Letters

Letters 04-14-14

Benishek Inching

Regarding “Benishek No Environmentalist” I agree with Mr. Powell’s letter to the editor/ opinion of Congressman Dan Benishek’s poor environmental record and his penchant for putting corporate interests ahead of his constituents’...

Climate Change Warning

Currently there are three assaults on climate change. The first is on the integrity of the scientists who support human activity in climate change. Second is that humans are not capable of affecting the climate...

Fed Up About Roads

It has gotten to the point where I cringe when I have to drive around this area. There are areas in Traverse City that look like a war zone. When you have to spend more time viewing potholes instead on concentrating on the road, accidents are bound to happen...

Don’t Blame the IRS

I have not heard much about the reason for the IRS getting itself entangled with the scrutiny of certain conservative 501(c) groups (not for profit) seeking tax exemption. Groups seeking tax relief must be organizations that are operated “primarily for the purpose of bringing about civic betterment and social improvements.”


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4Play: Brian Wilson, Madlib, Lloyd Miller, Various Artists

Kristi Kates - November 8th, 2010
Brian Wilson - Reimagines Gershwin - Disney
The uber-talented Brian Wilson keeps evolving as a creative musician, this time taking on two pieces of music left by the equally skillful George Gershwin when he passed away (with the approval of the Gershwin estate.) Wilson’s gift for melodies blends perfectly with Gershwin’s
lush, beautiful compositions, adding modernity to the likes of “They Can’t Take That Away From Me” and “Summertime.” And Wilson completes the unfinished “The Like in I Love You” and “Nothing But Love” with his gift for songcraft; he adds beachy buoyancy and delicate emotion to both of these tracks that Gershwin unintentionally left in very good musical hands.


Madlib - Medicine Show No. 7: High Jazz- MLS
The always-busy Madlib presents another of his Medicine Show installments, on which he works out various jazzy themes with his jazz quintet; on this set, he experiments with more of a jazz-fusion selection, chopping up bits of psychedelic music, funk, soul, and worldbeats into his own blended array of sounds. “Electronic Dimensions” throws robotic bass and futuristic chords into a blender sassed by a hi-hat, while “Steppin’ Into Tomorrow” offers galloping spare guitars, and the humorously named “Funky Butt, Pt. 1” is definitely funky with its choppy rhythms, catchy-repetitive harmony bass, and background vocal throw-ins to cut up the mix even more.


Lloyd Miller - Lloyd Miller and Heliocentrics - Strut Records
The UK musical collective (Heliocentrics) pairs up with jazzy multi-instrumentalist Miller for this collection of songs, which blends New Orleans jazz and Middle Eastern flair together perfectly, bouncing the angles of the more American jazz harmonies off of the more freeform, pitchy tones of the Eastern instruments and Oriental soundscapes. “Electricone” focuses the album’s sound right from the beginning (it’s the opening track) with its massive range of notes and expansive feel, and “Spirit Jazz” veers around and around within its own arrangement, adding surprising elements on each layer; other standouts include “Nava” and “Sunda Sunset.”


Various Artists - Book a Trip: The Psych Pop Sounds of Capitol Records - Now Sounds
This album collects a variety of rare late ‘60s psychedelic singles from the Capitol Records roster, some included here in stereo for the first time. A full-page booklet guides you through each track’s liner notes, which include production by David Axelrod, arrangements by Leon Russell, and compositions by a host of famed songwriters. You’ll hear Capitol pop from the era by the likes of The Moonpark Intersection, the Teddy Neeley Five, The Staccatos, and This Side Up, among others; some of these kitschy retro tunes are even presented in (whoa!) new stereo.
 
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