Letters

Letters 08-03-2015

Real Brownfields Deserve Dollars I read with interest the story on Brownfield development dollars in the July 20 issue. I applaud Dan Lathrop and other county commissioners who voted “No” on the Randolph Street project...

Hopping Mad Carlin Smith is hopping mad (“Will You Get Mad With Me?” 7-20-15). Somebody filed a fraudulent return using his identity, and he’s not alone. The AP estimates the government “pays more than $5 billion annually in fraudulent tax refunds.” Well, many of us have been hopping mad for years. This is because the number one tool Congress has used to fix this problem has been to cut the IRS budget –by $1.2 billion in the last 5 years...

Just Grumbling, No Solutions Mark Pontoni’s grumblings [recent Northern Express column] tell us much about him and virtually nothing about those he chooses to denigrate. We do learn that Pontoni may be the perfect political candidate. He’s arrogant, opinionated and obviously dimwitted...

A Racist Symbol I have to respond to Gordon Lee Dean’s letter claiming that the confederate battle flag is just a symbol of southern heritage and should not be banned from state displays. The heritage it represents was the treasonous effort to continue slavery by seceding from a democratic nation unwilling to maintain such a consummate evil...

Not So Thanks I would like to thank the individual who ran into and knocked over my Triumph motorcycle while it was parked at Lowe’s in TC on Friday the 24th. The $3,000 worth of damage was greatly appreciated. The big dent in the gas tank under the completely destroyed chrome badge was an especially nice touch...

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4Play: Various Artists, The Ready Set, Various Artists, The Drums

Kristi Kates - August 9th, 2010
Various Artists - Broken Hearts and Dirty Windows: The Songs of John Prine - Oh Boy Records
Progressive bluegrass/folk artist John Prine has been called one of the most influential songwriters of his time, and his poetic lyrics and tunes been compared to everyone from Neil Young to Bob Dylan. Today, a who’s who of current indie-rockers pay tribute to Prine’s songwriting, from The Avett Brothers’ version of “Spanish Pipedream” to My Morning Jacket’s attempt at “All the Best”; Conor Oberst’s (Bright Eyes) take on “Wedding Day in Funeralville” to Bon Iver’s Justin Vernon’s version of “Bruised Orange (Chain of Sorrow).”


The Ready Set - I’m Alive, I’m Dreaming - Sire/WEA
The Ready Set - aka Jordan Witzigreuter - basically consists of one man playing every instrument on an album - but don’t think that means it’s a one-note offering. Overloaded with a variety of influences, but still cohesive, Witzigreuter’s debut disc, signed by Pete Wentz’ label, is quirky and poppy, and takes songs quickly through their paces, no matter which genre Witzigreuter is focusing on at the time. First track “Love Like Woe” is all production-sheen and pop, while “More Than Alive” is more about the beats and the pseudo-rap lyrical steps.



Various Artists - Almost You: The Songs of Elvis Costello - Glurp
A re-release of the earlier collection, this is definitely a tribute set worth a second listen, especially for diehard Elvis Costello fans. Many of the interpretations of Costello’s songs are vastly different from the originals, which makes either for an interesting setlist or a non-loyal one, depending on how you look at it. Hem retooks “The Angels Want to Wear My Red Shoes” into adult-contemporary rock, Matt Pond PA adds strings to “Green Shirt,” Okkervil River takes “Riot Act” into the alt-
country; and Brenda Kahn adds her own flair to “Watch Your Step.”



The Drums - The Drums - Island/Moshi
They’ve toured alongside Bombay Bicycle Club and The Maccabees, and have been tipped for fame everywhere from MTV to MSN. Okay, so perhaps The Drums haven’t caught on big just yet - but that doesn’t mean they won’t, given this uber-catchy set of debut songs. “Let’s Go Surfing,” their first breakout single, doesn’t actually live up to the rest of the set’s complexity; you’ll be more intrigued listening to the Roxy-Music- like “Skippin’ Town,” the immense pianos/guitars of “Forever and Ever Amen,” and the jumpy “I Need Fun in My Life.”

 
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