Letters

Letters 07-27-2015

Next For Brownfields In regard to your recent piece on brownfield redevelopment in TC, the Randolph Street project appears to be proceeding without receiving its requested $600k in brownfield funding from the county. In response to this, the mayor is quoted as saying that the developer bought the property prior to performing an environmental assessment and had little choice but to now build it...

Defending Our Freedom This is in response to Sally MacFarlane Neal’s recent letter, “War Machines for Family Entertainment.” Wake Up! Make no mistake about it, we are at war! Even though the idiot we have for a president won’t accept the fact because he believes we can negotiate with Iran, etc., ISIS and their like make it very clear they intend to destroy the free world as we know it. If you take notice of the way are constantly destroying their own people, is that living...

What Is Far Left? Columnist Steve Tuttle, who so many lambaste as a liberal, considers Sen. Sanders a far out liberal “nearly invisible from the middle.” Has the middle really shifted that far right? Sanders has opposed endless war and the Patriot Act. Does Mr. Tuttle believe most of our citizens praise our wars and the positive results we have achieved from them? Is supporting endless war or giving up our civil liberties middle of the road...

Parking Corrected Stephen Tuttle commented on parking in the July 13 Northern Express. As Director of the Traverse City Downtown Development Authority, I feel compelled to address a couple key issues. But first, I acknowledge that  there is some consternation about parking downtown. As more people come downtown served by less parking, the pressure on what parking we have increases. Downtown serves a county with a population of 90,000 and plays host to over three million visitors annually...

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4Play: The Magic Numbers, Various Artists, Sara Bareilles. Ed Kowalcyzk

Kristi Kates - August 30th, 2010
The Magic Numbers - Runaway - 101 Distribution
A pair of brother-sister, er, pairs, The Magic Numbers are working hard to revive the ‘60s folk/flower-power era, from their dense, well-balanced harmonies (which, in addition to their configuration, often see them being compared to the Mamas and the Papas) to their groovy lyrics and subject matter. “Why Did You Call?” and “Throwing My Heart Away” are peppy and ready for a few tambourine shakes, while “Restless River” and “I’m Sorry” focus more on the instrumentals behind the vocals, but there’s a good balance of both approaches.



Various Artists - Scott Pilgrim vs. the World Original Motion Picture Soundtrack - ABKCO Records
Whether or not you like this comic book-adapted movie - which has its funny moments and its “did they really need to do that?” moments - the soundtrack is nonetheless an interesting one. A variety of musicians bring the comic story’s bands “to life” in the movie, including tracks from Frank Black, The Rolling Stones, and Beachwood Sparks - but the most interesting element is the fact that Beck went back to his punky days and wrote the songs for character Scott’s own band, “Garbage Truck” being one of the best here. (Beck’s songs are listed on the album under the character-band name of Sex Bob-omb.”) Classic rocker anthems and several other newbie tunes round out the set.


Sara Bareilles - Kaleidoscope Heart - Epic
You might best know Bareilles, to date, from her radio single “Love Song”, with its catchy-poppy refrain and advert-friendly sound. Now she’s back with her sophomore set, which has already spawned another catchy single, “King of Anything,” on which Bareilles says she’s channeled her aggrevations over people throughout her career giving her “unsolicited advice.” In addition to her singles work, Bareilles’ newest collection of songs shows off her ability to blend sarcastic and direct admonitions with pretty tunes and interesting piano work on tracks like “Gonna Get Over You,” “Say You’re Sorry,” and “Machine Gun.”



Ed Kowalczyk - Alive - Megaforce
Kowalczyk was perhaps best-known as the frontman of big-time rock band Live, for which he’d been the singer for nearly two years. 20 million albums sold later, and Kowalczyk was at a loss for what to do next. After a few years of contemplation - and a life mostly lived away from the music biz - he’s back with his first solo album, which melds his distinctive vocals with music that’s often Live-like, and just as often not. “Drive,” the opener, is perhaps most reminiscent of Kowalczyk’s old band with its quiet verses and heavy chorus; but other tracks, like the catchy “Stand,” the lyrically-personal “In Your Light” and the more experimental “Fire on the Mountain,” showcase Kowalczyk’s growth.

 
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