Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

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4Play: Incognito, Kero One, Slum Village, Paul Wall

Kristi Kates - October 18th, 2010
Incognito - Transatlantic RPM - Shanachie
Best described as a modern day Earth, Wind and Fire with a dab of Stevie Wonder thrown in, Incognito’s acid funk/jazz sound has set the groundwork for plenty of imitators. But the legends know who to collaborate with, hence the appearances of Chaka Khan, Leon Ware, and Al McKay (of the aforementioned Earth, Wind and Fire) on this set. These tunes tool along with plenty of momentum, propelled by horns and strings while the drums keep the groovin’ beats on track; “Lowdown” throws Mario Biondi into the mix with Chaka Khan, “Put a Little Lovin’ in Your Heart” is five minutes of moving-your-feet music, and closer “Tell Me What to Do” wraps these jams up with soul.




Kero One - Kinetic World - Plug Label
There are few matters of questionable subjects within his tunes, but for the most part, Kero One achieves quite a lot on this album, on which he performs most of the vocals, beats, and scratching on his own. A mix of east coast-west coast rap beats seasoned with a few worldbeat sounds, Asian influences, and a variety of production styles, he addresses relationships on “On Bended Knee” and warns of too big of a lifestyle on “Fast Life”; guest artists include appearances from Tablo, Dminor, and The Tones, among others.




Slum Village - Villa Manifesto - E1 Entertainment
They may have had a tumultuous career to date since their industry beginnings in 2000, between the member switches and difficult times all around - but Slum Village is holding on, with the group’s T3 saying in a statement that he wanted to “pull the squad together” once again. Their sixth studio album shows a return to more of their earlier classic sound, with “Earl Flinn” roping in one of Madlib’s beats, “The Reunion Pt. 2” offering up more directed, emotional subject matter (as well as a few warnings), and “Dance” bringing in the - well, dance beats.




Paul Wall - Heart of a Champion - Asylum
Texas jeweler-slash-rapper Wall (and his diamond-encrusted teeth) release his fourth major label set through Asylum, where he’s teamed up with pal (and Blink-182 band member) Travis Barker on most of the production duties. In addition to Wall’s own confident, if self-absorbed, performances on songs like “Take Notes” (about his own bling-bedecked lifestyle) and “Live It,” he welcomes in the likes of
Beanz N’ Kornbread to add production where Barker didn’t, as well as guest performers Chamillionaire, Devin the Dude, and Slim Thug, among others.

 
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