Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Music · 4Play: Elvis Costello, The Acorn,...
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4Play: Elvis Costello, The Acorn, Nellie McKay, High Dials

Kristi Kates - January 24th, 2011
Elvis Costello - National Ransom - Hear Music
Recorded in a mere 11 days, Costello teams up with uber-producer T-Bone Burnett for his latest, which consists of a new tracks and plenty of guest appearances, including Vince Gill, Leon Russell, and Marc Ribot. It’s standard Costello as far as the compositions themselves, but there are hints of interesting new inflections here and there, like the Naw’lins-influenced “Jimmie Standing in the Rain,” the countryfied “I Lost You,” and the folky, backcountry-meets-jazz sound of “A Slow Drag with Josephine,” as enhanced by mandolins and Costello’s distinctive voice.




The Acorn - No Ghost - Bella Union
Recorded in an isolated cottage in northern Canada, where the band focused by leaving cell phones and TVs behind, The Acorn’s latest allows a little of their countryside surroundings into the mix, in which insects sounds and wild creaks can be heard in the backgrounds of many of the songs. Opener “Cobbled from Dust” sets the tone with its warm rural feel added to The Acorn’s instrumentally experimental tunes. The title track is one of the standouts, as are the lighter “Misplaced” and, by constrast, the heavier “Crossed the Wire.” It’s a solid accomplishment from a band with a lot of skill.




Nellie McKay - Home Sweet Mobile Home - Verve
McKay’s first album of original tunes since 2007 finds the quirky singer-songwriter in a mischievous, eclectic, and droll mood. Recorded in a variety of locales, including NY, LA, and Jamaica, the set, per McKay’s usual, mixes a diverse palette of sounds and influences, all brought together by McKay’s unusual, idiosyncratic vocals. Included here are tracks like the reggae-spun “Caribbean Time” and the appropriately-dubbed “Unknown Reggae” the jazzy, quizzical “Dispossessed,” the danceable, neo-soul “No Equality,” and the balladry of “Coosada Blues.”



High Dials - Anthems for a Doomed Youth - RQ
After building a studio in an old building previously inhabited by the Canadian Navy, High Dials got to work on their latest set, utilizing the building’s ballroom for the echoey sounds found on many of these ‘60s-influenced tunes. The album has a very live feel to it - no doubt due in part to the recording locale - which serves the songs well, from the buoyant “...Love Made Me Insane” and “I’m Over You (I Know It’s True)” to the R.E.M.-esque “Chinese Boxes.” It’s definitely poppier than earlier sets, but that might help broaden this talented band’s fanbase.

 
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