Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Music · 4Play: Punch Brothers, Works...
. . . .

4Play: Punch Brothers, Works Progress Administration, Cyndi Lauper, Chris Isaak

Kristi Kates - July 19th, 2010
Punch Brothers - Antifogmatic - Nonesuc
Recorded and mixed in Hollywood with legendary producer Jon Brion
(Fiona Apple, Kanye West), Chris Thile and crew’s latest manages to
converge the generally-divergent genres of pop and bluegrass with both
emotion and sheer get-up-and-go. Opener “You Are” blends staccato
guitar with strings, while “Don’t Need No” rallies up the beats and
“Next to the Trash” is the closest thing to “real” bluegrass you’ll
find on this outing. It’s quite an accomplishment for a string band to
actually make tracks that are this crossover-friendly and catchy, too.



Works Progress Administration - WPA - Red
Toad the Wet Sprocket’s Glen Phillips and Chris Thile’s Nickel Creek
bandmates Sean and Sara Watkins team up on this album with an
impressive linup of fellow folk-pop musicians (including Pete Thomas,
Luke Bulla, Greg Leisz, and producer Jim Scott), on which they
collaborated on and recorded seventeen songs in five days. Album
opener “Always Have My Love” as sung by Phillips himself is perhaps
the song with the most staying power, although Luke Bulla’s “Who’s
Gonna Cry for You” and Sean Watkins’ “Paralyzed” are close seconds.


Cyndi Lauper - Memphis Blues - Downtown Records
Singer Cyndi Lauper - whose remarkable voice has been overshadowed, at
times, with the very costumey showiness she had to attempt in order to
draw attention to it - has gone through several phases in her career,
from radio pop to standards. Her latest effort is this set, on which
she traveled to Memphis to record a blues cover album. On it, Lauper
collaborates with the likes of B.B. King (“Early in the Morning”),
Jonny Lang (“How Blue Can You Get”), Charlie Musselwhite, and Allen
Toussaint to prove that this girl can have fun with any genre.



Chris Isaak - Live at the Fillmore - Mailboat Records

Recorded at San Francisco’s Fillmore Auditorium, this live CD aims to
bring a Chris Isaak show to CD, with as close an approximation of the
“Isaak live experience” as possible. Whether that works or not is up
to Isaak fans to say, but it is certainly recorded crisply and with a
lot of attention to detail, including much of Isaak’s on-stage banter
between songs like hits “Somebody’s Crying,” and classic “Wicked
Games,” as well as fan favorites such as “Worked It Out Wrong,” “Move
Along,” “Lonely with a Broken Heart,” and “Blue Spanish Sky.”

 
  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5
 
 

 

 
 
 
Close
Close
Close