Letters

Letters 10-20-2014

Doctor Dan? After several email conversations with Rep. Benishek, he has confirmed that he doesn’t have a clue of what he does. Here’s why...

In Favor Of Our Parks [Traverse] City Proposal 1 is a creative way to improve our city parks without using our tax dollars. By using a small portion of our oil and gas royalties from the Brown Bridge Trust Fund, our parks can be improved for our children and grandchildren.

From January 1970 Popular Mechanics: “Drastic climate changes will occur within the next 50 years if the use of fossil fuels keeps rising at current rates.” That warning comes from Eugene K. Peterson of the Department of the Interior’s Bureau of Land Management.

Newcomers Might Leave: Recently we had guests from India who came over as students with the plan to stay in America. He has a master’s degree in engineering and she is doing her residency in Chicago and plans to specialize in oncology. They talked very candidly about American politics and said that after observing...

Someone Is You: On Sept 21, I joined the 400,000 who took to the streets of New York in the People’s Climate March, followed by a UN Climate Summit and many speeches. On October 13, the Pentagon issued a report calling climate change a significant threat to national security requiring immediate action. How do we move from marches, speeches and reports to meaningful work on this problem? In NYC I read a sign with a simple answer...

Necessary To Pay: Last fall, Grand Traverse voters authorized a new tax to fix roads. It is good, it is necessary.

The Real Reasons for Wolf Hunt: I have really been surprised that no one has been commenting on the true reason for the wolf hunt. All this effort has not been expended so 23 wolves can be killed each year. Instead this manufactured controversy about the wolf hunt has been very carefully crafted to get Proposal 14-2 passed.

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4Play: Bryan Ferry, Fourplay, Nu Shooz Orchestra, Dwight Twilley

Ross Boissoneau - November 22nd, 2010
Bryan Ferry – Olympia - Astralwerks
The bad news is this was originally going to be the first new Roxy Music album since 1982’s Avalon. The good news is that despite the fact it isn’t, it’s Ferry’s best in a while. And it still has contributions from original Roxy members Andy Mackay, Phil Manzanera, and Brian Eno, as well as latter-day Roxy contributors Neil Hubbard and Andy Newmark, as well as Marcus Miller, Flea, Nile Rogers and many others. The music is a bit more strident than Roxy’s swan song, but Ferry is still as suave as ever.





Fourplay – Touch the Sky - Heads Up
Traverse City’s own Bob James has been making beautiful music with his Fourplay compatriots Harvey Mason and Nathan East for almost 20 years. This recording marks the debut of guitarist Chuck Loeb, who replaces longtime fretmaster Larry Carlton. The longtime contemporary jazz veteran fits right in. His presence is felt most clearly on his own compositions. Loeb goes acoustic on drummer Mason’s “More Than a Dream.” Guest vocalists Ruben Studdard and Anita Baker are welcome but hardly necessary, as East delivers the goods with aplomb vocally as easily as he holds down the bass chair.




Nu Shooz Orchestra – Pandora’s Box - Nu Shooz Music
If the fab funk of “I Can’t Wait” was a 20-something’s call to the dance floor, this is a sophisticated adult version. Vibes, cellos, woodwinds, all surround Valerie Day’s beautiful voice. That voice is as elastic as ever, and her husband John Smith has written a passel of lush new pop songs. Yes, there’s even a new, grow-up “I Can’t Wait,” but while it fits comfortably alongside the new tunes, it doesn’t dominate them. That’s quite a trick, yet it doesn’t feel tricky at all. Just like a new offering from someone we’d missed without realizing it.




Dwight Twilley – Green Blimp - Big Oak Records
Everyone who remembers “Girls,” raise your hand. The MTV favorite should have been much more than just a moderate hit in the mid-80s. Twilley’s power pop has toughened a bit in the intervening years, and if Green Blimp isn’t chock full of hits, it’s certainly more than just a pleasant listen. Here he’s helped out by original Dwight Twilley Band guitarist Bill Pitcock IV, and gets some vocal assistance from Susan Cowsill. While he’s not nostalgic, Twilley is certainly comfortable writing and singing songs that would be fit easily in any decade from the 70s to today.

 
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