Letters 10-17-2016

Here’s The Truth The group Save our Downtown (SOD), which put Proposal 3 on the ballot, is ignoring the negative consequences that would result if the proposal passes. Despite the group’s name, the proposal impacts the entire city, not just downtown. Munson Medical Center, NMC, and the Grand Traverse Commons are also zoned for buildings over 60’ tall...

Keep TC As-Is In response to Lynda Prior’s letter, no one is asking the people to vote every time someone wants to build a building; Prop. 3 asks that people vote if a building is to be built over 60 feet. Traverse City will not die but will grow at a pace that keeps it the city people want to visit and/or reside; a place to raise a family. It seems people in high-density cities with tall buildings are the ones who flock to TC...

A Right To Vote I cannot understand how people living in a democracy would willingly give up the right to vote on an impactful and important issue. But that is exactly what the people who oppose Proposal 3 are advocating. They call the right to vote a “burden.” Really? Since when does voting on an important issue become a “burden?” The heart of any democracy is the right of the people to have their voice heard...

Reasons For NoI have great respect for the Prop. 3 proponents and consider them friends but in this case they’re wrong. A “yes” vote on Prop. 3 is really a “no” vote on..

Republican Observations When the Republican party sends its presidential candidates, they’re not sending their best. They’re sending people with a lot of problems. They’re sending criminals, they’re sending deviate rapists. They’re sending drug addicts. They’re sending mentally ill. And some, I assume, are good people...

Stormy Vote Florida Governor Scott warns people on his coast to evacuate because “this storm will kill you! But in response to Hillary Clinton’s suggestion that Florida’s voter registration deadline be extended because a massive evacuation could compromise voter registration and turnout, Republican Governor Scott’s response was that this storm does not necessitate any such extension...

Third Party Benefits It has been proven over and over again that electing Democrat or Republican presidents and representatives only guarantees that dysfunction, corruption and greed will prevail throughout our government. It also I believe that a fair and democratic electoral process, a simple and fair tax structure, quality health care, good education, good paying jobs, adequate affordable housing, an abundance of healthy affordable food, a solid, well maintained infrastructure, a secure social, civil and public service system, an ecologically sustainable outlook for the future and much more is obtainable for all of us...

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4Play: Sahara Smith, Steve Tibbetts, Soft Machine Legacy, Lunatic Soul

Ross Boissoneau - January 10th, 2011
Sahara Smith – Myth of the Heart (Playing In Traffic Records)
It’s too simplistic to say that if you like Norah Jones you’ll like Sahara Smith, though that may well be true. Smith’s gentle music hews closer to country and folk than to Jones’s jazz/pop hybrid. Her singing is lovely and lilting, not as breathy as that of Jones. You might throw in a Tracy Chapman comparison, or even early Joni Mitchell or Judy Collins. But while Smith has clearly absorbed a number of influences, she’s just as clearly her own self. The tunes, all of which she wrote, combine pithy observations with countrified soundtracks for her characters. Not as epic as Springsteen or Tom Waits, more like epigrammatic, small chapters of interesting people. And all delivered with a sweet and innocent, yet knowing, voice.

Steve Tibbetts – Compilation (Frammis)
Taken from his several recordings on ECM as well as excursions on Rykodisc, Cuneiform, Six Degrees and his own Frammis Records, this three-disc set is divided into Acoustibbetts, Elektrobitts and Exotibbetts. It showcases the composer’s strengths even better than the source albums. Tibbetts plays guitar, along with kalimba, synthesizer, and piano, along with contributions from various bassists, percussionists, and vocalists (including Claudia Schmidt). It’s all a bit exotic, crossing world music with rock guitar, jazz voicings with electronic sounds. Song lengths run from less than two minutes to more than ten, giving the listener both a taste of his music and enough room to breathe. That’s necessary as some of Tibbetts’s work can be so abstruse as to make for difficult listening.

Soft Machine Legacy – Live Adventures (MoonJune Records)
The celebrated Canterbury group Soft Machine bridged psychedelic rock through to jazz fusion. Years after its dissolution, a group of alums created Soft Works, which morphed into Soft Machine Legacy. Guitarist John Etheridge replaced Allan Holdsworth in both bands. When original reedman Elton Dean died, the torch was passed to Theo Travis, while Roy Babbington has replaced the late Hugh Hopper here as he did in Soft Machine. The music on this live disc features compositions from all the members, as well as Soft Machine classics “The Nodder” by Karl Jenkins and Hopper’s “Facelift.” Those two tracks may be the highlights, but it’s all worth a listen. If you’re not familiar with Soft Machine, this is an excellent place to start, and if you are, you’ll be well rewarded.

Lunatic Soul – Lunatic Soul II (Kscope)
The second solo album from Riverside frontman Mariusz Duda, it is both darker and more complex than the first disc, released in 2008. Musically it references movie music, exotic oriental sounds, and post-progressive rock a la Riverside. Interestingly, there are no electric guitars on the album, though a casual listen wouldn’t necessarily reveal that. Duda plays most of the instruments himself as well as singing the songs. He describes it as a story about the journey through the afterworld, a blend of various inspirations, from Dead Can Dance to Peter Gabriel circa IV or Passion, through films and books about ghosts. So yes, it’s kind of creepy and unsettling, yet melodic at times as well. Not exactly party music, at least not most people’s idea of a party.
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