Letters

Letters 02-01-2016

Real Contamination In 1968, Chicago (its Mayor Richard Daley in particular) felt menaced by anti-war protesters (Abbie Hoffman in particular) threatening to put the hallucinogenic LSD into Chicago’s water supply. In reaction to the 9/11 terrorist attacks on New York and Washington, D.C., we reacted vigorously to a perceived threat of chemical or biological terrorist attacks on our water supply. A religious cult contaminating a city water tank with salmonella in Oregon, sickening about 700, was the only such attack in our country until now. The water supply of Flint, Mich., was attacked and contaminated, not by terrorists or protesters, but by our own government...

Why The Muslim Debate? I was passing through your fine town last week and picked up a couple copies of Northern Express. There I noted a discourse concerning the Muslim situation in Dearborn. It is interesting to note that I see similar conversations in newspapers and blogs throughout the country and, in fact, throughout the world...

Kachadurian Has It All Wrong Thank you for continuing to publish Thomas Kachadurian’s bigoted editorials. If not for this publication, I wouldn’t know that such people lived in my sweet northern Michigan...

Over The Line I felt Sarah Palin crossed the line when she indicated our president did not care about those like her son who came home wounded. No one challenges her on these remarks; to me it is shameful...

Flints’ Man-made Disaster Governor Snyder’s Financial Emergency Manager Law has created a State of Emergency in Flint. In 2011, newly elected Governor Snyder signed Public Act 4, giving him the freedom to take over any city government his office found financially bankrupt, with power to override any decision of elected city officials. This law showed his primary motive — money before people. In November 2012, the People of Michigan voted down his Financial Emergency Manager Law, as they resented losing control of their cities. In December 2012, he showed his contempt for the people’s vote and signed a revised version, one that did not give power back to the people...

Defending the AR15 And Gun Rights I was amazed to read David Downer’s recent letter. He admits he is a gun owner but he expresses his ignorance of what an “assault rifle” really is, and thereby spreads the antigun position that an AR15 is an assault rifle...

Home · Articles · News · Music · Who Hit John?
. . . .

Who Hit John?

Kristi Kates - August 30th, 2010
Who Hit John? Only the Music Knows
By Kristi Kates
Who Hit John? has made a lot of progress since the eclectic acoustic band began in 2006 as “three guys jamming in the living room for fun,“ as Who Hit John?‘s Dan McCartney puts it. McCartney, joined by fellow multi-instrumentalists Nathan Dannison, Nick Vander Vliet, Josh Keller, and Mark Duval, says that starting the project wasn‘t any sort of pre-planned notion - but was instead spurred by the simple enjoyment of music, and pal Dannison‘s, er, unusual brand of talent.
“We soon found out that my old friend Nathan played the fiddle like a tipsy raccoon, and decided we had a band,“ McCartney laughs.

FOLK-JAZZ FUSION
For those unfamiliar with the sound of Who Hit John?, the Kalamazoo-based band proves to be a tricky initial sell, although once you hear them, you‘ll definitely be buying.
McCartney himself describes their sound as “Steve Martin meets Dizzy Gillespie,“ while recent listens and other reviews peg them as a “rockin‘ string band“ or a “modern bluegrass dance band.“
While the base of their sound does begin with strings (guitar, banjo, fiddle, and mandolin), Who Hit John? keep adding other diverse musical elements in order to expand their sound.
“Where we were once mainly an old time string band (think Old Crow Medicine Show or The Red Clay Ramblers), we have now moved on to Baltic ballads, hot jazz and Dixieland standards,“ McCartney says, “and we continue to write dynamic originals that somehow seem to fit in with all those classic acoustic roots genres.“

NEW HEIRLOOM
Currently promoting their latest album, *Heirloom,* McCartney says that, while proud of the disc, they‘ve already managed to evolve the band past it as they‘ve continued to grow.
“Our sound has changed quite a bit since *Heirloom‘s* recording,“ he explains, “we‘ve just begun putting songs together for our third album, and plan to start recording into the fall, with a release date around December.“
Also being noticed by the band are a plethora of their peers, as McCartney points out that Michigan is “thick with folk music,“ many of which are some of the band‘s favorite acts.
“The Red Sea Pedestrians are some of our favorite local musicians as far as songwriting and performance,“ he says, “we also love Seth Bernard, May Earlewine and the whole Earthworks collective. Not to mention Red Tail Ring (Michael Beauchamp is one of my songwriting heroes) and Graham Parsons and the Go Rounds. There really are too many to mention.“

CHARLEVOIX CONCERT
Who Hit John? are slated to join the ranks of the Black Cat Concert series in Charlevoix, the somewhat under-the-radar little concert site that could - and has - been quietly but steadily promoting a slew of original acts throughout the summer season for the past few years.
The band will of course play songs from *Heirloom,* but their Black Cat audience will also be treated to yet another evolved side of this skillful band, who McCartney says are “really proud“ of the new direction that their sound has taken.
“For those who have seen us before, they can expect a whole new flavor of the acoustic string band sound,“ McCartney explains, “with the addition of trumpet and two new songwriters in the band, we will arrive with a slew of new tunes and styles of music you never knew you loved.“

*Who Hit John? will perform as part of the Black Cat Concert series in Charlevoix on Friday, September 3 at 8 p.m.
Tickets ($15) at www.blackcatconcerts.com; more info on Who Hit John? at www.myspace.com/whohitjohn5.*

 
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