Letters

Letters 09-26-2016

Welcome To 1984 The Democrat Party, the government education complex, private corporations and foundations, the news media and the allpervasive sports and entertainment industry have incrementally repressed the foundational right of We the People to publicly debate open borders, forced immigration, sanctuary cities and the calamitous destruction of innate gender norms...

Grow Up, Kachadurian Apparently Tom Kachadurian has great words; too bad they make little sense. His Sept. 19 editorial highlights his prevalent beliefs that only Hillary and the Dems are engaged in namecalling and polarizing actions. Huh? What rock does he live under up on Old Mission...

Facts MatterThomas Kachadurian’s “In the Basket” opinion deliberately chooses to twist what Clinton said. He chooses to argue that her basket lumped all into the clearly despicable categories of the racist, sexist, homophobic , etc. segments of the alt right...

Turn Off Fox, Kachadurian I read Thomas Kachadurian’s opinion letter in last week’s issue. It seemed this opinion was the product of someone who offered nothing but what anyone could hear 24/7/365 on Fox News; a one-sided slime job that has been done better by Fox than this writer every day of the year...

Let’s Fix This Political Process Enough! We have been embroiled in the current election cycle for…well, over a year, or is it almost two? What is the benefit of this insanity? Exorbitant amounts of money are spent, candidates are under the microscope day and night, the media – now in action 24/7 – focuses on anything and everything anyone does, and then analyzes until the next event, and on it goes...

Can’t Cut Taxes 

We are in a different place today. The slogan, “Making America Great Again” begs the questions, “great for whom?” and “when was it great?” I have claimed my generation has lived in a bubble since WWII, which has offered a prosperity for a majority of the people. The bubble has burst over the last few decades. The jobs which provided a good living for people without a college degree are vanishing. Unions, which looked out for the welfare of employees, have been shrinking. Businesses have sought to produce goods where labor is not expensive...

Wrong About Clinton In response to Thomas Kachadurian’s column, I have to take issue with many of his points. First, his remarks about Ms. Clinton’s statement regarding Trump supporters was misleading. She was referring to a large segment of his supporters, not all. And the sad fact is that her statement was not a “smug notion.” Rather, it was the sad truth, as witnessed by the large turnout of new voters in the primaries and the ugly incidents at so many of his rallies...

Home · Articles · News · Music · 4Play: Mes Aieux. The Devil Wears...
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4Play: Mes Aieux. The Devil Wears Prada, Karen Elson, Black Lotus

Kristi Kates - October 25th, 2010
Mes Aieux - La Ligne Orange - LLO
French popsters Mes Aieux’s latest (translated as “The Orange Line,” aka the Montreal Metro system) put forth an interesting blend of Canadian folk songs blended with their own modern lyrics; this mix allows them to stand out even more than their considerable musical talents already do. On this set, their fifth, they tap into classic pub songs and French chansons to translate over their topical wordplay, which includes subjects as diverse as the Olympics and local street musicians. Fifteen songs in all make this a worthy, unique, and interesting listen.





The Devil Wears Prada - Zombie EP - Ferret Records
TDWP decided that before they started work on a new full-length, they’d offer up a short EP to their fans. This is that EP, with five songs in all - “Survivor,” “Anatomy,” “Revive,” “Escape,” and “Outnumbered” - but there isn’t a whole lot of distinction between each track within this 20 minute set; it’s extremely heavy and overloaded with SFX, unfortunately at the expense of the songs themselves. If you enjoy the overbearing sounds of sirens, bomb-like drums, and saws, then you’ll dig it - if not, wait for the full-length, which might showcase a little more restraint.





Karen Elson - The Ghost Who Walks - XL Recordings Elson may be fortunate in having Jack White - also her husband - as producer and supporter on her debut album, a far cry from her previously successful modeling career; but that doesn’t mean she’s devoid of her own musical talent. Elson, who collaborates with White via him serving as both producer and drummer, along with Jackson Smith on guitar and Rachelle Garniez on backing vocals, presents a surprising kind of dark, alt-country mix on these songs, which suit her retro-ish vocal stylings. The title track is one of the best on the set, as is the cryptic “A Thief at My Door.”



Black Lotus - Harvest of Seasons - Bleak Art Records
This is another heavy set of tracks, although this one is far more complex and thoughtful in its scope, even within its framework of noise and aggressive vocal lines. The arrangements may be part of why this set works, as they are more concise and anchored with arena-worthy synths to carry the musical threads through each song.
Opener “Prelude” does a good job of setting the album’s consecutive scenes, from the mystical “Statues in Auburn” to companion pieces “Of
Pathless Woods” and “The Fallow Earth.” It still might be too dark for some, but it does succeed at its own genre.
 
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