You,” Cash
reinterprets them through a trio of influences - her father, of
course, plus her life in New York City (as opposed to Nashville), and
her own perspective on country music, after having recorded and
released eleven albums of her own.
For her live shows, she’s reinterpreting the songs through a pair of
live configurations.

LIVE AND COMPOSED
“I’m working as a duo with my husband John for some shows, and with a
full band - all Brooklynites - for some of the others,” she explains,
“it’s a great and musically diverse experience. Some songs are more
complicated than others to translate live, but the boys have proven
worthy of the task!”
In addition to her upcoming show in Manistee, Cash says she’s looking
forward to her performance in Berlin, Germany (“the audience there
really loves American roots music,” she says), and will be alternating
her musical performances with promotional events for her new book, a
memoir called Composed that was published on August 10 of this year.
Composed, which follows Cash’s life from her California childhood to
Europe, Nashville, and now her current home of New York, showcases her
detailed and eloquent writing style and storytelling abilities, as she
shares tales of singing with her father - and more than a few humorous
moments, such as her ending up lip-syncing some of her own songs at a
German circus - alongside some of the more difficult times in her
life.
But even though she’s incredibly busy with the many facets of her
career, Cash - never one to rest on her laurels, or to borrow anyone
else’s - is already thinking ahead to what may be a second covers
album.
“I’m looking forward to singing “I’m So Lonesome I Could Cry,”” she says.

Rosanne Cash will be performing at the Little River Casino Resort in
Manistee, MI on Saturday, August 28 at 8 p.m. Tickets are $50/$35/$20
and are available at
www.startickets.com, or may be purchased at the LRCR Gift Shop.

 
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