Letters

Letters 07-28-14

Worry About Legals

I can’t figure out what perplexes me more, the misinformation everywhere in the media or those who believe it to be true. Take the Hobby Lobby case; as a company that is primarily owned by a religious family, they felt their First Amendment rights were infringed upon by the “Affordable” Care Act...

Stop Labeling and Enjoy

I have been struggling to find a simple way of understanding for myself the concepts of conservative, liberal, and moderation as it relates to our social interactions with each other...

Proposal One & The Public Good

Are you kidding me? Another corporate giveaway with loopholes for large corporations who rule us? Hasn’t our corrupt and worthless governor done enough to raise taxes, provide corporate welfare, unjustly tax pensions, and shut down elected officials with his emergency manager racket...

The Truth About Road Workers

Apparently Mr. Kachadurian did not catch on to the fact that the MDOT Employee Memorial in Clare is a tribute to highway workers who lost their lives building our transportation systems. It was paid for by current and former MDOT employees who likely knew some of these people personally...

Idiotic and Misguided

As a seasonal resident, I always look forward to reading your paper, if only because of the idiotic letters to the editor and off the wall columns...


Home · Articles · News · Music · 4Play: Elvis Costello, The Acorn,...
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4Play: Elvis Costello, The Acorn, Nellie McKay, High Dials

Kristi Kates - January 24th, 2011
Elvis Costello - National Ransom - Hear Music
Recorded in a mere 11 days, Costello teams up with uber-producer T-Bone Burnett for his latest, which consists of a new tracks and plenty of guest appearances, including Vince Gill, Leon Russell, and Marc Ribot. It’s standard Costello as far as the compositions themselves, but there are hints of interesting new inflections here and there, like the Naw’lins-influenced “Jimmie Standing in the Rain,” the countryfied “I Lost You,” and the folky, backcountry-meets-jazz sound of “A Slow Drag with Josephine,” as enhanced by mandolins and Costello’s distinctive voice.




The Acorn - No Ghost - Bella Union
Recorded in an isolated cottage in northern Canada, where the band focused by leaving cell phones and TVs behind, The Acorn’s latest allows a little of their countryside surroundings into the mix, in which insects sounds and wild creaks can be heard in the backgrounds of many of the songs. Opener “Cobbled from Dust” sets the tone with its warm rural feel added to The Acorn’s instrumentally experimental tunes. The title track is one of the standouts, as are the lighter “Misplaced” and, by constrast, the heavier “Crossed the Wire.” It’s a solid accomplishment from a band with a lot of skill.




Nellie McKay - Home Sweet Mobile Home - Verve
McKay’s first album of original tunes since 2007 finds the quirky singer-songwriter in a mischievous, eclectic, and droll mood. Recorded in a variety of locales, including NY, LA, and Jamaica, the set, per McKay’s usual, mixes a diverse palette of sounds and influences, all brought together by McKay’s unusual, idiosyncratic vocals. Included here are tracks like the reggae-spun “Caribbean Time” and the appropriately-dubbed “Unknown Reggae” the jazzy, quizzical “Dispossessed,” the danceable, neo-soul “No Equality,” and the balladry of “Coosada Blues.”



High Dials - Anthems for a Doomed Youth - RQ
After building a studio in an old building previously inhabited by the Canadian Navy, High Dials got to work on their latest set, utilizing the building’s ballroom for the echoey sounds found on many of these ‘60s-influenced tunes. The album has a very live feel to it - no doubt due in part to the recording locale - which serves the songs well, from the buoyant “...Love Made Me Insane” and “I’m Over You (I Know It’s True)” to the R.E.M.-esque “Chinese Boxes.” It’s definitely poppier than earlier sets, but that might help broaden this talented band’s fanbase.

 
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