Letters

Letters 07-27-2015

Next For Brownfields In regard to your recent piece on brownfield redevelopment in TC, the Randolph Street project appears to be proceeding without receiving its requested $600k in brownfield funding from the county. In response to this, the mayor is quoted as saying that the developer bought the property prior to performing an environmental assessment and had little choice but to now build it...

Defending Our Freedom This is in response to Sally MacFarlane Neal’s recent letter, “War Machines for Family Entertainment.” Wake Up! Make no mistake about it, we are at war! Even though the idiot we have for a president won’t accept the fact because he believes we can negotiate with Iran, etc., ISIS and their like make it very clear they intend to destroy the free world as we know it. If you take notice of the way are constantly destroying their own people, is that living...

What Is Far Left? Columnist Steve Tuttle, who so many lambaste as a liberal, considers Sen. Sanders a far out liberal “nearly invisible from the middle.” Has the middle really shifted that far right? Sanders has opposed endless war and the Patriot Act. Does Mr. Tuttle believe most of our citizens praise our wars and the positive results we have achieved from them? Is supporting endless war or giving up our civil liberties middle of the road...

Parking Corrected Stephen Tuttle commented on parking in the July 13 Northern Express. As Director of the Traverse City Downtown Development Authority, I feel compelled to address a couple key issues. But first, I acknowledge that  there is some consternation about parking downtown. As more people come downtown served by less parking, the pressure on what parking we have increases. Downtown serves a county with a population of 90,000 and plays host to over three million visitors annually...

Home · Articles · News · Music · Sanborn‘s everything
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Sanborn‘s everything

Kristi Kates - August 9th, 2010
Sanborn’s Everything arrives at Interlochen
By Kristi Kates
Saxophonist David Sanborn’s studio and live performance resume reads like a Who’s Who of jazz, R&B, and pop/rock music.
He’s performed in-session and/or live with -- among others -- James Brown, Stevie Wonder, Eric Clapton, Cat Stevens, Bruce Springsteen, James Taylor, Carly Simon, The Eagles, Elton John, and, perhaps most recognizably, David Bowie, for which Sanborn contributed the distinctive sax solo on Bowie’s 1975 classic hit “Young Americans.”
Today, Sanborn’s promoting his latest album release, Only Everything, (2010, Decca Records), his 24th album, on which he pays homage to one of his personal musical influences, Ray Charles.
The album focuses, obviously, on Sanborn’s alto sax performances, accompanied by the soulful, grooving organ work of Joey DeFrancesco, the beats of drummer Steve Gadd, and a four-piece horn section. James Taylor even shows up to throw some great vocals in on the track “Hallelujah, I Love Her So,” while other songs, including “Blues in the Night,” “Hard Times,” and “Only Everything” showcase the more present, frontman side of Sanborn himself.

OLD-SCHOOL RECORDING
Sanborn worked with yet another legend on his current album - namely, producer Phil Ramone, who has worked with many of the same collaborators that Sanborn has, plus a wide range of pop artists from Madonna to Jason Mraz, Jewel to Shelby Lynne. The album itself was reportedly recorded in just a few days, which Sanborn credits in part to Ramone’s being at the helm.
“We did just a few takes of each cut, as it seemed the first or second take was the one,” Sanborn said in a recent interview with Lee Mergner of JazzTimes, “Phil produces the record that you really want to make.”Ramone was also on hand to present the George Benson Lifetime Achievement Award to Sanborn at the Canadian Smooth Jazz Awards this past April. Co-chair of the event Mary Kirk only had praise for the musician.
“We are truly honoured to be able to celebrate David’s outstanding career by presenting him with this year’s Benson Award,” Kirk says, “like those recipients before him, he has been such a tremendous ambassador for jazz with his artistry.”

INTERLOCHEN SHOW
But before you take the “...Smooth Jazz...” part of that award to heart (“smooth jazz” being a term that Sanborn himself often eschews), be forewarned - this is a man who is a master of the saxophone, meaning he plays it like he means it.
Live, Sanborn performs with plenty of power - being David Sanborn, of course, he knows when to pull back and how to apply the perfect dynamics to each song - but he still appears to simply love a good rollicking saxophone jam, and chances are that’s much of what the audience at his upcoming Interlochen show will see.
Sanborn’s tour this summer has seen him showcasing a mix of material old and new, including the likes of “I Got News for You” and “Basin Street Blues,” as well as plenty of tracks from that aforementioned new album. At his appearance last month at the big Ohio State Fair, Sanborn celebrated his birthday (his 65th), and noted that he’s been “doing this since he was 15 years old” - so he definitely has plenty of material to draw from.
And, hopefully for jazz fans, plenty more years of performing the same.
David Sanborn performs at Interlochen’s Corson Auditorium on Friday, August 13 at 8:00 pm. Tickets available online at https://tickets.interlochen.org.

 
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