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Letters 07-25-2016

Remember Bush-Cheney Does anyone remember George W. Bush and Dick Cheney? They were president and vice president a mere eight years ago. Does anyone out there remember the way things were at the end of their duo? It was terrible...

Mass Shootings And Gun Control The largest mass shooting in U.S. history occurred December 29,1890, when 297 Sioux Indians at Wounded Knee in South Dakota were murdered by federal agents and members of the 7th Cavalry who had come to confiscate their firearms “for their own safety and protection.” The slaughter began after the majority of the Sioux had peacefully turned in their firearms...

Families Need Representation When one party dominates the Michigan administration and legislature, half of Michigan families are not represented on the important issues that face our state. When a policy affects the non-voting K-12 students, they too are left out, especially when it comes to graduation requirements...

Raise The Minimum Wage I wanted to offer a different perspective on the issue of raising the minimum wage. The argument that raising the minimum wage will result in job loss is a bogus scare tactic. The need for labor will not change, just the cost of it, which will be passed on to the consumer, as it always has...

Make Cherryland Respect Renewable Cherryland Electric is about to change their net metering policy. In a nutshell, they want to buy the electricity from those of us who produce clean renewable electric at a rate far below the rate they buy electricity from other sources. They believe very few people have an interest in renewable energy...

Settled Science Climate change science is based on the accumulated evidence gained from studying the greenhouse effect for 200 years. The greenhouse effect keeps our planet 50 degrees warmer due to heat-trapping gases in our atmosphere. Basic principles of physics and chemistry dictate that Earth will warm as concentrations of greenhouse gases increase...

Home · Articles · News · Music · Benny Green
. . . .

Benny Green

Kristi Kates - November 1st, 2010
Benny Green‘s Been Around: 100 album jazz odyssey for swing maven
By Kristi Kates
Benny Green’s discography reads like - well, like a very long discography. Green’s work, both on his own as a highly-regarded jazz pianist and also as a sideman to everyone from Art Blakey to Cecil Brooks III, Betty Carter to Bob Belden, Ray Brown to Freddie Hubbard, is more than impressive, spanning well over 100 album appearances.
And now, he’ll be adding to his equally lengthy list of live performances with a show at Interlochen’s Dendrinos Chapel and Recital Hall on November 4.

MONK AND BIRD
Growing up in Berkeley California, Green was largely influenced by his father, a jazz tenor saxophone player, and started studying piano at around 8 years old.
Of course his father’s jazz work would find its way into Green’s musical consciousness, even as a kid. As he says in his official bio, “I began trying to improvise on the piano, imitating the records I’d been hearing from my father’s record collection.”
Those records included a lot of Thelonious Monk and “Bird” - aka Charlie Parker - so the youthful pianist was already being influenced by the best.
He played in a series of school bands, got an early shot playing in a trio that opened for jazz singer Fay Carroll, soon found himself working with the likes of Eddie Henderson and big-band leader Chuck Israels - and then decided it was time to take a shot at his music in the Big Apple.
That decision would prove to be as fruitful for his career as the city’s nickname.

NY STATE OF SOUND
Once he got settled in New York City, Green began studying with pianist Walter Bishop Jr., whom he says helped “point me in the direction of developing my own sound.”
A wide range of performances and collaborations would quickly follow, including stints with Bobby Watson, Betty Carter, and finally, the band he became most known for working with, Art Blakey’s Jazz Messengers.
After several years with Blakey and his crew, Green began his own recording career with a pair of albums for a Dutch record label; he’d soon move on to sign with the legendary Blue Note. But progress would keep him moving.
Seven albums into Blue Note, he’d move forward and drop his debut on Telarc - 2000’s Naturally - and would find himself encouraged into attempting new musical experiments via his guitarist Russell Malone and bassist Christian McBride. 2002’s Green’s Blues then allowed Green to utilize that jazz growth, as he updated a series of jazz standards by the likes of George Gershwin, Fats Waller, and Duke Ellington. For Green, it’s about constantly growing as a musician.

IT’S GOTTA SWING
“For myself and a lot of musicians I admire, the main focus is to just swing and have fun... if I’m able to convey that, then I feel like I’m doing something positive,” he says. Green’s personal style has evolved in a jazz melting-pot way via his whopping 46 years of experience (though you’d never know it looking at his still-boyish face), and his style shifts over the years have only served to strengthen his ability to deftly move through an arrangement with his own signature flourishes while staying true to the tune itself. While Green’s had little classical training (“...whatever technical facility I have is mostly self-taught,” he said in a recent Jazz Review interview), his confidence and knowledge of the material - not to mention the combined respect and joy he passes along through the music - belies his “lack” of traditional musical education.
And as if that weren’t enough to draw in audiences, listeners might also be surprised by Green’s onstage demeanor.
A focused, serious player most of the time, when his quirky sense of humor surfaces unexpectedly, it adds even more personality to his performances, and yet another dimension to a man who has already conquered so many facets of his musical career.

Benny Green will be performing at Interlochen on Thursday, November 4 at 7:30 p.m. Tickets are $20 adult, $17 senior, and $9 student, and are available online at https://tickets.interlochen.org, or by calling the box office at 231-276-7800. For more on Benny Green, visit his website at www.bennygreenmusic.com.
 
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