Letters

Letters 09-26-2016

Welcome To 1984 The Democrat Party, the government education complex, private corporations and foundations, the news media and the allpervasive sports and entertainment industry have incrementally repressed the foundational right of We the People to publicly debate open borders, forced immigration, sanctuary cities and the calamitous destruction of innate gender norms...

Grow Up, Kachadurian Apparently Tom Kachadurian has great words; too bad they make little sense. His Sept. 19 editorial highlights his prevalent beliefs that only Hillary and the Dems are engaged in namecalling and polarizing actions. Huh? What rock does he live under up on Old Mission...

Facts MatterThomas Kachadurian’s “In the Basket” opinion deliberately chooses to twist what Clinton said. He chooses to argue that her basket lumped all into the clearly despicable categories of the racist, sexist, homophobic , etc. segments of the alt right...

Turn Off Fox, Kachadurian I read Thomas Kachadurian’s opinion letter in last week’s issue. It seemed this opinion was the product of someone who offered nothing but what anyone could hear 24/7/365 on Fox News; a one-sided slime job that has been done better by Fox than this writer every day of the year...

Let’s Fix This Political Process Enough! We have been embroiled in the current election cycle for…well, over a year, or is it almost two? What is the benefit of this insanity? Exorbitant amounts of money are spent, candidates are under the microscope day and night, the media – now in action 24/7 – focuses on anything and everything anyone does, and then analyzes until the next event, and on it goes...

Can’t Cut Taxes 

We are in a different place today. The slogan, “Making America Great Again” begs the questions, “great for whom?” and “when was it great?” I have claimed my generation has lived in a bubble since WWII, which has offered a prosperity for a majority of the people. The bubble has burst over the last few decades. The jobs which provided a good living for people without a college degree are vanishing. Unions, which looked out for the welfare of employees, have been shrinking. Businesses have sought to produce goods where labor is not expensive...

Wrong About Clinton In response to Thomas Kachadurian’s column, I have to take issue with many of his points. First, his remarks about Ms. Clinton’s statement regarding Trump supporters was misleading. She was referring to a large segment of his supporters, not all. And the sad fact is that her statement was not a “smug notion.” Rather, it was the sad truth, as witnessed by the large turnout of new voters in the primaries and the ugly incidents at so many of his rallies...

Home · Articles · News · Music · Rosanne Cash
. . . .

Rosanne Cash

Kristi Kates - August 23rd, 2010
Rosanne Cash’s LIST
By Kristi Kates
Rosanne Cash worked with a number of guest performers on her new
album, The List. A covers set, her first, that was narrowed down to a
select dozen songs from a list of an “Essential 100” that her father,
the late great Johnny Cash, gave to her when she was 18 years old, in
order to craft the foundation of her country-music education.
Each of these guest performers, so different in their styles and
approaches to music, were nonetheless fairly easy for Cash to define.
When asked what each one brought to the recording process in one word
(she sang duets with each of them), her answers were definitive - and
even, perhaps, somewhat unexpected.
“Bruce (Springsteen) brought romance; Jeff (Tweedy, of Wilco),
flawlessness; Rufus (Wainwright), creativity; and Elvis (Costello),
exuberance,” she smiles.

SONGS THAT SPEAK
Cash, who says she worked to create a “microcosm” of the original list
by including songs from Hank Williams, Jimmie Rodgers, and the Carter
Family, didn’t necessarily have a difficult time choosing which 12
songs to record; she simply chose the ones that spoke to her, and her
talents, the most.
“We chose songs that suited my voice, songs that I’ve been singing to
myself for all these years,” Cash explains.
In addition to getting the opportunity to translate these songs so
thoughtfully passed along to her by her father, working with her
husband, musician/producer/engineer John Leventhal, was another very
important element in the album’s process.
“Working with my husband, choosing the songs and talking about the
arrangements, was one of my favorite things about recording the
album,” she says, “the other was enjoying the emotional connection
I’ve had to these songs. It was a moving experience to sing them.”
For each of the 12 songs, which include Bob Dylan’s “Girl from the
North Country,” Guy Mitchell/Ray Price’s “Heartaches by the Number”
(which features Costello), and Patsy Cline’s “She’s Got You,” Cash
reinterprets them through a trio of influences - her father, of
course, plus her life in New York City (as opposed to Nashville), and
her own perspective on country music, after having recorded and
released eleven albums of her own.
For her live shows, she’s reinterpreting the songs through a pair of
live configurations.

LIVE AND COMPOSED
“I’m working as a duo with my husband John for some shows, and with a
full band - all Brooklynites - for some of the others,” she explains,
“it’s a great and musically diverse experience. Some songs are more
complicated than others to translate live, but the boys have proven
worthy of the task!”
In addition to her upcoming show in Manistee, Cash says she’s looking
forward to her performance in Berlin, Germany (“the audience there
really loves American roots music,” she says), and will be alternating
her musical performances with promotional events for her new book, a
memoir called Composed that was published on August 10 of this year.
Composed, which follows Cash’s life from her California childhood to
Europe, Nashville, and now her current home of New York, showcases her
detailed and eloquent writing style and storytelling abilities, as she
shares tales of singing with her father - and more than a few humorous
moments, such as her ending up lip-syncing some of her own songs at a
German circus - alongside some of the more difficult times in her
life.
But even though she’s incredibly busy with the many facets of her
career, Cash - never one to rest on her laurels, or to borrow anyone
else’s - is already thinking ahead to what may be a second covers
album.
“I’m looking forward to singing “I’m So Lonesome I Could Cry,”” she says.

Rosanne Cash will be performing at the Little River Casino Resort in
Manistee, MI on Saturday, August 28 at 8 p.m. Tickets are $50/$35/$20
and are available at
www.startickets.com, or may be purchased at the LRCR Gift Shop.

 
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