Letters

Letters 09-26-2016

Welcome To 1984 The Democrat Party, the government education complex, private corporations and foundations, the news media and the allpervasive sports and entertainment industry have incrementally repressed the foundational right of We the People to publicly debate open borders, forced immigration, sanctuary cities and the calamitous destruction of innate gender norms...

Grow Up, Kachadurian Apparently Tom Kachadurian has great words; too bad they make little sense. His Sept. 19 editorial highlights his prevalent beliefs that only Hillary and the Dems are engaged in namecalling and polarizing actions. Huh? What rock does he live under up on Old Mission...

Facts MatterThomas Kachadurian’s “In the Basket” opinion deliberately chooses to twist what Clinton said. He chooses to argue that her basket lumped all into the clearly despicable categories of the racist, sexist, homophobic , etc. segments of the alt right...

Turn Off Fox, Kachadurian I read Thomas Kachadurian’s opinion letter in last week’s issue. It seemed this opinion was the product of someone who offered nothing but what anyone could hear 24/7/365 on Fox News; a one-sided slime job that has been done better by Fox than this writer every day of the year...

Let’s Fix This Political Process Enough! We have been embroiled in the current election cycle for…well, over a year, or is it almost two? What is the benefit of this insanity? Exorbitant amounts of money are spent, candidates are under the microscope day and night, the media – now in action 24/7 – focuses on anything and everything anyone does, and then analyzes until the next event, and on it goes...

Can’t Cut Taxes 

We are in a different place today. The slogan, “Making America Great Again” begs the questions, “great for whom?” and “when was it great?” I have claimed my generation has lived in a bubble since WWII, which has offered a prosperity for a majority of the people. The bubble has burst over the last few decades. The jobs which provided a good living for people without a college degree are vanishing. Unions, which looked out for the welfare of employees, have been shrinking. Businesses have sought to produce goods where labor is not expensive...

Wrong About Clinton In response to Thomas Kachadurian’s column, I have to take issue with many of his points. First, his remarks about Ms. Clinton’s statement regarding Trump supporters was misleading. She was referring to a large segment of his supporters, not all. And the sad fact is that her statement was not a “smug notion.” Rather, it was the sad truth, as witnessed by the large turnout of new voters in the primaries and the ugly incidents at so many of his rallies...

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4Play: Sahara Smith, Steve Tibbetts, Soft Machine Legacy, Lunatic Soul

Ross Boissoneau - January 10th, 2011
Sahara Smith – Myth of the Heart (Playing In Traffic Records)
It’s too simplistic to say that if you like Norah Jones you’ll like Sahara Smith, though that may well be true. Smith’s gentle music hews closer to country and folk than to Jones’s jazz/pop hybrid. Her singing is lovely and lilting, not as breathy as that of Jones. You might throw in a Tracy Chapman comparison, or even early Joni Mitchell or Judy Collins. But while Smith has clearly absorbed a number of influences, she’s just as clearly her own self. The tunes, all of which she wrote, combine pithy observations with countrified soundtracks for her characters. Not as epic as Springsteen or Tom Waits, more like epigrammatic, small chapters of interesting people. And all delivered with a sweet and innocent, yet knowing, voice.



Steve Tibbetts – Compilation (Frammis)
Taken from his several recordings on ECM as well as excursions on Rykodisc, Cuneiform, Six Degrees and his own Frammis Records, this three-disc set is divided into Acoustibbetts, Elektrobitts and Exotibbetts. It showcases the composer’s strengths even better than the source albums. Tibbetts plays guitar, along with kalimba, synthesizer, and piano, along with contributions from various bassists, percussionists, and vocalists (including Claudia Schmidt). It’s all a bit exotic, crossing world music with rock guitar, jazz voicings with electronic sounds. Song lengths run from less than two minutes to more than ten, giving the listener both a taste of his music and enough room to breathe. That’s necessary as some of Tibbetts’s work can be so abstruse as to make for difficult listening.


Soft Machine Legacy – Live Adventures (MoonJune Records)
The celebrated Canterbury group Soft Machine bridged psychedelic rock through to jazz fusion. Years after its dissolution, a group of alums created Soft Works, which morphed into Soft Machine Legacy. Guitarist John Etheridge replaced Allan Holdsworth in both bands. When original reedman Elton Dean died, the torch was passed to Theo Travis, while Roy Babbington has replaced the late Hugh Hopper here as he did in Soft Machine. The music on this live disc features compositions from all the members, as well as Soft Machine classics “The Nodder” by Karl Jenkins and Hopper’s “Facelift.” Those two tracks may be the highlights, but it’s all worth a listen. If you’re not familiar with Soft Machine, this is an excellent place to start, and if you are, you’ll be well rewarded.


Lunatic Soul – Lunatic Soul II (Kscope)
The second solo album from Riverside frontman Mariusz Duda, it is both darker and more complex than the first disc, released in 2008. Musically it references movie music, exotic oriental sounds, and post-progressive rock a la Riverside. Interestingly, there are no electric guitars on the album, though a casual listen wouldn’t necessarily reveal that. Duda plays most of the instruments himself as well as singing the songs. He describes it as a story about the journey through the afterworld, a blend of various inspirations, from Dead Can Dance to Peter Gabriel circa IV or Passion, through films and books about ghosts. So yes, it’s kind of creepy and unsettling, yet melodic at times as well. Not exactly party music, at least not most people’s idea of a party.
 
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