Letters

Letters 07-27-2015

Next For Brownfields In regard to your recent piece on brownfield redevelopment in TC, the Randolph Street project appears to be proceeding without receiving its requested $600k in brownfield funding from the county. In response to this, the mayor is quoted as saying that the developer bought the property prior to performing an environmental assessment and had little choice but to now build it...

Defending Our Freedom This is in response to Sally MacFarlane Neal’s recent letter, “War Machines for Family Entertainment.” Wake Up! Make no mistake about it, we are at war! Even though the idiot we have for a president won’t accept the fact because he believes we can negotiate with Iran, etc., ISIS and their like make it very clear they intend to destroy the free world as we know it. If you take notice of the way are constantly destroying their own people, is that living...

What Is Far Left? Columnist Steve Tuttle, who so many lambaste as a liberal, considers Sen. Sanders a far out liberal “nearly invisible from the middle.” Has the middle really shifted that far right? Sanders has opposed endless war and the Patriot Act. Does Mr. Tuttle believe most of our citizens praise our wars and the positive results we have achieved from them? Is supporting endless war or giving up our civil liberties middle of the road...

Parking Corrected Stephen Tuttle commented on parking in the July 13 Northern Express. As Director of the Traverse City Downtown Development Authority, I feel compelled to address a couple key issues. But first, I acknowledge that  there is some consternation about parking downtown. As more people come downtown served by less parking, the pressure on what parking we have increases. Downtown serves a county with a population of 90,000 and plays host to over three million visitors annually...

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4Play: Bryan Ferry, Fourplay, Nu Shooz Orchestra, Dwight Twilley

Ross Boissoneau - November 22nd, 2010
Bryan Ferry – Olympia - Astralwerks
The bad news is this was originally going to be the first new Roxy Music album since 1982’s Avalon. The good news is that despite the fact it isn’t, it’s Ferry’s best in a while. And it still has contributions from original Roxy members Andy Mackay, Phil Manzanera, and Brian Eno, as well as latter-day Roxy contributors Neil Hubbard and Andy Newmark, as well as Marcus Miller, Flea, Nile Rogers and many others. The music is a bit more strident than Roxy’s swan song, but Ferry is still as suave as ever.





Fourplay – Touch the Sky - Heads Up
Traverse City’s own Bob James has been making beautiful music with his Fourplay compatriots Harvey Mason and Nathan East for almost 20 years. This recording marks the debut of guitarist Chuck Loeb, who replaces longtime fretmaster Larry Carlton. The longtime contemporary jazz veteran fits right in. His presence is felt most clearly on his own compositions. Loeb goes acoustic on drummer Mason’s “More Than a Dream.” Guest vocalists Ruben Studdard and Anita Baker are welcome but hardly necessary, as East delivers the goods with aplomb vocally as easily as he holds down the bass chair.




Nu Shooz Orchestra – Pandora’s Box - Nu Shooz Music
If the fab funk of “I Can’t Wait” was a 20-something’s call to the dance floor, this is a sophisticated adult version. Vibes, cellos, woodwinds, all surround Valerie Day’s beautiful voice. That voice is as elastic as ever, and her husband John Smith has written a passel of lush new pop songs. Yes, there’s even a new, grow-up “I Can’t Wait,” but while it fits comfortably alongside the new tunes, it doesn’t dominate them. That’s quite a trick, yet it doesn’t feel tricky at all. Just like a new offering from someone we’d missed without realizing it.




Dwight Twilley – Green Blimp - Big Oak Records
Everyone who remembers “Girls,” raise your hand. The MTV favorite should have been much more than just a moderate hit in the mid-80s. Twilley’s power pop has toughened a bit in the intervening years, and if Green Blimp isn’t chock full of hits, it’s certainly more than just a pleasant listen. Here he’s helped out by original Dwight Twilley Band guitarist Bill Pitcock IV, and gets some vocal assistance from Susan Cowsill. While he’s not nostalgic, Twilley is certainly comfortable writing and singing songs that would be fit easily in any decade from the 70s to today.

 
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