Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Music · 11/15/2011 4Play: The Besnard...
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11/15/2011 4Play: The Besnard Lakes, Phosphrescent, Josh Ritter, Black Mountain

Kristi Kates - November 15th, 2010
The Besnard Lakes - The Besnard Lakes Are the Roaring Night - Jagjaguwar
Montreal band Besnard Lakes add even more power to their orchestral pop-rock blend, with epic compositions and dense yet opaque song structures. “Land of the Living Skies” stacks instrument upon instrument as it moves along, adding each element with precision until the song is at its optimum balance. “Albatross” sketches in horns, layered vocals, and chilled drums, and “Chicago Train” utilizes strings to interplay its sad feel with the guitar work. All of the attention to detail is what makes this one of the Canadian band’s more accessible yet still unique sets.



Phosphorescent - Here’s to Taking it Easy - Dead Oceans
Most reminiscent of older Wilco, this alt-Americana band’s latest features the expected country-Western rhythms, buzzing guitars, and
lovelorn lyrics. It’s nothing terribly different for the band, but the songs are solid, and reside thematically well on the album as a whole. “The Mermaid Parade” - one of the set’s best tunes - finds singer Houck wandering around New York’s Coney Island after a breakup; another song, aptly titled “Los Angeles,” plops the band on the opposite coast, complete with underground folk guitar and the unmistakable influence of Neil Young.




Josh Ritter - So Runs the World Away - Pytheas
Ritter’s fifth album finds him in an audacious mood, with the album’s lyrical topics centering on explorers and discoverers from Egypt to the Polar caps to the high seas. It’s nice to see an artist crafting a theme like this and seeing it all the way through the album, and the quality of the music matches these aspirations; “Southern Pacific” sings of a seafaring man; “The Curse” tells the tale of an Egyptian mummy meeting a modern-day archaeologist; and “The Remnant” finds Ritter musically trekking through the wilderness. Ambitious and well-executed.



Black Mountain - Wilderness Heart - Jagjaguwar
Hailing from the other side of Canada, Vancouver’s Black Mountain have thankfully grown since their first classic-meets-drone rock album back in 2005, with this more advanced, emotional set. While their sound is not for everyone - it veers too much toward ‘70s psychedelic-metal for its own good at times - the tunes are well-structured and there are some interesting little components that hint toward better things in the future. “Buried by the Blues” utilizes a simple tambourine to set the pace, and “Radiant Heart” is a standout duet between singers McBean and Webber.
 
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