Letters

Letters 09-26-2016

Welcome To 1984 The Democrat Party, the government education complex, private corporations and foundations, the news media and the allpervasive sports and entertainment industry have incrementally repressed the foundational right of We the People to publicly debate open borders, forced immigration, sanctuary cities and the calamitous destruction of innate gender norms...

Grow Up, Kachadurian Apparently Tom Kachadurian has great words; too bad they make little sense. His Sept. 19 editorial highlights his prevalent beliefs that only Hillary and the Dems are engaged in namecalling and polarizing actions. Huh? What rock does he live under up on Old Mission...

Facts MatterThomas Kachadurian’s “In the Basket” opinion deliberately chooses to twist what Clinton said. He chooses to argue that her basket lumped all into the clearly despicable categories of the racist, sexist, homophobic , etc. segments of the alt right...

Turn Off Fox, Kachadurian I read Thomas Kachadurian’s opinion letter in last week’s issue. It seemed this opinion was the product of someone who offered nothing but what anyone could hear 24/7/365 on Fox News; a one-sided slime job that has been done better by Fox than this writer every day of the year...

Let’s Fix This Political Process Enough! We have been embroiled in the current election cycle for…well, over a year, or is it almost two? What is the benefit of this insanity? Exorbitant amounts of money are spent, candidates are under the microscope day and night, the media – now in action 24/7 – focuses on anything and everything anyone does, and then analyzes until the next event, and on it goes...

Can’t Cut Taxes 

We are in a different place today. The slogan, “Making America Great Again” begs the questions, “great for whom?” and “when was it great?” I have claimed my generation has lived in a bubble since WWII, which has offered a prosperity for a majority of the people. The bubble has burst over the last few decades. The jobs which provided a good living for people without a college degree are vanishing. Unions, which looked out for the welfare of employees, have been shrinking. Businesses have sought to produce goods where labor is not expensive...

Wrong About Clinton In response to Thomas Kachadurian’s column, I have to take issue with many of his points. First, his remarks about Ms. Clinton’s statement regarding Trump supporters was misleading. She was referring to a large segment of his supporters, not all. And the sad fact is that her statement was not a “smug notion.” Rather, it was the sad truth, as witnessed by the large turnout of new voters in the primaries and the ugly incidents at so many of his rallies...

Home · Articles · News · Music · Sanborn‘s everything
. . . .

Sanborn‘s everything

Kristi Kates - August 9th, 2010
Sanborn’s Everything arrives at Interlochen
By Kristi Kates
Saxophonist David Sanborn’s studio and live performance resume reads like a Who’s Who of jazz, R&B, and pop/rock music.
He’s performed in-session and/or live with -- among others -- James Brown, Stevie Wonder, Eric Clapton, Cat Stevens, Bruce Springsteen, James Taylor, Carly Simon, The Eagles, Elton John, and, perhaps most recognizably, David Bowie, for which Sanborn contributed the distinctive sax solo on Bowie’s 1975 classic hit “Young Americans.”
Today, Sanborn’s promoting his latest album release, Only Everything, (2010, Decca Records), his 24th album, on which he pays homage to one of his personal musical influences, Ray Charles.
The album focuses, obviously, on Sanborn’s alto sax performances, accompanied by the soulful, grooving organ work of Joey DeFrancesco, the beats of drummer Steve Gadd, and a four-piece horn section. James Taylor even shows up to throw some great vocals in on the track “Hallelujah, I Love Her So,” while other songs, including “Blues in the Night,” “Hard Times,” and “Only Everything” showcase the more present, frontman side of Sanborn himself.

OLD-SCHOOL RECORDING
Sanborn worked with yet another legend on his current album - namely, producer Phil Ramone, who has worked with many of the same collaborators that Sanborn has, plus a wide range of pop artists from Madonna to Jason Mraz, Jewel to Shelby Lynne. The album itself was reportedly recorded in just a few days, which Sanborn credits in part to Ramone’s being at the helm.
“We did just a few takes of each cut, as it seemed the first or second take was the one,” Sanborn said in a recent interview with Lee Mergner of JazzTimes, “Phil produces the record that you really want to make.”Ramone was also on hand to present the George Benson Lifetime Achievement Award to Sanborn at the Canadian Smooth Jazz Awards this past April. Co-chair of the event Mary Kirk only had praise for the musician.
“We are truly honoured to be able to celebrate David’s outstanding career by presenting him with this year’s Benson Award,” Kirk says, “like those recipients before him, he has been such a tremendous ambassador for jazz with his artistry.”

INTERLOCHEN SHOW
But before you take the “...Smooth Jazz...” part of that award to heart (“smooth jazz” being a term that Sanborn himself often eschews), be forewarned - this is a man who is a master of the saxophone, meaning he plays it like he means it.
Live, Sanborn performs with plenty of power - being David Sanborn, of course, he knows when to pull back and how to apply the perfect dynamics to each song - but he still appears to simply love a good rollicking saxophone jam, and chances are that’s much of what the audience at his upcoming Interlochen show will see.
Sanborn’s tour this summer has seen him showcasing a mix of material old and new, including the likes of “I Got News for You” and “Basin Street Blues,” as well as plenty of tracks from that aforementioned new album. At his appearance last month at the big Ohio State Fair, Sanborn celebrated his birthday (his 65th), and noted that he’s been “doing this since he was 15 years old” - so he definitely has plenty of material to draw from.
And, hopefully for jazz fans, plenty more years of performing the same.
David Sanborn performs at Interlochen’s Corson Auditorium on Friday, August 13 at 8:00 pm. Tickets available online at https://tickets.interlochen.org.

 
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