Letters

Letters 09-15-2014

Stop The Games On Campus

Four head coaches – two at U of M and two at MSU – get a total of $13 million of your taxpayer dollars each year. Their staffs get another $11 million...

The Truth About Fatbikes

While we appreciate the fatbike trail coverage, the quote from the article below is exactly what we demonstrated not to be true in most cases last season...

Man Has Environmental Responsibility

I tend to agree with Thomas Kachadurian (“Playing God,” Sept. 8) that we should not interfere with the power of nature by deciding what is “native” and what is not. Man usually does what is better for man (or so we believe), hence the survival and population growth of our species...

The Bush & Obama Facts

Don Turner’s letter to the editor on 8/25/14 stated that there has never been a more corrupt, dishonest, etc. set of politicians in the White House. He states no facts, but here are a few...

Ban Pesticides

I grew up downstate in a neighborhood without pesticides. I was always very healthy. Living here, I have become ill. So I did my research and found out a lot about these poison agents called pesticides (herbicides, fungicides, insecticides, chemical fertilizers, etc) that are being spread throughout this community, accumulating in our air, water and soil...

Respect for Presidents?

Recently we read the Letter to the Editor that encouraged us to stop characterizing President Obama as anything other than an upstanding, moral, inspiring “first Black President”. The author would have us think that the rancor in the press, media and public is misguided. And, believe it or not, this rancor is a “glaring exception to … unwritten patriotic rule” of historically supporting all previous presidents...


Home · Articles · News · Music · 4Play: Various Artists, Danger...
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4Play: Various Artists, Danger Mouse and Sparklehorse, Various Artists, Interpol

Kristi Kates - September 13th, 2010
Various Artists - Yo Gabba Gabba: Music is Awesome - Filter U.S.
The innovative TV series Yo Gabba Gabba mixes up modern-day music (and
bands) with groovy puppets and retro styling to relate simple but
necessary life lessons to anyone who watches. Viral videos often
circulate on YouTube and elsewhere of the many music, tv, and movie
talents that guest star on the show, but this is the first time that
fans can snag the original songs as performed by the Gabba cast and
special guest bands. This release (with hopefully more to follow)
includes the show’s popular theme song, as well as tracks by The Shins
(“It’s Okay, Try Again”), The Roots, Money Mark (“Robo Dancing”), and
Biz Markie’s hilarious “Biz’s Beat of the Day.” Cool.


Danger Mouse and Sparklehorse - Dark Night of the Soul - Capitol
Prior to his passing, Mark Linkous (aka Sparklehorse), worked with
Danger Mouse on this album, which sadly ended up being Linkous’ last
collaborative project. Melding moody psychedelic pop and shoegaze-y
rock, the pair of musical friends also welcomed in a host of guest
performers to make this a diverse, eclectic, and appealing set; “Just
War” includes vocals from Super Furry Animals’ Gruff Rhys, “Pain”
features Iggy Pop on vocals and lyrics, “Insane Lullaby” showcases
James Mercer of The Shins/Broken Bells, “The Man Who Played God”
welcomes back Suzanne Vega, and other tracks include contributions
from The Cardigans, The Pixies, and Julian Casablancas.


Various Artists - Sunshine Pop - Ace UK
Twenty-six happy, and yes, sunny tunes in all inhabit this set of
chart-topping hits from the mid to late ‘60s, songs that have
influenced legions of indie-popsters and producers alike. The landmark
“happy” tune, The Turtles’ “Happy Together,” kicks things off,
followed by Tommy James’ “Crystal Blue Persuasion,” The Lemon Pipers’
“Green tambourine,” The Cowsills’ “The Rain, The Park, and Other
Things,” and other singalongables by The Beach Boys, The Mamas and The
Papas, and The Tokens, among others. Sugary, yes - catchy, definitely.



Interpol - Interpol - Matador
Four albums in, and Interpol is sticking to their musical guns -
namely, their own unique, darkened version of modern art rock. Heavier
on percussion than previous sets (perhaps due to the mix influence of
Alan Moulder), the set veers between spiky indie pop-rock to ’70s
metal-lite, never going off the rails, but almost always barreling
with one wheel off the ground around that next corner. “Lights,” “The
Undoing,” and “Barricade” focus on the melodies, while “Memory Serves”
and “Success” aim more at the overall aggressive mood and ambiance of
their respective songs; these aren’t always immediately accessible
tracks, with their walls up and lights flashing, but they definitely
make an impression.

 
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