Letters

Letters 12-14-2014

Come Together There is a time-honored war strategy known as “divide and conquer,” and never has it been more effective than now. The enemy is using it against us through television, internet and other social media. I opened a Facebook account a couple of years back to gain more entries in local contests. Since then I had fallen under its spell; I rushed into judgment on several social issues based on information found on those pages

Quiet The Phones! This weekend we attended two beautiful Christmas musical events and the enjoyment of both were significantly diminished by self-absorbed boors holding their stupid iPhones high overhead to capture extremely crucial and highly needed photos. We too own iPhones, but during a public concert we possess the decency and manners to leave them turned off and/or at home. Today’s performance, the annual Messiah Sing at Traverse City’s Central Methodist Church, was a new low: we watched as Mr. Self-Absorbed not only took several photos but then afterwards immediately posted them to his Facebook page. We were dumbfounded.

A Torturous Defense In defense of the C.I.A.’s use of torture in a mostly fruitless search for vital information, some suggest that the dire situation facing us after 9-11, justified the use of torture even at the expense of the potential loss of much of our nation’s moral authority.

Home · Articles · News · Music · Graham A. Parsons
. . . .

Graham A. Parsons

Kristi Kates - August 2nd, 2010
Going ’Round with Graham A. Parsons
By Kristi Kates
Self-taught Upper Peninsula singer-songwriter Graham A. Parsons got an
early - and heavy-metal - introduction to music while he was still in
his teens.
“My older brother, Ben, got into music when I was 13 or so,” Parsons
explains, “he started a band with some buddies early on, and I got to
watch it develop. I remember them learning Guns and Roses and AC/DC
tunes, but their singer was terrible. One time I asked if I could try
singing a song, and I did, briefly, before the singer ripped the mic
from my tiny hands and told me I didn’t know what I was doing. I guess
from there on out, I had a bit of a vocal vendetta - something to
prove.”

GUITAR MEETS VOCALS
Parsons, lauded state-wide today for his towering vocal abilities and
strong guitar skills (take that, mediocre metal singer), began his own
guitar-playing journey with a small student guitar, on which he’d try
to play classic rock songs.
“Stairway to Heaven” was one of the first I learned - although I can’t
recall any of it now,” he laughs. For Parsons, though, deciphering
other people’s music quickly led to him writing his own songs. “I
never really even thought about it,” he recalls, “it just happened.”
Another influence - besides his brother’s well-intentioned attempts at
a band - were his parents, whom Parsons says always had “great music”
playing in the house.
“I owe them a lot for those great influences,” he says, “most notably,
The Beatles and the Motown family. I unconsciously learned about pop
songwriting structure from The Beatles, and admired the incredible
voices that came from the Four Tops, Smokey Robinson, and Marvin Gaye.
I remember trying to replicate the sounds they produced - all with a
squeaky prepubescent voice.”

CRETINS TO GO ROUNDS
By the time Graham was 16, he was playing three-set gigs at various
smoky U.P. dive bars across the Keweenaw Peninsula, eventually
segueing into being co-founder of Michigan-based band the Squeaky
Clean Cretins. Two full-length albums later, the Cretins had become
more of a seasonal, or summer band for Parsons and crew. This would be
the beginning of that band’s end.
“We only really played three or four months out of the year,” he
explains, “the rest of the time we were separated by 600 miles. By the
end of last summer, the Cretins were playing as a three or four piece
as opposed to a five or six piece, and things just weren’t very
cohesive. We weren’t all on the same page as far as overall
willingness to play whenever, wherever; so it was never really a
‘band’ in the true sense of the word.”
But Parsons wouldn’t remain band-less for long.
Soon, he began playing music with the members of what is now Graham A.
Parsons and the Go Rounds, “and it didn’t take long for most of us to
realize what needed to happen,” he says.
Parsons shared his now extensive back catalog of songs with the band,
and the group added a bunch of newer tunes as well. “It was non-stop
learning for the first few months, building a repertoire,” he
explains. “In that sense, the band has been a vehicle for my songs,
but I’ve never tried to stifle the other members’ influence on them.
They play the songs with a strong sense of respect for their core, but
add a fire to the arrangements.”
Currently, Parsons and the Go Rounds all live in the same town (“most
of us in the same house,” he chuckles), and, as Parsons puts it,
“we’re all recklessly in love with music and know what we want to do
with it.”
It’s an “incredible feeling,” he says.

TREKKING TO CHARLEVOIX
Graham A. Parsons and the Go Rounds are now set to perform as part of
the Black Cat Concert series in Charlevoix, with even more new songs
and their own eclectic blend of styles.
“Our music is comprised of folkish songs, presented in a very
non-folkish way,” Parsons explains, “the acoustic guitar has a strong
presence, but the arrangements have electronic, psychedelic, rock n’
roll, and jazz influences.”
Parsons’ bandmates are contributing more and more of their influences,
as well, as time goes on for this talented group.
“Recently we’ve been adding more tunes by our keyboardist, Andy
Catlin, and guitarist Gitis Baggs,” Parsons says. (The other members
of the Go Rounds are bassist Tod Kloosterman and drummer Adam Danis.)
“We’ve also just started feeling out song ideas as a band at
rehearsals,” he continues, “someone will start a riff and we’ll all
jump in and see where it goes. I’m sure all songwriting avenues will
be heavily traversed.”
In addition to his work with the Go Rounds, Parsons recently released
his very first solo album, which he’s entitled Farmhand.
“I recorded it last summer between my home in the Keweenaw Peninsula
and my home in Kalamazoo,” he says. “It features many of my favorite
Michigan instrumentalists and friends, but none of the Go Rounds. We
play many of the cuts from the album when we perform live though.” The
Go Rounds have a new live album of their own, too, and will be playing
those songs live.
It’s all part of Parsons’ ongoing growth as a musician full of potential:
“I think fans can expect to hear a more mature and dynamic
presentation of my songwriting. There has been much growth over the
past year, and the music will put it on display.”

Graham A. Parsons and the Go Rounds will be performing as part of the
Black Cat Concerts Series in Charlevoix on Thursday, August 5 at 8
p.m. For tix ($15), visit
www.blackcatconcerts.com; for more info on the band, visit
www.grahamaparsons.com. Other Northern Michigan shows for the band
will include stops at Dunegrass (August 6) and at Short’s Brewery in
Bellaire on August 7.

 
  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5
 
 

 

 
 
 
Close
Close
Close