Letters

Letters 07-28-14

Worry About Legals

I can’t figure out what perplexes me more, the misinformation everywhere in the media or those who believe it to be true. Take the Hobby Lobby case; as a company that is primarily owned by a religious family, they felt their First Amendment rights were infringed upon by the “Affordable” Care Act...

Stop Labeling and Enjoy

I have been struggling to find a simple way of understanding for myself the concepts of conservative, liberal, and moderation as it relates to our social interactions with each other...

Proposal One & The Public Good

Are you kidding me? Another corporate giveaway with loopholes for large corporations who rule us? Hasn’t our corrupt and worthless governor done enough to raise taxes, provide corporate welfare, unjustly tax pensions, and shut down elected officials with his emergency manager racket...

The Truth About Road Workers

Apparently Mr. Kachadurian did not catch on to the fact that the MDOT Employee Memorial in Clare is a tribute to highway workers who lost their lives building our transportation systems. It was paid for by current and former MDOT employees who likely knew some of these people personally...

Idiotic and Misguided

As a seasonal resident, I always look forward to reading your paper, if only because of the idiotic letters to the editor and off the wall columns...


Home · Articles · News · Music · 4Play: Mes Aieux. The Devil Wears...
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4Play: Mes Aieux. The Devil Wears Prada, Karen Elson, Black Lotus

Kristi Kates - October 25th, 2010
Mes Aieux - La Ligne Orange - LLO
French popsters Mes Aieux’s latest (translated as “The Orange Line,” aka the Montreal Metro system) put forth an interesting blend of Canadian folk songs blended with their own modern lyrics; this mix allows them to stand out even more than their considerable musical talents already do. On this set, their fifth, they tap into classic pub songs and French chansons to translate over their topical wordplay, which includes subjects as diverse as the Olympics and local street musicians. Fifteen songs in all make this a worthy, unique, and interesting listen.





The Devil Wears Prada - Zombie EP - Ferret Records
TDWP decided that before they started work on a new full-length, they’d offer up a short EP to their fans. This is that EP, with five songs in all - “Survivor,” “Anatomy,” “Revive,” “Escape,” and “Outnumbered” - but there isn’t a whole lot of distinction between each track within this 20 minute set; it’s extremely heavy and overloaded with SFX, unfortunately at the expense of the songs themselves. If you enjoy the overbearing sounds of sirens, bomb-like drums, and saws, then you’ll dig it - if not, wait for the full-length, which might showcase a little more restraint.





Karen Elson - The Ghost Who Walks - XL Recordings Elson may be fortunate in having Jack White - also her husband - as producer and supporter on her debut album, a far cry from her previously successful modeling career; but that doesn’t mean she’s devoid of her own musical talent. Elson, who collaborates with White via him serving as both producer and drummer, along with Jackson Smith on guitar and Rachelle Garniez on backing vocals, presents a surprising kind of dark, alt-country mix on these songs, which suit her retro-ish vocal stylings. The title track is one of the best on the set, as is the cryptic “A Thief at My Door.”



Black Lotus - Harvest of Seasons - Bleak Art Records
This is another heavy set of tracks, although this one is far more complex and thoughtful in its scope, even within its framework of noise and aggressive vocal lines. The arrangements may be part of why this set works, as they are more concise and anchored with arena-worthy synths to carry the musical threads through each song.
Opener “Prelude” does a good job of setting the album’s consecutive scenes, from the mystical “Statues in Auburn” to companion pieces “Of
Pathless Woods” and “The Fallow Earth.” It still might be too dark for some, but it does succeed at its own genre.
 
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