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Letters 07-25-2016

Remember Bush-Cheney Does anyone remember George W. Bush and Dick Cheney? They were president and vice president a mere eight years ago. Does anyone out there remember the way things were at the end of their duo? It was terrible...

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Families Need Representation When one party dominates the Michigan administration and legislature, half of Michigan families are not represented on the important issues that face our state. When a policy affects the non-voting K-12 students, they too are left out, especially when it comes to graduation requirements...

Raise The Minimum Wage I wanted to offer a different perspective on the issue of raising the minimum wage. The argument that raising the minimum wage will result in job loss is a bogus scare tactic. The need for labor will not change, just the cost of it, which will be passed on to the consumer, as it always has...

Make Cherryland Respect Renewable Cherryland Electric is about to change their net metering policy. In a nutshell, they want to buy the electricity from those of us who produce clean renewable electric at a rate far below the rate they buy electricity from other sources. They believe very few people have an interest in renewable energy...

Settled Science Climate change science is based on the accumulated evidence gained from studying the greenhouse effect for 200 years. The greenhouse effect keeps our planet 50 degrees warmer due to heat-trapping gases in our atmosphere. Basic principles of physics and chemistry dictate that Earth will warm as concentrations of greenhouse gases increase...

Home · Articles · News · Music · Sanborn‘s everything
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Sanborn‘s everything

Kristi Kates - August 9th, 2010
Sanborn’s Everything arrives at Interlochen
By Kristi Kates
Saxophonist David Sanborn’s studio and live performance resume reads like a Who’s Who of jazz, R&B, and pop/rock music.
He’s performed in-session and/or live with -- among others -- James Brown, Stevie Wonder, Eric Clapton, Cat Stevens, Bruce Springsteen, James Taylor, Carly Simon, The Eagles, Elton John, and, perhaps most recognizably, David Bowie, for which Sanborn contributed the distinctive sax solo on Bowie’s 1975 classic hit “Young Americans.”
Today, Sanborn’s promoting his latest album release, Only Everything, (2010, Decca Records), his 24th album, on which he pays homage to one of his personal musical influences, Ray Charles.
The album focuses, obviously, on Sanborn’s alto sax performances, accompanied by the soulful, grooving organ work of Joey DeFrancesco, the beats of drummer Steve Gadd, and a four-piece horn section. James Taylor even shows up to throw some great vocals in on the track “Hallelujah, I Love Her So,” while other songs, including “Blues in the Night,” “Hard Times,” and “Only Everything” showcase the more present, frontman side of Sanborn himself.

OLD-SCHOOL RECORDING
Sanborn worked with yet another legend on his current album - namely, producer Phil Ramone, who has worked with many of the same collaborators that Sanborn has, plus a wide range of pop artists from Madonna to Jason Mraz, Jewel to Shelby Lynne. The album itself was reportedly recorded in just a few days, which Sanborn credits in part to Ramone’s being at the helm.
“We did just a few takes of each cut, as it seemed the first or second take was the one,” Sanborn said in a recent interview with Lee Mergner of JazzTimes, “Phil produces the record that you really want to make.”Ramone was also on hand to present the George Benson Lifetime Achievement Award to Sanborn at the Canadian Smooth Jazz Awards this past April. Co-chair of the event Mary Kirk only had praise for the musician.
“We are truly honoured to be able to celebrate David’s outstanding career by presenting him with this year’s Benson Award,” Kirk says, “like those recipients before him, he has been such a tremendous ambassador for jazz with his artistry.”

INTERLOCHEN SHOW
But before you take the “...Smooth Jazz...” part of that award to heart (“smooth jazz” being a term that Sanborn himself often eschews), be forewarned - this is a man who is a master of the saxophone, meaning he plays it like he means it.
Live, Sanborn performs with plenty of power - being David Sanborn, of course, he knows when to pull back and how to apply the perfect dynamics to each song - but he still appears to simply love a good rollicking saxophone jam, and chances are that’s much of what the audience at his upcoming Interlochen show will see.
Sanborn’s tour this summer has seen him showcasing a mix of material old and new, including the likes of “I Got News for You” and “Basin Street Blues,” as well as plenty of tracks from that aforementioned new album. At his appearance last month at the big Ohio State Fair, Sanborn celebrated his birthday (his 65th), and noted that he’s been “doing this since he was 15 years old” - so he definitely has plenty of material to draw from.
And, hopefully for jazz fans, plenty more years of performing the same.
David Sanborn performs at Interlochen’s Corson Auditorium on Friday, August 13 at 8:00 pm. Tickets available online at https://tickets.interlochen.org.

 
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