Letters

Letters 09-07-2015

DEJA VUE Traverse City faces the same question as faced by Ann Arbor Township several years ago. A builder wanted to construct a 250-student Montessori school on 7.78 acres. The land was zoned for suburban residential use. The proposed school building was permissible as a “conditional use.”

The Court Overreached Believe it or not, everyone who disagrees with the court’s ruling on gay marriage isn’t a hateful bigot. Some of us believe the Supreme Court simply usurped the rule of law by legislating from the bench...

Some Diversity, Huh? Either I’ve been misled or misinformed about the greater Traverse City area. I thought that everyone there was so ‘all inclusive’ and open to other peoples’ opinions and, though one may disagree with said person, that person was entitled to their opinion(s)...

Defending Good People I was deeply saddened to read Colleen Smith’s letter [in Aug. 24 issue] regarding her boycott of the State Theater. I know both Derek and Brandon personally and cannot begin to understand how someone could express such contempt for them...

Not Fascinating I really don’t understand how you can name Jada Johnson a fascinating person by being a hunter. There are thousands of hunters all over the world, shooting by gun and also by arrow; why is she so special? All the other people listed were amazing...

Back to Mayberry A phrase that is often used to describe the amiable qualities that make Traverse City a great place to live is “small-town charm,” conjuring images of life in 1940s small-town America. Where everyone in Mayberry greets each other by name, job descriptions are simple enough for Sarah Palin to understand, and milk is delivered to your door...

Don’t Be Threatened The August 31 issue had 10 letters(!) blasting a recent writer for her stance on gay marriage and the State Theatre. That is overkill. Ms. Smith has a right to her opinion, a right to comment in an open forum such as Northern Express...

Treat The Sickness Thank you to Grant Parsons for the editorial exposing the uglier residual of the criminalizing of drug use. Clean now, I struggled with addiction for a good portion of my adult life. I’ve never sold drugs or committed a violent crime, but I’ve been arrested, jailed, and eventually imprisoned. This did nothing but perpetuate shame, alienation, loss and continued use...

About A Girl -- Not Consider your audience, Thomas Kachadurian (“About A Girl” column). Preachy opinion pieces don’t change people’s minds. Example: “My view on abortion changed…It might be time for the rest of the country to catch up.” Opinion pieces work best when engaging the reader, not directing the reader...

Disappointed I am disappointed with the tone of many of the August 31 responses to Colleen Smith’s Letter to the Editor from the previous week. I do not hold Ms. Smith’s opinion; however, if we live in a diverse community, by definition, people will hold different views, value different things, look and act different from one another...

Free Will To Love I want to start off by saying I love Northern Express. It is well written, unbiased and always a pleasure to read. I am sorry I missed last month’s article referred to in the Aug. 24 letter titled, “No More State Theater.”

Home · Articles · News · Music · 4Play: Pete Yorn, Marc Cohn, The...
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4Play: Pete Yorn, Marc Cohn, The Who, Mumford & Sons

Kristi Kates - September 27th, 2010
Pete Yorn - Pete Yorn - Vagrant
Singer-songwriter Yorn, a veteran of the indie-folk scene, threw this
set together with far less foresight and planning than one would think
for a collection of songs of this quality. The album was actually
recorded in five days by Yorn along with The Pixies’ Frank Black in an
impromptu studio, eleven songs in all with minimal production and a
whole lot of Yorn-style musical introspection. The album’s first
single, “Sans Fear,” finds Yorn pondering the end of a relationship,
but he recovers fairly quickly (at least album-side) once the
follow-up tunes arrive, from “Rock Crowd” (an ode to his fans), the
witty “Velcro Shoes,” and the singledom anthem “Future Life.”

Marc Cohn - Listening Booth: 1970 - Saguaro Road Records
Casual Cohn listeners will most likely recollect his first hit (that’s
still a radio staple), “Walking in Memphis,” with its Tennessee town
imagery and Elvis references; but Cohn’s got a lot more than that up
his musical sleeves. In addition to his other original works, he’s
taken on this interesting self-assigned task; to take classic songs
from a certain year (in this case, obviously, 1970), and interpret
them his way, a cover album with a focus, if you will. He applies his
neofolk skills here to the likes of songs by John Lennon, Van
Morrison, Smokey Robinson, Simon and Garfunkel and Cat Stevens, among
others, all pushed through the boards by the talented producer John
Leventhal.

The Who - Live at the Isle of Wight - Eagle Records
Often considered one of the best live shows of The Who on audio
record, the band cranked out the rock well into the dark of night
during this concert, the pinnacle of a legendary concert fest that
also included performances by Miles Davis and The Doors. The Who
performs most of Tommy on this revitalized set, and includes plenty of
songs that are known today as classic, timeless The Who singles -
“Pinball Wizard,” “My Generation,” and “Magic Bus” among them. Thirty
tracks in all help encapsulate the concert evening into a great
reminiscence, and a more than worthy Who album to add to your
collection.

Mumford & Sons - Sigh No More - Glass Note
They seemed to arrive out of nowhere late this past summer, this
quartet of old-timey folk-pop-rockers from West London; but Mumford
and Sons have actually been around, albeit under the scene, since
2007. The four musician pals’ sound is most remiscent of Kings of
Leon, with this new album having been produced by Markus Dravs, who
most recently added his skills to one of Arcade Fire’s sets. Layered
harmonies and acoustic instruments set the stages for songs like the
title track, with its spare arrangement; other highlights include “The
Cave,” “I Gave You All,” and “Dust Bowl Dance,” alternately festooned
with everything from guitars to retro banjo sounds.

 
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