Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Art · Sutton Foster
. . . .

Sutton Foster

Kristi Kates - October 25th, 2010
Sutton Foster Brings Broadway to TC
By Kristi Kates
Actress, singer, dancer, and Broadway conqueress Sutton Foster may have been raised in Troy, Michigan, but it didn’t take long for this ambitious talent to find her way to Broadway.
She actually left Troy High School early (snagging her degree via correspondence courses) to join a national musical tour - and it was goodbye, Michigan, and all about the big stage and the Great White Way from that point on.
After a few false starts in the form of auditioning for The Mickey Mouse Club and as a contestant on the Ed McMahon-helmed American Idol talent show precursor Star Search, Foster found herself in her first Broadway role, as the lead role of Sandy in the musical Grease in 1996. She quickly followed with a trio of other well-known Broadway plays - The Scarlet Pimpernel, Annie, and Les Miserables, in which she alternated between lead and support spots.
In her first “big” Broadway role - which she took over from former lead Erin Dilly in Thoroughly Modern Millie - the New York Post called her “cutely agreeable”; Newsday compared her to a young Carol Burnett; and Time Magazine said that she had “Broadway brass” and the lungs to go with it. Small wonder, then, that Foster would win the 2002 Tony Award for Best Leading Actress in a Musical - but that was only the beginning.

PUPPETS TO PRINCESSES
Following her time in ...Millie, Foster wound down a little, spending the next three years working onstage and on screen through a variety of smaller Broadway shows and a couple of television productions (puppet show Johnny and the Sprites, and the HBO comedy series Flight of the Conchords.)
But it was a big green ogre that would put her back on the Broadway map.
In 2008, Foster took on the cartoon-to-real-life role of Princess Fiona - that same big green ogre’s girlfriend - in Shrek the Musical, which opened in December of that year and ran until January, 2010. The fractured fairy tale would see Foster nominated for her fourth Tony Award. And then the musical side of things began to take more precedence in her career.

ENSEMBLE TO SOLO
Now signed to Ghostlight Records, Foster’s debut solo album, Wish, was released last year, on which she sings a variety of songs on her own this time around. There are Broadway numbers, of course, but also jazz, pop, and a little cabaret music. Following the release of her album and the subsequent supporting tour, she stepped into yet another real-life role - this one as a teacher at NYU’s New Studio, where she’ll be teaching master class sessions and performing workshops for students in the Department of Theater and Dance.
Foster’s diverse talent is being showcased in her live show dates, which will include a stop at Traverse City’s Opera House. Wth musical direction by Michael Rafter, Foster will perform Broadway songs plus music from her debut CD; and don’t worry if you’re not necessarily a fan of musicals, as Foster’s vocals lend themselves to a wide genre of songs.

Sutton Foster will be appearing at the City Opera House in Traverse City on Thursday, October 28 at 7:30 p.m. Tickets are $35/$20, and available at www.cityoperahouse.org or telephone 231-941-8082.

 
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