Letters

Letters 08-03-2015

Real Brownfields Deserve Dollars I read with interest the story on Brownfield development dollars in the July 20 issue. I applaud Dan Lathrop and other county commissioners who voted “No” on the Randolph Street project...

Hopping Mad Carlin Smith is hopping mad (“Will You Get Mad With Me?” 7-20-15). Somebody filed a fraudulent return using his identity, and he’s not alone. The AP estimates the government “pays more than $5 billion annually in fraudulent tax refunds.” Well, many of us have been hopping mad for years. This is because the number one tool Congress has used to fix this problem has been to cut the IRS budget –by $1.2 billion in the last 5 years...

Just Grumbling, No Solutions Mark Pontoni’s grumblings [recent Northern Express column] tell us much about him and virtually nothing about those he chooses to denigrate. We do learn that Pontoni may be the perfect political candidate. He’s arrogant, opinionated and obviously dimwitted...

A Racist Symbol I have to respond to Gordon Lee Dean’s letter claiming that the confederate battle flag is just a symbol of southern heritage and should not be banned from state displays. The heritage it represents was the treasonous effort to continue slavery by seceding from a democratic nation unwilling to maintain such a consummate evil...

Not So Thanks I would like to thank the individual who ran into and knocked over my Triumph motorcycle while it was parked at Lowe’s in TC on Friday the 24th. The $3,000 worth of damage was greatly appreciated. The big dent in the gas tank under the completely destroyed chrome badge was an especially nice touch...

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4Play: Mes Aieux. The Devil Wears Prada, Karen Elson, Black Lotus

Kristi Kates - October 25th, 2010
Mes Aieux - La Ligne Orange - LLO
French popsters Mes Aieux’s latest (translated as “The Orange Line,” aka the Montreal Metro system) put forth an interesting blend of Canadian folk songs blended with their own modern lyrics; this mix allows them to stand out even more than their considerable musical talents already do. On this set, their fifth, they tap into classic pub songs and French chansons to translate over their topical wordplay, which includes subjects as diverse as the Olympics and local street musicians. Fifteen songs in all make this a worthy, unique, and interesting listen.





The Devil Wears Prada - Zombie EP - Ferret Records
TDWP decided that before they started work on a new full-length, they’d offer up a short EP to their fans. This is that EP, with five songs in all - “Survivor,” “Anatomy,” “Revive,” “Escape,” and “Outnumbered” - but there isn’t a whole lot of distinction between each track within this 20 minute set; it’s extremely heavy and overloaded with SFX, unfortunately at the expense of the songs themselves. If you enjoy the overbearing sounds of sirens, bomb-like drums, and saws, then you’ll dig it - if not, wait for the full-length, which might showcase a little more restraint.





Karen Elson - The Ghost Who Walks - XL Recordings Elson may be fortunate in having Jack White - also her husband - as producer and supporter on her debut album, a far cry from her previously successful modeling career; but that doesn’t mean she’s devoid of her own musical talent. Elson, who collaborates with White via him serving as both producer and drummer, along with Jackson Smith on guitar and Rachelle Garniez on backing vocals, presents a surprising kind of dark, alt-country mix on these songs, which suit her retro-ish vocal stylings. The title track is one of the best on the set, as is the cryptic “A Thief at My Door.”



Black Lotus - Harvest of Seasons - Bleak Art Records
This is another heavy set of tracks, although this one is far more complex and thoughtful in its scope, even within its framework of noise and aggressive vocal lines. The arrangements may be part of why this set works, as they are more concise and anchored with arena-worthy synths to carry the musical threads through each song.
Opener “Prelude” does a good job of setting the album’s consecutive scenes, from the mystical “Statues in Auburn” to companion pieces “Of
Pathless Woods” and “The Fallow Earth.” It still might be too dark for some, but it does succeed at its own genre.
 
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