Letters

Letters 08-24-2015

Bush And Blame Jeb Bush strikes again. Understand that Bush III represents the nearly extinct, compassionate-conservative, moderate wing of the Republican party...

No More State Theatre I was quite surprised and disgusted by an article I saw in last week’s edition. On pages 18 and 19 was an article about how the State Theatre downtown let some homosexual couple get married there...

GMOs Unsustainable Steve Tuttle’s column on GMOs was both uninformed and off the mark. Genetic engineering will not feed the world like Tuttle claims. However, GMOs do have the potential to starve us because they are unsustainable...

A Pin Drop Senator Debbie Stabenow spoke on August 14 to a group of Democrats in Charlevoix, an all-white, seemingly middle class, well-educated audience, half of whom were female...

A Slippery Slope Most of us would agree that an appropriate suggestion to a physician who refuses to provide a blood transfusion to a dying patient because of the doctor’s religious views would be, “Please doctor, change your profession as a less selfish means of protecting your religious freedom.”

Stabilize Our Climate Climate scientists have been saying that in order to stabilize the climate, we need to limit global warming to less than two degrees. Renewables other than hydropower provide less than 3 percent of the world energy. In order to achieve the two degree scenario, the world needs to generate 11 times more wind power by 2050, and 36 times more solar power. It will require a big helping of new nuclear power, too...

Harm From GMOs I usually agree with the well-reasoned opinions expressed in Stephen Tuttle’s columns but I must challenge his assertions concerning GMO foods. As many proponents of GMOs do, Mr. Tuttle conveniently ignores the basic fact that GMO corn, soybeans and other crops have been engineered to withstand massive quantities of herbicides. This strategy is designed to maximize profits for chemical companies, such as Monsanto. The use of copious quantities of herbicides, including glyphosates, is losing its effectiveness and the producers of these poisons are promoting the use of increasingly dangerous substances to achieve the same results...

Home · Articles · News · Art · Niagara
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Niagara

Kristi Kates - July 19th, 2010
Niagara Brings ‘Dangerous’ Art from Detroit
By Kristi Kates
Detroit performer Niagara isn’t one to pull punches. When asked how she feels about beating Lady Gaga to the scene - Niagara was doing avant garde performance art long before Gaga was even born - she bluntly replied, “I’m not about to jump on the Gaga bandwagon. She’s doing fine without me promoting her anyway.”
Niagara isn’t known for her subtlety. And that seems to be part of the flamboyant persona she’s fashioned for herself.
Best known early on, performance-wise, for her work in the mid-’70s Detroit rock band Destroy All Monsters, which got much of its publicity from the fact that the band also included former members of The Stooges and the MC5, she used her art school experience to put together album and promo art for the band, as well as for her follow-up band, Dark Carnival. Fast-forward to the early ‘90s, and Niagara began to show some of her quirky artwork around the Detroit area. Her art pieces, on which she would represent her vast roster of “Niagara Women” characters - all femme fatales with a “dangerous demeanor” - were reminiscent of pulp comic books with a devil-may-care attitude, and the art community promptly put her on a throne.

DETROIT QUEEN
Soon dubbed the “Queen of Detroit” by various art periodicals, she began taking her artwork to other major cities, hard-selling her brand of feminist swagger - women who would rather “dispatch a man than put up with any of his antics” - combined with images focusing on the “bad” side of female characters in old movies from the 1930s to the ‘50s. “That film connection may be the reason the InsideOut Gallery booked my show to coincide with Michael Moore’s film festival,” Niagara says, “I’ve painted certain film stars of the 20th century for this show, with elements gleaned from film noir.”
In 2002, Niagara refocused her work on what she called her “Opium Series.” These women were more apt to turn their violence inward, and were depicted “in druggy repose amidst swirling opium fumes.” Niagara also used Chinese patterns and applique at this time to craft her artworks.
“What I do in my work is combine violence with humor,” she explains, “my women are unshaken and strong-willed. They are not treated as still-life. They smoke and drink as much as they want, among other things.”

ART AND STAGE
In spite of her busy art schedule, the stage continued - and continues - to call to this eccentric performer. Still living, performing, and working in the Detroit area, she is scheduled to go on a European tour with the Australian band The Hitmen next spring. Meanwhile, she’ll continue to promote her art at various events, including her upcoming show at Traverse City’s InsideOut Gallery. But don’t dare question her approach to art, because you won’t get very far.
“I love danger,” she states. “It’s not my fault.”

Niagara will be at the InsideOut Gallery in Traverse City on July 30; Jason Stollsteimer of Detroit band The Von Bondies will also be playing the gallery that night with his new band Hounds Below. For more information, call the gallery at 231-929-3254.

 
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