Letters

Letters 08-03-2015

Real Brownfields Deserve Dollars I read with interest the story on Brownfield development dollars in the July 20 issue. I applaud Dan Lathrop and other county commissioners who voted “No” on the Randolph Street project...

Hopping Mad Carlin Smith is hopping mad (“Will You Get Mad With Me?” 7-20-15). Somebody filed a fraudulent return using his identity, and he’s not alone. The AP estimates the government “pays more than $5 billion annually in fraudulent tax refunds.” Well, many of us have been hopping mad for years. This is because the number one tool Congress has used to fix this problem has been to cut the IRS budget –by $1.2 billion in the last 5 years...

Just Grumbling, No Solutions Mark Pontoni’s grumblings [recent Northern Express column] tell us much about him and virtually nothing about those he chooses to denigrate. We do learn that Pontoni may be the perfect political candidate. He’s arrogant, opinionated and obviously dimwitted...

A Racist Symbol I have to respond to Gordon Lee Dean’s letter claiming that the confederate battle flag is just a symbol of southern heritage and should not be banned from state displays. The heritage it represents was the treasonous effort to continue slavery by seceding from a democratic nation unwilling to maintain such a consummate evil...

Not So Thanks I would like to thank the individual who ran into and knocked over my Triumph motorcycle while it was parked at Lowe’s in TC on Friday the 24th. The $3,000 worth of damage was greatly appreciated. The big dent in the gas tank under the completely destroyed chrome badge was an especially nice touch...

Home · Articles · News · Music · 4Play: Various Artists, Danger...
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4Play: Various Artists, Danger Mouse and Sparklehorse, Various Artists, Interpol

Kristi Kates - September 13th, 2010
Various Artists - Yo Gabba Gabba: Music is Awesome - Filter U.S.
The innovative TV series Yo Gabba Gabba mixes up modern-day music (and
bands) with groovy puppets and retro styling to relate simple but
necessary life lessons to anyone who watches. Viral videos often
circulate on YouTube and elsewhere of the many music, tv, and movie
talents that guest star on the show, but this is the first time that
fans can snag the original songs as performed by the Gabba cast and
special guest bands. This release (with hopefully more to follow)
includes the show’s popular theme song, as well as tracks by The Shins
(“It’s Okay, Try Again”), The Roots, Money Mark (“Robo Dancing”), and
Biz Markie’s hilarious “Biz’s Beat of the Day.” Cool.


Danger Mouse and Sparklehorse - Dark Night of the Soul - Capitol
Prior to his passing, Mark Linkous (aka Sparklehorse), worked with
Danger Mouse on this album, which sadly ended up being Linkous’ last
collaborative project. Melding moody psychedelic pop and shoegaze-y
rock, the pair of musical friends also welcomed in a host of guest
performers to make this a diverse, eclectic, and appealing set; “Just
War” includes vocals from Super Furry Animals’ Gruff Rhys, “Pain”
features Iggy Pop on vocals and lyrics, “Insane Lullaby” showcases
James Mercer of The Shins/Broken Bells, “The Man Who Played God”
welcomes back Suzanne Vega, and other tracks include contributions
from The Cardigans, The Pixies, and Julian Casablancas.


Various Artists - Sunshine Pop - Ace UK
Twenty-six happy, and yes, sunny tunes in all inhabit this set of
chart-topping hits from the mid to late ‘60s, songs that have
influenced legions of indie-popsters and producers alike. The landmark
“happy” tune, The Turtles’ “Happy Together,” kicks things off,
followed by Tommy James’ “Crystal Blue Persuasion,” The Lemon Pipers’
“Green tambourine,” The Cowsills’ “The Rain, The Park, and Other
Things,” and other singalongables by The Beach Boys, The Mamas and The
Papas, and The Tokens, among others. Sugary, yes - catchy, definitely.



Interpol - Interpol - Matador
Four albums in, and Interpol is sticking to their musical guns -
namely, their own unique, darkened version of modern art rock. Heavier
on percussion than previous sets (perhaps due to the mix influence of
Alan Moulder), the set veers between spiky indie pop-rock to ’70s
metal-lite, never going off the rails, but almost always barreling
with one wheel off the ground around that next corner. “Lights,” “The
Undoing,” and “Barricade” focus on the melodies, while “Memory Serves”
and “Success” aim more at the overall aggressive mood and ambiance of
their respective songs; these aren’t always immediately accessible
tracks, with their walls up and lights flashing, but they definitely
make an impression.

 
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