Letters

Letters 09-26-2016

Welcome To 1984 The Democrat Party, the government education complex, private corporations and foundations, the news media and the allpervasive sports and entertainment industry have incrementally repressed the foundational right of We the People to publicly debate open borders, forced immigration, sanctuary cities and the calamitous destruction of innate gender norms...

Grow Up, Kachadurian Apparently Tom Kachadurian has great words; too bad they make little sense. His Sept. 19 editorial highlights his prevalent beliefs that only Hillary and the Dems are engaged in namecalling and polarizing actions. Huh? What rock does he live under up on Old Mission...

Facts MatterThomas Kachadurian’s “In the Basket” opinion deliberately chooses to twist what Clinton said. He chooses to argue that her basket lumped all into the clearly despicable categories of the racist, sexist, homophobic , etc. segments of the alt right...

Turn Off Fox, Kachadurian I read Thomas Kachadurian’s opinion letter in last week’s issue. It seemed this opinion was the product of someone who offered nothing but what anyone could hear 24/7/365 on Fox News; a one-sided slime job that has been done better by Fox than this writer every day of the year...

Let’s Fix This Political Process Enough! We have been embroiled in the current election cycle for…well, over a year, or is it almost two? What is the benefit of this insanity? Exorbitant amounts of money are spent, candidates are under the microscope day and night, the media – now in action 24/7 – focuses on anything and everything anyone does, and then analyzes until the next event, and on it goes...

Can’t Cut Taxes 

We are in a different place today. The slogan, “Making America Great Again” begs the questions, “great for whom?” and “when was it great?” I have claimed my generation has lived in a bubble since WWII, which has offered a prosperity for a majority of the people. The bubble has burst over the last few decades. The jobs which provided a good living for people without a college degree are vanishing. Unions, which looked out for the welfare of employees, have been shrinking. Businesses have sought to produce goods where labor is not expensive...

Wrong About Clinton In response to Thomas Kachadurian’s column, I have to take issue with many of his points. First, his remarks about Ms. Clinton’s statement regarding Trump supporters was misleading. She was referring to a large segment of his supporters, not all. And the sad fact is that her statement was not a “smug notion.” Rather, it was the sad truth, as witnessed by the large turnout of new voters in the primaries and the ugly incidents at so many of his rallies...

Home · Articles · News · Music · White Christmas
. . . .

White Christmas

Erin Cowell - November 8th, 2010
We‘re Dreaming of a White Christmas
By Erin Crowell
Old Town Playhouse director Phil Murphy grew up wanting to be Danny
Kaye after he watched the 1954 Paramount Film “White Christmas.”
“Bing Crosby…not so much,” said Murphy. “I didn’t make much of a
dancer and I’m not much of a comedian.”
While Murphy won’t be playing Danny Kaye’s character, he will be in
the director’s chair when Northern Michigan is treated to the first
performance of Irving Berlin’s “White Christmas,” November 11-14,
18-21 and Nov. 26 & 27 at the Old Town Playhouse in Traverse City.
Even though it’s been over 50 years since the classic holiday movie
was made, “White Christmas” was made available to the stage for the
first time this spring. Murphy jumped at the opportunity.
“There’s a lot of people who grew up with this (story), just like I
did,” explained the 33-plus years OTP veteran. “We’re not always
compelled to do a holiday show, but this is one we just didn’t want to
pass up.”

STAGE LOVE
The play follows characters Bob Wallace (played by Phil Callighan) and
Phil Davis (Ed Blackburn) post-WWII Army privates who retire from the
armed services to pursue a song-and-dance career.
Along the way, they meet the sister act that is Betty (Maryscott
O’Connor) and Judy (Sherry White) Haynes. Not wanting to miss an
opportunity, the men follow the Haynes sisters to Vermont where they
discover their old general, Henry Waverly (played by John Dew), is the
owner of the Columbia Inn, which has fallen on hard times due to a
not-so-white winter. So, the four performers make it their mission to
help restore the inn through good ol’ song and dance – a performance
that will draw many people—and lots of revenue—to the struggling inn.
“White Christmas” is about old friends, new love and a passion for the
performing arts – something that transcends the real folks involved
with the show.
“One nice thing is that people will see some new faces on stage and
quite a few they haven’t seen in awhile,” said Murphy.
Blackburn, who started performing in OTP shows in 1983, has returned
to the stage after a 20 year hiatus. His story parallels that of his
“White Christmas” character, Phil – Blackburn met his wife, Lisa,
while the two were working on the OTP production of “Cinderella.”
“We married, had two kids and just enjoyed life for awhile,” said
Blackburn. “Our kids are in high school now and are very involved with
theater at their school. One day they were going through all our old
production photos and asked us why we didn’t do it anymore.”
With Lisa’s return to the stage in the last two years, Ed was next up
for the challenge and decided on “White Christmas” for his return
performance, being a fan of the classic film, himself.
“The part of Phil Davis is ideal,” said Blackburn. “It’s been great
because performing is in our blood – to sing, dance and act. I do the
same thing John Travolta does, except he gets paid more.”

’TIS THE SEASON
Another reason OTP decided on “White Christmas” Murphy said is because
of the community’s request for the theatre to offer more
family-friendly productions.
“It’s an opportunity to do a crowd pleaser, a real family show. Most
actors here like working on the more challenging, adult-type stuff—and
we try to keep it pretty light—so this is something different. Sort of
a Christmas card for the city from the playhouse.”
So were any of the 26 cast members a little irked about rehearsing for
a Christmas play in September?
“Not really,” explained Murphy. “When you’re rehearsing for a play,
you’re not thinking about the overall effect until later on in
production. It’s actually just now starting to hit people that this is
pretty Christmas-y, with all the Christmas trees on stage and winter
costumes.”
While the storyline, characters and overall feel of “White Christmas”
will be just like its film predecessor, this production offers a few
more musical numbers, along with a few other elements.
“One example is in the scene ‘Snow,’ in the movie there are just four
of them singing about the snow. This time it’s a whole chorus,” said
Murphy. “There’s a lot of new that people will hear, along with all
the classics.”
Blackburn encouraged audience members to sing along to all the Irving
Berlin tunes.
“People will want to sing along to all the favorites like ‘Sisters,’
‘White Christmas’ and other Berlin songs like ‘I love a piano,’” he
said. “We want them to enjoy it as much as we are.”

Directed by Phil Murphy, music direction under Joe Rice, vocal
direction by Carly McCall, with choreographers Liz Reincke and Judy
Stines, along with stage manager Denni Don Hunting, tickets to “Irving
Berlin’s White Christmas” are $23 for adults; $12 for children and $18
for groups. Performances will run Nov. 11-14, 18-21 and Nov. 26 & 27.
Curtain opens at 8 p.m., with Sunday performances at 3 p.m. For more
information, visit oldtownplayhouse.com or call 231-947-2210.

 
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