Letters

Letters 04-14-14

Benishek Inching

Regarding “Benishek No Environmentalist” I agree with Mr. Powell’s letter to the editor/ opinion of Congressman Dan Benishek’s poor environmental record and his penchant for putting corporate interests ahead of his constituents’...

Climate Change Warning

Currently there are three assaults on climate change. The first is on the integrity of the scientists who support human activity in climate change. Second is that humans are not capable of affecting the climate...

Fed Up About Roads

It has gotten to the point where I cringe when I have to drive around this area. There are areas in Traverse City that look like a war zone. When you have to spend more time viewing potholes instead on concentrating on the road, accidents are bound to happen...

Don’t Blame the IRS

I have not heard much about the reason for the IRS getting itself entangled with the scrutiny of certain conservative 501(c) groups (not for profit) seeking tax exemption. Groups seeking tax relief must be organizations that are operated “primarily for the purpose of bringing about civic betterment and social improvements.”


Home · Articles · News · Music · Sanborn‘s everything
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Sanborn‘s everything

Kristi Kates - August 9th, 2010
Sanborn’s Everything arrives at Interlochen
By Kristi Kates
Saxophonist David Sanborn’s studio and live performance resume reads like a Who’s Who of jazz, R&B, and pop/rock music.
He’s performed in-session and/or live with -- among others -- James Brown, Stevie Wonder, Eric Clapton, Cat Stevens, Bruce Springsteen, James Taylor, Carly Simon, The Eagles, Elton John, and, perhaps most recognizably, David Bowie, for which Sanborn contributed the distinctive sax solo on Bowie’s 1975 classic hit “Young Americans.”
Today, Sanborn’s promoting his latest album release, Only Everything, (2010, Decca Records), his 24th album, on which he pays homage to one of his personal musical influences, Ray Charles.
The album focuses, obviously, on Sanborn’s alto sax performances, accompanied by the soulful, grooving organ work of Joey DeFrancesco, the beats of drummer Steve Gadd, and a four-piece horn section. James Taylor even shows up to throw some great vocals in on the track “Hallelujah, I Love Her So,” while other songs, including “Blues in the Night,” “Hard Times,” and “Only Everything” showcase the more present, frontman side of Sanborn himself.

OLD-SCHOOL RECORDING
Sanborn worked with yet another legend on his current album - namely, producer Phil Ramone, who has worked with many of the same collaborators that Sanborn has, plus a wide range of pop artists from Madonna to Jason Mraz, Jewel to Shelby Lynne. The album itself was reportedly recorded in just a few days, which Sanborn credits in part to Ramone’s being at the helm.
“We did just a few takes of each cut, as it seemed the first or second take was the one,” Sanborn said in a recent interview with Lee Mergner of JazzTimes, “Phil produces the record that you really want to make.”Ramone was also on hand to present the George Benson Lifetime Achievement Award to Sanborn at the Canadian Smooth Jazz Awards this past April. Co-chair of the event Mary Kirk only had praise for the musician.
“We are truly honoured to be able to celebrate David’s outstanding career by presenting him with this year’s Benson Award,” Kirk says, “like those recipients before him, he has been such a tremendous ambassador for jazz with his artistry.”

INTERLOCHEN SHOW
But before you take the “...Smooth Jazz...” part of that award to heart (“smooth jazz” being a term that Sanborn himself often eschews), be forewarned - this is a man who is a master of the saxophone, meaning he plays it like he means it.
Live, Sanborn performs with plenty of power - being David Sanborn, of course, he knows when to pull back and how to apply the perfect dynamics to each song - but he still appears to simply love a good rollicking saxophone jam, and chances are that’s much of what the audience at his upcoming Interlochen show will see.
Sanborn’s tour this summer has seen him showcasing a mix of material old and new, including the likes of “I Got News for You” and “Basin Street Blues,” as well as plenty of tracks from that aforementioned new album. At his appearance last month at the big Ohio State Fair, Sanborn celebrated his birthday (his 65th), and noted that he’s been “doing this since he was 15 years old” - so he definitely has plenty of material to draw from.
And, hopefully for jazz fans, plenty more years of performing the same.
David Sanborn performs at Interlochen’s Corson Auditorium on Friday, August 13 at 8:00 pm. Tickets available online at https://tickets.interlochen.org.

 
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