Letters

Letters 09-26-2016

Welcome To 1984 The Democrat Party, the government education complex, private corporations and foundations, the news media and the allpervasive sports and entertainment industry have incrementally repressed the foundational right of We the People to publicly debate open borders, forced immigration, sanctuary cities and the calamitous destruction of innate gender norms...

Grow Up, Kachadurian Apparently Tom Kachadurian has great words; too bad they make little sense. His Sept. 19 editorial highlights his prevalent beliefs that only Hillary and the Dems are engaged in namecalling and polarizing actions. Huh? What rock does he live under up on Old Mission...

Facts MatterThomas Kachadurian’s “In the Basket” opinion deliberately chooses to twist what Clinton said. He chooses to argue that her basket lumped all into the clearly despicable categories of the racist, sexist, homophobic , etc. segments of the alt right...

Turn Off Fox, Kachadurian I read Thomas Kachadurian’s opinion letter in last week’s issue. It seemed this opinion was the product of someone who offered nothing but what anyone could hear 24/7/365 on Fox News; a one-sided slime job that has been done better by Fox than this writer every day of the year...

Let’s Fix This Political Process Enough! We have been embroiled in the current election cycle for…well, over a year, or is it almost two? What is the benefit of this insanity? Exorbitant amounts of money are spent, candidates are under the microscope day and night, the media – now in action 24/7 – focuses on anything and everything anyone does, and then analyzes until the next event, and on it goes...

Can’t Cut Taxes 

We are in a different place today. The slogan, “Making America Great Again” begs the questions, “great for whom?” and “when was it great?” I have claimed my generation has lived in a bubble since WWII, which has offered a prosperity for a majority of the people. The bubble has burst over the last few decades. The jobs which provided a good living for people without a college degree are vanishing. Unions, which looked out for the welfare of employees, have been shrinking. Businesses have sought to produce goods where labor is not expensive...

Wrong About Clinton In response to Thomas Kachadurian’s column, I have to take issue with many of his points. First, his remarks about Ms. Clinton’s statement regarding Trump supporters was misleading. She was referring to a large segment of his supporters, not all. And the sad fact is that her statement was not a “smug notion.” Rather, it was the sad truth, as witnessed by the large turnout of new voters in the primaries and the ugly incidents at so many of his rallies...

Home · Articles · News · Art · Niagara
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Niagara

Kristi Kates - July 19th, 2010
Niagara Brings ‘Dangerous’ Art from Detroit
By Kristi Kates
Detroit performer Niagara isn’t one to pull punches. When asked how she feels about beating Lady Gaga to the scene - Niagara was doing avant garde performance art long before Gaga was even born - she bluntly replied, “I’m not about to jump on the Gaga bandwagon. She’s doing fine without me promoting her anyway.”
Niagara isn’t known for her subtlety. And that seems to be part of the flamboyant persona she’s fashioned for herself.
Best known early on, performance-wise, for her work in the mid-’70s Detroit rock band Destroy All Monsters, which got much of its publicity from the fact that the band also included former members of The Stooges and the MC5, she used her art school experience to put together album and promo art for the band, as well as for her follow-up band, Dark Carnival. Fast-forward to the early ‘90s, and Niagara began to show some of her quirky artwork around the Detroit area. Her art pieces, on which she would represent her vast roster of “Niagara Women” characters - all femme fatales with a “dangerous demeanor” - were reminiscent of pulp comic books with a devil-may-care attitude, and the art community promptly put her on a throne.

DETROIT QUEEN
Soon dubbed the “Queen of Detroit” by various art periodicals, she began taking her artwork to other major cities, hard-selling her brand of feminist swagger - women who would rather “dispatch a man than put up with any of his antics” - combined with images focusing on the “bad” side of female characters in old movies from the 1930s to the ‘50s. “That film connection may be the reason the InsideOut Gallery booked my show to coincide with Michael Moore’s film festival,” Niagara says, “I’ve painted certain film stars of the 20th century for this show, with elements gleaned from film noir.”
In 2002, Niagara refocused her work on what she called her “Opium Series.” These women were more apt to turn their violence inward, and were depicted “in druggy repose amidst swirling opium fumes.” Niagara also used Chinese patterns and applique at this time to craft her artworks.
“What I do in my work is combine violence with humor,” she explains, “my women are unshaken and strong-willed. They are not treated as still-life. They smoke and drink as much as they want, among other things.”

ART AND STAGE
In spite of her busy art schedule, the stage continued - and continues - to call to this eccentric performer. Still living, performing, and working in the Detroit area, she is scheduled to go on a European tour with the Australian band The Hitmen next spring. Meanwhile, she’ll continue to promote her art at various events, including her upcoming show at Traverse City’s InsideOut Gallery. But don’t dare question her approach to art, because you won’t get very far.
“I love danger,” she states. “It’s not my fault.”

Niagara will be at the InsideOut Gallery in Traverse City on July 30; Jason Stollsteimer of Detroit band The Von Bondies will also be playing the gallery that night with his new band Hounds Below. For more information, call the gallery at 231-929-3254.

 
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