Letters 10-24-2016

It’s Obama’s 1984 Several editions ago I concluded a short letter to the editor with an ominous rhetorical flourish: “Welcome to George Orwell’s 1984 and the grand opening of the Federal Department of Truth!” At the time I am sure most of the readers laughed off my comments as right-wing hyperbole. Shame on you for doubting me...

Gun Bans Don’t Work It is said that mass violence only happens in the USA. A lone gunman in a rubber boat, drifted ashore at a popular resort in Tunisia and randomly shot and killed 38 mostly British and Irish tourists. Tunisian gun laws, which are among the most restrictive in the world, didn’t stop this mass slaughter. And in January 2015, two armed men killed 11 and wounded 11 others in an attack on the French satirical magazine Charlie Hebdo. French gun laws didn’t stop these assassins...

Scripps’ Good Deed No good deed shall go unpunished! When Dan Scripps was the 101st District State Representative, he introduced legislation to prevent corporations from contaminating (e.g. fracking) or depleting (e.g. Nestle) Michigan’s water table for corporate profit. There are no property lines in the water table, and many of us depend on private wells for abundant, safe, clean water. In the subsequent election, Dan’s opponents ran a negative campaign almost solely on the misrepresentation that Dan’s good deed was a government takeover of your private water well...

Political Definitions As the time to vote draws near it’s a good time to check into what you stand for. According to Dictionary.com the meanings for liberal and conservative are as follows:

Liberal: Favorable to progress or reform as in political or religious affairs.

Conservative: Disposed to preserve existing conditions, institutions, etc., or to restore traditions and limit change...

Voting Takes A Month? Hurricane Matthew hit the Florida coast Oct. 6, over three weeks before Election Day. Bob Ross (Oct. 17th issue) posits that perhaps evacuation orders from Governor Scott may have had political motivations to diminish turnout and seems to praise Hillary Clinton’s call for Gov. Scott to extend Florida’s voter registration deadline due to evacuations...

Clinton Foundation Facts Does the Clinton Foundation really spend a mere 10 percent (per Mike Pence) or 20 percent (per Reince Priebus) of its money on charity? Not true. Charity Watch gives it an A rating (the same as it gives the NRA Foundation) and says it spends 88 percent on charitable causes, and 12 percent on overhead. Here is the source of the misunderstanding: The Foundation does give only a small percentage of its money to charitable organizations, but it spends far more money directly running a number of programs...

America Needs Change Trump supports our constitution, will appoint judges that will keep our freedoms safe. He supports the partial-birth ban; Hillary voted against it. Regardless of how you feel about Trump, critical issues are at stake. Trump will increase national security, monitor refugee admissions, endorse our vital military forces while fighting ISIS. Vice-presidential candidate Mike Pence will be an intelligent asset for the country. Hillary wants open borders, increased government regulation, and more demilitarization at a time when we need strong military defenses...

My Process For No I will be voting “no” on Prop 3 because I am supportive of the process that is in place to review and approve developments. I was on the Traverse City Planning Commission in the 1990s and gained an appreciation for all of the work that goes into a review. The staff reviews the project and makes a recommendation. The developer then makes a presentation, and fellow commissioners and the public can ask questions and make comments. By the end of the process, I knew how to vote for a project, up or down. This process then repeats itself at the City Commission...

Regarding Your Postcard If you received a “Vote No” postcard from StandUp TC, don’t believe their lies. Prop 3 is not illegal. It won’t cost city taxpayers thousands of dollars in legal bills or special elections. Prop 3 is about protecting our downtown -- not Munson, NMC or the Commons -- from a future of ugly skyscrapers that will diminish the very character of our downtown...

Vote Yes It has been suggested that a recall or re-election of current city staff and Traverse City Commission would work better than Prop 3. I disagree. A recall campaign is the most divisive, costly type of election possible. Prop 3, when passed, will allow all city residents an opportunity to vote on any proposed development over 60 feet tall at no cost to the taxpayer...

Yes Vote Explained A “yes” vote on Prop 3 will give Traverse City the right to vote on developments over 60 feet high. It doesn’t require votes on every future building, as incorrectly stated by a previous letter writer. If referendums are held during general elections, taxpayers pay nothing...

Beware Trump When the country you love have have served for 33 years is threatened, you have an obligation and a duty to speak out. Now is the time for all Americans to speak out against a possible Donald Trump presidency. During the past year Trump has been exposed as a pathological liar, a demagogue and a person who is totally unfit to assume the presidency of our already great country...

Picture Worth 1,000 Words Nobody disagrees with the need for affordable housing or that a certain level of density is dollar smart for TC. The issue is the proposed solution. If you haven’t already seen the architect’s rendition for the site, please Google “Pine Street Development Traverse City”...

Living Wage, Not Tall Buildings Our community deserves better than the StandUp TC “vote no” arguments. They are not truthful. Their yard signs say: “More Housing. Less Red Tape. Vote like you want your kids to live here.” The truth: More housing, but for whom? At what price..

Home · Articles · News · Music · Benny Green
. . . .

Benny Green

Kristi Kates - November 1st, 2010
Benny Green‘s Been Around: 100 album jazz odyssey for swing maven
By Kristi Kates
Benny Green’s discography reads like - well, like a very long discography. Green’s work, both on his own as a highly-regarded jazz pianist and also as a sideman to everyone from Art Blakey to Cecil Brooks III, Betty Carter to Bob Belden, Ray Brown to Freddie Hubbard, is more than impressive, spanning well over 100 album appearances.
And now, he’ll be adding to his equally lengthy list of live performances with a show at Interlochen’s Dendrinos Chapel and Recital Hall on November 4.

Growing up in Berkeley California, Green was largely influenced by his father, a jazz tenor saxophone player, and started studying piano at around 8 years old.
Of course his father’s jazz work would find its way into Green’s musical consciousness, even as a kid. As he says in his official bio, “I began trying to improvise on the piano, imitating the records I’d been hearing from my father’s record collection.”
Those records included a lot of Thelonious Monk and “Bird” - aka Charlie Parker - so the youthful pianist was already being influenced by the best.
He played in a series of school bands, got an early shot playing in a trio that opened for jazz singer Fay Carroll, soon found himself working with the likes of Eddie Henderson and big-band leader Chuck Israels - and then decided it was time to take a shot at his music in the Big Apple.
That decision would prove to be as fruitful for his career as the city’s nickname.

Once he got settled in New York City, Green began studying with pianist Walter Bishop Jr., whom he says helped “point me in the direction of developing my own sound.”
A wide range of performances and collaborations would quickly follow, including stints with Bobby Watson, Betty Carter, and finally, the band he became most known for working with, Art Blakey’s Jazz Messengers.
After several years with Blakey and his crew, Green began his own recording career with a pair of albums for a Dutch record label; he’d soon move on to sign with the legendary Blue Note. But progress would keep him moving.
Seven albums into Blue Note, he’d move forward and drop his debut on Telarc - 2000’s Naturally - and would find himself encouraged into attempting new musical experiments via his guitarist Russell Malone and bassist Christian McBride. 2002’s Green’s Blues then allowed Green to utilize that jazz growth, as he updated a series of jazz standards by the likes of George Gershwin, Fats Waller, and Duke Ellington. For Green, it’s about constantly growing as a musician.

“For myself and a lot of musicians I admire, the main focus is to just swing and have fun... if I’m able to convey that, then I feel like I’m doing something positive,” he says. Green’s personal style has evolved in a jazz melting-pot way via his whopping 46 years of experience (though you’d never know it looking at his still-boyish face), and his style shifts over the years have only served to strengthen his ability to deftly move through an arrangement with his own signature flourishes while staying true to the tune itself. While Green’s had little classical training (“...whatever technical facility I have is mostly self-taught,” he said in a recent Jazz Review interview), his confidence and knowledge of the material - not to mention the combined respect and joy he passes along through the music - belies his “lack” of traditional musical education.
And as if that weren’t enough to draw in audiences, listeners might also be surprised by Green’s onstage demeanor.
A focused, serious player most of the time, when his quirky sense of humor surfaces unexpectedly, it adds even more personality to his performances, and yet another dimension to a man who has already conquered so many facets of his musical career.

Benny Green will be performing at Interlochen on Thursday, November 4 at 7:30 p.m. Tickets are $20 adult, $17 senior, and $9 student, and are available online at https://tickets.interlochen.org, or by calling the box office at 231-276-7800. For more on Benny Green, visit his website at www.bennygreenmusic.com.
  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5