Letters

Letters 09-26-2016

Welcome To 1984 The Democrat Party, the government education complex, private corporations and foundations, the news media and the allpervasive sports and entertainment industry have incrementally repressed the foundational right of We the People to publicly debate open borders, forced immigration, sanctuary cities and the calamitous destruction of innate gender norms...

Grow Up, Kachadurian Apparently Tom Kachadurian has great words; too bad they make little sense. His Sept. 19 editorial highlights his prevalent beliefs that only Hillary and the Dems are engaged in namecalling and polarizing actions. Huh? What rock does he live under up on Old Mission...

Facts MatterThomas Kachadurian’s “In the Basket” opinion deliberately chooses to twist what Clinton said. He chooses to argue that her basket lumped all into the clearly despicable categories of the racist, sexist, homophobic , etc. segments of the alt right...

Turn Off Fox, Kachadurian I read Thomas Kachadurian’s opinion letter in last week’s issue. It seemed this opinion was the product of someone who offered nothing but what anyone could hear 24/7/365 on Fox News; a one-sided slime job that has been done better by Fox than this writer every day of the year...

Let’s Fix This Political Process Enough! We have been embroiled in the current election cycle for…well, over a year, or is it almost two? What is the benefit of this insanity? Exorbitant amounts of money are spent, candidates are under the microscope day and night, the media – now in action 24/7 – focuses on anything and everything anyone does, and then analyzes until the next event, and on it goes...

Can’t Cut Taxes 

We are in a different place today. The slogan, “Making America Great Again” begs the questions, “great for whom?” and “when was it great?” I have claimed my generation has lived in a bubble since WWII, which has offered a prosperity for a majority of the people. The bubble has burst over the last few decades. The jobs which provided a good living for people without a college degree are vanishing. Unions, which looked out for the welfare of employees, have been shrinking. Businesses have sought to produce goods where labor is not expensive...

Wrong About Clinton In response to Thomas Kachadurian’s column, I have to take issue with many of his points. First, his remarks about Ms. Clinton’s statement regarding Trump supporters was misleading. She was referring to a large segment of his supporters, not all. And the sad fact is that her statement was not a “smug notion.” Rather, it was the sad truth, as witnessed by the large turnout of new voters in the primaries and the ugly incidents at so many of his rallies...

Home · Articles · News · Art · David Grath
. . . .

David Grath

Robert Downes - October 4th, 2010
David Grath captures the Spirit of the Land
By Robert Downes
Painter David Grath has a funny story about his earliest days in
Leelanau County.
“I came up to Leland in 1957 and was wandering around Fishtown Harbor
with no place to stay,” he recalls. “Then I found this big
hollowed-out log on the beach just south of the harbor and I crawled
in with my sleeping bag and spent the night there. The next morning,
I heard the deep chug of a diesel engine on one of the fishing boats
and I crawled out of the log to find this beautiful scene of the lake,
with the sand, sky and water spreading out before me in the dawn. I
just fell in love with the place.”
It was spiritual moments like his morning on the beach that deepened
Grath’s relationship with the water, beaches, fields and forests he
evokes in the landscapes which have made him one of the region’s
foremost artists. He calls it satori -- the Japanese Buddhist term for
enlightenment.
This month, art-lovers will have a chance to share Grath’s sense of
satori through an exhibition of 25 new paintings at the Circa Estate
Winery in Leelanau County. The month-long exhibit is hosted by winery
owners Margaret and David Bell, who happen to be collectors of Grath’s
work.

INTERESTING APPROACH
Eloquent and thoughtful with a sense of humor as dry as a fine merlot,
Grath, 73, and his wife, Pamela (owner of Dog Ear’s Books in
Northport) live on a seven-acre farm north of Leland near the Happy
Hour Tavern.
“It’s totally secluded,” he says. “Our house is located quite a way
off the highway, so we don’t hear any traffic. It’s like stepping back
into the 1800s. We have a stream running by our property and it’s very
peaceful.”
His home is in harmony with the moodful landscapes he creates in his
studio/gallery, David Grath Fine Arts, located at 104 Grand Ave. in
Leland.
Grath has an interesting approach to his oil paintings. It’s much in
the preparation, soaking up impressions of a landscape, to be
re-imagined back in his studio.
“I don’t paint on the scene of a landscape,” he says. “Instead, I go
to a place I’m interested in and look at it again and again -- I may
make up to 50 trips.
“Then, I take my impressions and my most salient experiences back to
my studio and I paint what I recall. If I paint on location, I tend
to be too inclusive -- adding stuff the painting doesn’t need, like
telephone wires. A good painting involves excluding what isn’t needed
and keeping what’s important.”
On that score, Grath likes the transitions between the elements that
shape the land, such as the ever-changing shape of a shoreline, or the
place a forest meets a field.
“The thrust of my painting is essentially landscapes, but also the
great forces that shape the land and the water… I don’t include
architecture, birds or people -- you’ll never find a sailboat in my
work,” he says.
“I also like that intermediate place in between that hasn’t quite
become either water or shoreline yet, such as a bog. I like the idea
of a place where the water and the land haven’t made up their mind yet
on what they’re going to be when they ‘grow up.’”

WIDE-RANGING
In addition to his Leelanau haunts, you’ll find Grath at his studio on
an island 50 miles north of Tampa, Florida for four months each
winter, where he is also immersed in nature.
“There are only three or four houses on the island and no condos,” he
says. “But there are huge stands of sea grass, swamps and bogs. I
produced 34 new paintings there last winter.”
By the way, you can see those paintings exhibited in wide-ranging
locales. Grath has agents in the art capitals of the world and his
work is represented in Northport, Leland, New York, Paris and London.
As for his roots, Grath grew up in Detroit and St. Clair and attended
Eastern Michigan University, U-M, and Michigan State University, where
he received his Masters in Fine Arts. He began teaching art at the
college level at the tender age of 23 (as young as some of his
students) at the University of Arkansas and at Western Michigan
University.
“I taught for a dozen years, but then quit 25 years ago to pursue
painting full time.”
But none of that would have happened if it weren’t for another funny
story concerning his youth. Let’s end with that:
“When I was 15 years old, I had a little studio in the attic of our
home,” he says. “Well, one day we moved, and when we got to our new
home, my father said he’d thrown all of my painting stuff out in the
alley during the move -- he wanted me to become a lawyer. And I said,
‘well I’ll show him -- I will become an artist.’ I’ve been making a
living as a painter ever since.”

David Grath’s new oils will be exhibited at Circa Estate Winery
through October. The winery is located at 7788 E. Horn Road, Lake
Leelanau. A reception is planned for Sunday, Oct. 3 from 5-7 p.m.

 
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