Letters

Letters 05-23-2016

Examine The Priorities Are you disgusted about closing schools, crumbling roads and bridges, and cuts everywhere? Investigate funding priorities of legislators. In 1985 at the request of President Reagan, Grover Norquist founded Americans for Tax Reform (ATR). For 30 years Norquist asked every federal and state candidate and incumbent to sign the pledge to vote against any increase in taxes. The cost of living has risen significantly since 1985; think houses, cars, health care, college, etc...

Make TC A Community For Children Let’s be that town that invests in children actively getting themselves to school in all of our neighborhoods. Let’s be that town that supports active, healthy, ready-to-learn children in all of our neighborhoods...

Where Are Real Christian Politicians? As a practicing Christian, I was very disappointed with the Rev. Dr. William C. Myers statements concerning the current presidential primaries (May 8). Instead of using the opportunity to share the message of Christ, he focused on Old Testament prophecies. Christ gave us a new commandment: to love one another...

Not A Great Plant Pick As outreach specialist for the Northwest Michigan Invasive Species Network and a citizen concerned about the health of our region’s natural areas, I was disappointed by the recent “Listen to the Local Experts” feature. When asked for their “best native plant pick,” three of the four garden centers referenced non-native plants including myrtle, which is incredibly invasive...

Truth About Plants Your feature, “listen to the local experts” contains an error that is not helpful for the birds and butterflies that try to live in northwest Michigan. Myrtle is not a native plant. The plant is also known as vinca and periwinkle...

Ask the Real Plant Experts This letter is written to express my serious concern about a recent “Listen To Your Local Experts” article where local nurseries suggested their favorite native plant. Three of the four suggested non-native plants and one suggested is an invasive and cause of serious damage to Michigan native plants in the woods. The article is both sad and alarming...

My Plant Picks In last week’s featured article “Listen to the Local Experts,” I was shocked at the responses from the local “experts” to the question about best native plant pick. Of the four “experts” two were completely wrong and one acknowledged that their pick, gingko tree, was from East Asia, only one responded with an excellent native plant, the serviceberry tree...

NOTE: Thank you to TC-based Eagle Eye Drone Service for the cover photo, taken high over Sixth Street in Traverse City.

Home · Articles · News · Music · Benny Green
. . . .

Benny Green

Kristi Kates - November 1st, 2010
Benny Green‘s Been Around: 100 album jazz odyssey for swing maven
By Kristi Kates
Benny Green’s discography reads like - well, like a very long discography. Green’s work, both on his own as a highly-regarded jazz pianist and also as a sideman to everyone from Art Blakey to Cecil Brooks III, Betty Carter to Bob Belden, Ray Brown to Freddie Hubbard, is more than impressive, spanning well over 100 album appearances.
And now, he’ll be adding to his equally lengthy list of live performances with a show at Interlochen’s Dendrinos Chapel and Recital Hall on November 4.

MONK AND BIRD
Growing up in Berkeley California, Green was largely influenced by his father, a jazz tenor saxophone player, and started studying piano at around 8 years old.
Of course his father’s jazz work would find its way into Green’s musical consciousness, even as a kid. As he says in his official bio, “I began trying to improvise on the piano, imitating the records I’d been hearing from my father’s record collection.”
Those records included a lot of Thelonious Monk and “Bird” - aka Charlie Parker - so the youthful pianist was already being influenced by the best.
He played in a series of school bands, got an early shot playing in a trio that opened for jazz singer Fay Carroll, soon found himself working with the likes of Eddie Henderson and big-band leader Chuck Israels - and then decided it was time to take a shot at his music in the Big Apple.
That decision would prove to be as fruitful for his career as the city’s nickname.

NY STATE OF SOUND
Once he got settled in New York City, Green began studying with pianist Walter Bishop Jr., whom he says helped “point me in the direction of developing my own sound.”
A wide range of performances and collaborations would quickly follow, including stints with Bobby Watson, Betty Carter, and finally, the band he became most known for working with, Art Blakey’s Jazz Messengers.
After several years with Blakey and his crew, Green began his own recording career with a pair of albums for a Dutch record label; he’d soon move on to sign with the legendary Blue Note. But progress would keep him moving.
Seven albums into Blue Note, he’d move forward and drop his debut on Telarc - 2000’s Naturally - and would find himself encouraged into attempting new musical experiments via his guitarist Russell Malone and bassist Christian McBride. 2002’s Green’s Blues then allowed Green to utilize that jazz growth, as he updated a series of jazz standards by the likes of George Gershwin, Fats Waller, and Duke Ellington. For Green, it’s about constantly growing as a musician.

IT’S GOTTA SWING
“For myself and a lot of musicians I admire, the main focus is to just swing and have fun... if I’m able to convey that, then I feel like I’m doing something positive,” he says. Green’s personal style has evolved in a jazz melting-pot way via his whopping 46 years of experience (though you’d never know it looking at his still-boyish face), and his style shifts over the years have only served to strengthen his ability to deftly move through an arrangement with his own signature flourishes while staying true to the tune itself. While Green’s had little classical training (“...whatever technical facility I have is mostly self-taught,” he said in a recent Jazz Review interview), his confidence and knowledge of the material - not to mention the combined respect and joy he passes along through the music - belies his “lack” of traditional musical education.
And as if that weren’t enough to draw in audiences, listeners might also be surprised by Green’s onstage demeanor.
A focused, serious player most of the time, when his quirky sense of humor surfaces unexpectedly, it adds even more personality to his performances, and yet another dimension to a man who has already conquered so many facets of his musical career.

Benny Green will be performing at Interlochen on Thursday, November 4 at 7:30 p.m. Tickets are $20 adult, $17 senior, and $9 student, and are available online at https://tickets.interlochen.org, or by calling the box office at 231-276-7800. For more on Benny Green, visit his website at www.bennygreenmusic.com.
 
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