Letters

Letters 08-03-2015

Real Brownfields Deserve Dollars I read with interest the story on Brownfield development dollars in the July 20 issue. I applaud Dan Lathrop and other county commissioners who voted “No” on the Randolph Street project...

Hopping Mad Carlin Smith is hopping mad (“Will You Get Mad With Me?” 7-20-15). Somebody filed a fraudulent return using his identity, and he’s not alone. The AP estimates the government “pays more than $5 billion annually in fraudulent tax refunds.” Well, many of us have been hopping mad for years. This is because the number one tool Congress has used to fix this problem has been to cut the IRS budget –by $1.2 billion in the last 5 years...

Just Grumbling, No Solutions Mark Pontoni’s grumblings [recent Northern Express column] tell us much about him and virtually nothing about those he chooses to denigrate. We do learn that Pontoni may be the perfect political candidate. He’s arrogant, opinionated and obviously dimwitted...

A Racist Symbol I have to respond to Gordon Lee Dean’s letter claiming that the confederate battle flag is just a symbol of southern heritage and should not be banned from state displays. The heritage it represents was the treasonous effort to continue slavery by seceding from a democratic nation unwilling to maintain such a consummate evil...

Not So Thanks I would like to thank the individual who ran into and knocked over my Triumph motorcycle while it was parked at Lowe’s in TC on Friday the 24th. The $3,000 worth of damage was greatly appreciated. The big dent in the gas tank under the completely destroyed chrome badge was an especially nice touch...

Home · Articles · News · Art · Sutton Foster
. . . .

Sutton Foster

Kristi Kates - October 25th, 2010
Sutton Foster Brings Broadway to TC
By Kristi Kates
Actress, singer, dancer, and Broadway conqueress Sutton Foster may have been raised in Troy, Michigan, but it didn’t take long for this ambitious talent to find her way to Broadway.
She actually left Troy High School early (snagging her degree via correspondence courses) to join a national musical tour - and it was goodbye, Michigan, and all about the big stage and the Great White Way from that point on.
After a few false starts in the form of auditioning for The Mickey Mouse Club and as a contestant on the Ed McMahon-helmed American Idol talent show precursor Star Search, Foster found herself in her first Broadway role, as the lead role of Sandy in the musical Grease in 1996. She quickly followed with a trio of other well-known Broadway plays - The Scarlet Pimpernel, Annie, and Les Miserables, in which she alternated between lead and support spots.
In her first “big” Broadway role - which she took over from former lead Erin Dilly in Thoroughly Modern Millie - the New York Post called her “cutely agreeable”; Newsday compared her to a young Carol Burnett; and Time Magazine said that she had “Broadway brass” and the lungs to go with it. Small wonder, then, that Foster would win the 2002 Tony Award for Best Leading Actress in a Musical - but that was only the beginning.

PUPPETS TO PRINCESSES
Following her time in ...Millie, Foster wound down a little, spending the next three years working onstage and on screen through a variety of smaller Broadway shows and a couple of television productions (puppet show Johnny and the Sprites, and the HBO comedy series Flight of the Conchords.)
But it was a big green ogre that would put her back on the Broadway map.
In 2008, Foster took on the cartoon-to-real-life role of Princess Fiona - that same big green ogre’s girlfriend - in Shrek the Musical, which opened in December of that year and ran until January, 2010. The fractured fairy tale would see Foster nominated for her fourth Tony Award. And then the musical side of things began to take more precedence in her career.

ENSEMBLE TO SOLO
Now signed to Ghostlight Records, Foster’s debut solo album, Wish, was released last year, on which she sings a variety of songs on her own this time around. There are Broadway numbers, of course, but also jazz, pop, and a little cabaret music. Following the release of her album and the subsequent supporting tour, she stepped into yet another real-life role - this one as a teacher at NYU’s New Studio, where she’ll be teaching master class sessions and performing workshops for students in the Department of Theater and Dance.
Foster’s diverse talent is being showcased in her live show dates, which will include a stop at Traverse City’s Opera House. Wth musical direction by Michael Rafter, Foster will perform Broadway songs plus music from her debut CD; and don’t worry if you’re not necessarily a fan of musicals, as Foster’s vocals lend themselves to a wide genre of songs.

Sutton Foster will be appearing at the City Opera House in Traverse City on Thursday, October 28 at 7:30 p.m. Tickets are $35/$20, and available at www.cityoperahouse.org or telephone 231-941-8082.

 
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