Letters

Letters 08-03-2015

Real Brownfields Deserve Dollars I read with interest the story on Brownfield development dollars in the July 20 issue. I applaud Dan Lathrop and other county commissioners who voted “No” on the Randolph Street project...

Hopping Mad Carlin Smith is hopping mad (“Will You Get Mad With Me?” 7-20-15). Somebody filed a fraudulent return using his identity, and he’s not alone. The AP estimates the government “pays more than $5 billion annually in fraudulent tax refunds.” Well, many of us have been hopping mad for years. This is because the number one tool Congress has used to fix this problem has been to cut the IRS budget –by $1.2 billion in the last 5 years...

Just Grumbling, No Solutions Mark Pontoni’s grumblings [recent Northern Express column] tell us much about him and virtually nothing about those he chooses to denigrate. We do learn that Pontoni may be the perfect political candidate. He’s arrogant, opinionated and obviously dimwitted...

A Racist Symbol I have to respond to Gordon Lee Dean’s letter claiming that the confederate battle flag is just a symbol of southern heritage and should not be banned from state displays. The heritage it represents was the treasonous effort to continue slavery by seceding from a democratic nation unwilling to maintain such a consummate evil...

Not So Thanks I would like to thank the individual who ran into and knocked over my Triumph motorcycle while it was parked at Lowe’s in TC on Friday the 24th. The $3,000 worth of damage was greatly appreciated. The big dent in the gas tank under the completely destroyed chrome badge was an especially nice touch...

Home · Articles · News · Music · 11/15/2011 4Play: The Besnard...
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11/15/2011 4Play: The Besnard Lakes, Phosphrescent, Josh Ritter, Black Mountain

Kristi Kates - November 15th, 2010
The Besnard Lakes - The Besnard Lakes Are the Roaring Night - Jagjaguwar
Montreal band Besnard Lakes add even more power to their orchestral pop-rock blend, with epic compositions and dense yet opaque song structures. “Land of the Living Skies” stacks instrument upon instrument as it moves along, adding each element with precision until the song is at its optimum balance. “Albatross” sketches in horns, layered vocals, and chilled drums, and “Chicago Train” utilizes strings to interplay its sad feel with the guitar work. All of the attention to detail is what makes this one of the Canadian band’s more accessible yet still unique sets.



Phosphorescent - Here’s to Taking it Easy - Dead Oceans
Most reminiscent of older Wilco, this alt-Americana band’s latest features the expected country-Western rhythms, buzzing guitars, and
lovelorn lyrics. It’s nothing terribly different for the band, but the songs are solid, and reside thematically well on the album as a whole. “The Mermaid Parade” - one of the set’s best tunes - finds singer Houck wandering around New York’s Coney Island after a breakup; another song, aptly titled “Los Angeles,” plops the band on the opposite coast, complete with underground folk guitar and the unmistakable influence of Neil Young.




Josh Ritter - So Runs the World Away - Pytheas
Ritter’s fifth album finds him in an audacious mood, with the album’s lyrical topics centering on explorers and discoverers from Egypt to the Polar caps to the high seas. It’s nice to see an artist crafting a theme like this and seeing it all the way through the album, and the quality of the music matches these aspirations; “Southern Pacific” sings of a seafaring man; “The Curse” tells the tale of an Egyptian mummy meeting a modern-day archaeologist; and “The Remnant” finds Ritter musically trekking through the wilderness. Ambitious and well-executed.



Black Mountain - Wilderness Heart - Jagjaguwar
Hailing from the other side of Canada, Vancouver’s Black Mountain have thankfully grown since their first classic-meets-drone rock album back in 2005, with this more advanced, emotional set. While their sound is not for everyone - it veers too much toward ‘70s psychedelic-metal for its own good at times - the tunes are well-structured and there are some interesting little components that hint toward better things in the future. “Buried by the Blues” utilizes a simple tambourine to set the pace, and “Radiant Heart” is a standout duet between singers McBean and Webber.
 
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