Letters

Letters 07-27-2015

Next For Brownfields In regard to your recent piece on brownfield redevelopment in TC, the Randolph Street project appears to be proceeding without receiving its requested $600k in brownfield funding from the county. In response to this, the mayor is quoted as saying that the developer bought the property prior to performing an environmental assessment and had little choice but to now build it...

Defending Our Freedom This is in response to Sally MacFarlane Neal’s recent letter, “War Machines for Family Entertainment.” Wake Up! Make no mistake about it, we are at war! Even though the idiot we have for a president won’t accept the fact because he believes we can negotiate with Iran, etc., ISIS and their like make it very clear they intend to destroy the free world as we know it. If you take notice of the way are constantly destroying their own people, is that living...

What Is Far Left? Columnist Steve Tuttle, who so many lambaste as a liberal, considers Sen. Sanders a far out liberal “nearly invisible from the middle.” Has the middle really shifted that far right? Sanders has opposed endless war and the Patriot Act. Does Mr. Tuttle believe most of our citizens praise our wars and the positive results we have achieved from them? Is supporting endless war or giving up our civil liberties middle of the road...

Parking Corrected Stephen Tuttle commented on parking in the July 13 Northern Express. As Director of the Traverse City Downtown Development Authority, I feel compelled to address a couple key issues. But first, I acknowledge that  there is some consternation about parking downtown. As more people come downtown served by less parking, the pressure on what parking we have increases. Downtown serves a county with a population of 90,000 and plays host to over three million visitors annually...

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4Play: Elvis Costello, The Acorn, Nellie McKay, High Dials

Kristi Kates - January 24th, 2011
Elvis Costello - National Ransom - Hear Music
Recorded in a mere 11 days, Costello teams up with uber-producer T-Bone Burnett for his latest, which consists of a new tracks and plenty of guest appearances, including Vince Gill, Leon Russell, and Marc Ribot. It’s standard Costello as far as the compositions themselves, but there are hints of interesting new inflections here and there, like the Naw’lins-influenced “Jimmie Standing in the Rain,” the countryfied “I Lost You,” and the folky, backcountry-meets-jazz sound of “A Slow Drag with Josephine,” as enhanced by mandolins and Costello’s distinctive voice.




The Acorn - No Ghost - Bella Union
Recorded in an isolated cottage in northern Canada, where the band focused by leaving cell phones and TVs behind, The Acorn’s latest allows a little of their countryside surroundings into the mix, in which insects sounds and wild creaks can be heard in the backgrounds of many of the songs. Opener “Cobbled from Dust” sets the tone with its warm rural feel added to The Acorn’s instrumentally experimental tunes. The title track is one of the standouts, as are the lighter “Misplaced” and, by constrast, the heavier “Crossed the Wire.” It’s a solid accomplishment from a band with a lot of skill.




Nellie McKay - Home Sweet Mobile Home - Verve
McKay’s first album of original tunes since 2007 finds the quirky singer-songwriter in a mischievous, eclectic, and droll mood. Recorded in a variety of locales, including NY, LA, and Jamaica, the set, per McKay’s usual, mixes a diverse palette of sounds and influences, all brought together by McKay’s unusual, idiosyncratic vocals. Included here are tracks like the reggae-spun “Caribbean Time” and the appropriately-dubbed “Unknown Reggae” the jazzy, quizzical “Dispossessed,” the danceable, neo-soul “No Equality,” and the balladry of “Coosada Blues.”



High Dials - Anthems for a Doomed Youth - RQ
After building a studio in an old building previously inhabited by the Canadian Navy, High Dials got to work on their latest set, utilizing the building’s ballroom for the echoey sounds found on many of these ‘60s-influenced tunes. The album has a very live feel to it - no doubt due in part to the recording locale - which serves the songs well, from the buoyant “...Love Made Me Insane” and “I’m Over You (I Know It’s True)” to the R.E.M.-esque “Chinese Boxes.” It’s definitely poppier than earlier sets, but that might help broaden this talented band’s fanbase.

 
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