Letters

Letters 07-28-14

Worry About Legals

I can’t figure out what perplexes me more, the misinformation everywhere in the media or those who believe it to be true. Take the Hobby Lobby case; as a company that is primarily owned by a religious family, they felt their First Amendment rights were infringed upon by the “Affordable” Care Act...

Stop Labeling and Enjoy

I have been struggling to find a simple way of understanding for myself the concepts of conservative, liberal, and moderation as it relates to our social interactions with each other...

Proposal One & The Public Good

Are you kidding me? Another corporate giveaway with loopholes for large corporations who rule us? Hasn’t our corrupt and worthless governor done enough to raise taxes, provide corporate welfare, unjustly tax pensions, and shut down elected officials with his emergency manager racket...

The Truth About Road Workers

Apparently Mr. Kachadurian did not catch on to the fact that the MDOT Employee Memorial in Clare is a tribute to highway workers who lost their lives building our transportation systems. It was paid for by current and former MDOT employees who likely knew some of these people personally...

Idiotic and Misguided

As a seasonal resident, I always look forward to reading your paper, if only because of the idiotic letters to the editor and off the wall columns...


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4Play: Bruce Springsteen, YOSO, CTI Records, California Guitar Trio

Ross Boissoneau - December 6th, 2010
Bruce Springsteen – The Promise (Columbia)
This set of leftovers from the Darkness on the Edge of Town sessions proves two things: Springsteen made the correct selections for that album, and there’s no reason this should have been kept in the vaults this long. Darkness was tough and hard-rocking, while these two CDs (three plus DVDs in the deluxe set) offer a slightly more encompassing view of the Bruce of 30 years ago. It’s interesting to hear different versions of “Candy’s Room” and “Racing in the Street.” Other highlights abound, from the bouncy “Ain’t Good Enough For You” to studio versions of live favorites “Fire” and “Because the Night.”



YOSO – Elements (Frontiers Records)
Two parts Yes (keyboardist Tony Kaye and multi-instrumentalist Billy Sherwood) and one part Toto (vocalist Bobby Kimball), YOSO strikes a balance between Yes progginess and Toto’s radio-friendly rock. What might not be expected is that this two-CD set is really quite good. Kimball’s soaring vocals are matched by the power of the music. Live, the group adds a guitarist and drummer (Sherwood handles both here, as well as bass, keyboards, and backing vocals), and they perform a smattering of their previous bands’ songs. But this set suggests promise for YOSO as a recording group, as well as live attraction.



CTI Records – The Cool Revolution (CTI)
During the 70s, the CTI label – for label head/producer Creed Taylor (Inc.) – produced a bevy of high quality jazz recordings, with the likes of Ron Carter, Freddie Hubbard, George Benson, Antonio Carlos Jobim, and many others. The styles ranged from straightahead jazz to crossover, Brazilian to big band. This four-disc retrospective is divided into Straight Up, Big Hits (including Grover Washington Jr.’s “Mister Magic”), the Brazilian Connection, and Cool and Classic. For those around the first time, this will bring back memories. Those who weren’t now have the chance to hear these great tunes in great sound.


California Guitar Trio – Andromeda (Inner Knot)
This new set of all-original music may be the best CGT album ever. High praise indeed. But considering the quality of these songs and the performances, it’s not out of line to suggest that. The three members of the CGT – Bert Lams, Paul Richards, and Hideyo Moriya – have been together going on 20 years, and their unique approach continues to serve them well. The combine elements of classical minimalism, surf rock, acoustic folk, and progressive rock in their instrumental palette. Check out the quotes from Genesis’s “Supper’s Ready” or “Turn of the Tide.” Shimmering melodies shifting from electric guitar to acoustic, with a dash of bass, drums, stick or marimba to spice things up.
 
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