Letters

Letters 08-03-2015

Real Brownfields Deserve Dollars I read with interest the story on Brownfield development dollars in the July 20 issue. I applaud Dan Lathrop and other county commissioners who voted “No” on the Randolph Street project...

Hopping Mad Carlin Smith is hopping mad (“Will You Get Mad With Me?” 7-20-15). Somebody filed a fraudulent return using his identity, and he’s not alone. The AP estimates the government “pays more than $5 billion annually in fraudulent tax refunds.” Well, many of us have been hopping mad for years. This is because the number one tool Congress has used to fix this problem has been to cut the IRS budget –by $1.2 billion in the last 5 years...

Just Grumbling, No Solutions Mark Pontoni’s grumblings [recent Northern Express column] tell us much about him and virtually nothing about those he chooses to denigrate. We do learn that Pontoni may be the perfect political candidate. He’s arrogant, opinionated and obviously dimwitted...

A Racist Symbol I have to respond to Gordon Lee Dean’s letter claiming that the confederate battle flag is just a symbol of southern heritage and should not be banned from state displays. The heritage it represents was the treasonous effort to continue slavery by seceding from a democratic nation unwilling to maintain such a consummate evil...

Not So Thanks I would like to thank the individual who ran into and knocked over my Triumph motorcycle while it was parked at Lowe’s in TC on Friday the 24th. The $3,000 worth of damage was greatly appreciated. The big dent in the gas tank under the completely destroyed chrome badge was an especially nice touch...

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4Play: Duffy, Carole King & James Taylor, Trey Gunn, The Bombastic Meatballs featuring Chad Smith

Ross Boissoneau - December 13th, 2010
Duffy – Endlessly (Mercury)
The Welsh pop chanteuse has teamed up with producer/composer Albert Hammond for a set of songs that hit all the bases: there are string-laden, melancholy mood pieces (“Don’t Forsake Me”), electro-house beats (“Lovestruck”), pure pop for now people (“Girl”), jangly alternative acoustic rock (“Breath Away” and the title track). Throughout, Duffy’s little girl voice matches passion with compassion. Think Petula Clark meets Claire Grogan. Like those two singers, the voice can become too thin or simply wear on the listener after a while. But the songs stand up to repeated listens, the accompaniment is spot-on, and if the listener can get used to or even enjoy her little-girl voice, there’s much to be savored here.


Carole King/James Taylor – Live at the Troubador (Hear Music)
Recorded during their joint tour, old friends James Taylor and Carole King revisit a past shared through their music by boomers everywhere. Yes, the hits from yesteryear are all there: “Carolina in my Mind,” “It’s Too Late,” “Smackwater Jack,” “Will You Love Me Tomorrow,” “You’ve Got a Friend” and ten others. The concert is duplicated on the accompanying DVD, and the booklet includes classic photos from today and the original recording sessions for Tapestry and Sweet Baby James. With three-fourths of the original Section – Danny Kortchmar, Lee Sklar and Russ Kunkel – Taylor and King hit all the right notes. No, there aren’t any surprises, but try to find anyone who says that’s a problem.



Trey Gunn – I’ll Tell What I Saw (7d Media)
This compilation from the one-time King Crimson bassist and stick player hits a lot of, well, bases. Ambient rock soundscapes, thumping drum & bass explorations, instrumentals and vocal tracks – and that’s on just the first tune! This two-CD collection includes material from various band, solo and duo excursions. Gunn’s music is ever-restless, and titles like “Misery, Misery, Die, Die,” “Thick and Thorny” and “Absinthe & a Cracker” offer a hint at the worlds he explores. Unfortunately, there’s nothing here from Crimson or his new UKZ project with Eddie Jobson, an offshoot of prog/fusion band UK (which was itself an offshoot of ‘70s-era Crimson), but what is here is adventurous, occasionally melodic and always interesting.

The Bombastic Meatbats featuring Chad Smith – More Meat (Warrior)
Hold on! The drummer for The Red Hot Chili Peppers has taken his cue from the jam-heavy sound of Brand X or Greg Howe, with a set of bracing, in-your-face tracks that find the funk in fusion. This doesn’t sound like what one might expect from a drummer’s solo album. The drum solos are few and far between, instead leaving the space mostly to guitarist Jeff Kollman, and he grabs it with gusto. Keyboard player Ed Roth fills the remaining spaces, often with ‘70s-style sounds from his electric piano and wonderfully out-of-tune clavinet. Meanwhile, the rhythm section of Smith and bassist Kevin Chown grabs the beat and wrestles it into submission. There’s not much subtlety here. That’s just too bad.
 
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