Letters

Letters 10-27-2014

Paging Doctor Dan: The doctor’s promise to repeal Obamacare reminds me of the frantic restaurant owner hurrying to install an exhaust fan after the kitchen burns down. He voted 51 times to replace the ACA law; a colossal waste of money and time. It’s here to stay and he has nothing to replace it.

Evolution Is Real Science: Breathtaking inanity. That was the term used by Judge John Jones III in his elegant evisceration of creationist arguments attempting to equate it to evolutionary theory in his landmark Kitzmiller vs. Dover Board of Education decision in 2005.

U.S. No Global Police: Steven Tuttle in the October 13 issue is correct: our military, under the leadership of the President (not the Congress) is charged with protecting the country, its citizens, and its borders. It is not charged with  performing military missions in other places in the world just because they have something we want (oil), or we don’t like their form of government, or we want to force them to live by the UN or our rules.

Graffiti: Art Or Vandalism?: I walk the [Grand Traverse] Commons frequently and sometimes I include the loop up to the cistern just to go and see how the art on the cistern has evolved. Granted there is the occasional gross image or word but generally there is a flurry of color.

NMEAC Snubbed: Northern Michigan Environmental Action Council (NMEAC) is the Grand Traverse region’s oldest grassroots environmental advocacy organization. Preserving the environment through citizen action and education is our mission.

Vote, Everyone: Election Day on November 4 is fast approaching, and now is the time to make a commitment to vote. You may be getting sick of the political ads on TV, but instead, be grateful that you live in a free country with open elections. Take the time to learn about the candidates by contacting your county parties and doing research.

Do Fluoride Research: Hydrofluorosilicic acid, H2SiF6, is a byproduct from the production of fertilizer. This liquid, not environmentally safe, is scrubbed from the chimney of the fertilizer plant, put into containers, and shipped. Now it is a ‘product’ added to the public drinking water.

Meet The Homeless: As someone who volunteers for a Traverse City organization that works with homeless people, I am appalled at what is happening at the meetings regarding the homeless shelter. The people fighting this shelter need to get to know some homeless families. They have the wrong idea about who the homeless are.

Home · Articles · News · Music · The Wiyos
. . . .

The Wiyos

Kristi Kates - November 15th, 2010
Americana
By Kristi Kates
The Whyos were an intimidating street gang who raged through NewYork’s
volatile Five Points region from the 1860s until the early 1890s,
controlling much of the Manhattan territory and shouting their gang
cry of “Why-oh!” throughout the rough city streets.
The musical act that’s been dubbed The Wiyos - while they definitely
did borrow their name from the infamous gang - may be just as
boisterous at times, but they’re a lot less dangerous.
Which is, of course, fortunate for their fans.
“We all met in the Lower East Side of Manhattan, and felt that a band,
to some degree, is like a gang,” The Wiyos’ Michael Farkas explains.
“Throw in an occasional black eye and missing tooth for good measure,”
he laughs.
  Farkas goes on to say that, more seriously speaking, they wanted a
band name that had some historical significance.
“And we certainly have a style that is loosely based on the gangs,” he
says, “each of those gangs had a very particular look.”
On stage and in their promo shots, The Wiyos’ garb harkens back to the
late 19th century, as do their stage personas. In addition to Farkas
on harp, percussion, and often washboard, the band consists of Teddy
Weber on guitar, steel guitar, kick drum, and cornet, and “Sauerkraut”
Seth Travins on doghouse bass and percussion. Farkas says that it’s
the combination of carefully-selected musicians that help make The
Wiyos a success.

BIG EARS, BIG SOUND
Influenced by a little bit of everything (“This band has very big
ears,” Farkas says), the band is inspired by “all the bands that are
trying to do something unique and original out there,” Farkas
continues.
“The arts in this country have always been a tough road, and my
inspiration comes from those who trundle along in the face of poverty
and adversity. Those being true to themselves is inspiring,” he says.
That approach is definitely working for the band. They were recently
featured in the BBC television documentary Folk America, and The Wiyos
were also hand-picked in 2009 by Bob Dylan to tour as the opener of
Dylan’s road show, with Willie Nelson and John Mellencamp.
Being multi-talented helps, too.
“In addition to the instruments we play, we all sing,” Farkas says,
“and we work well together because we have a clear vision and love
performing together. We are a good team that is not afraid to be
opinionated.”
Those opinions also extend to their feelings on the state of the
music biz today. While many may categorize The Wiyos as “Americana”
music, they feel that their genre is more of a float between a range
of sounds, which is something they continue to expand upon as they add
in such experimental elements as human beat-boxing and New Orleans
rhythms.

HIP AMERICANA
“We are never quite clear as to what qualifies as ‘Americana’ these
days,” Farkas says. “There is so much music that could fall into that
category. But if you define ‘hip’ as something that was aligned with
urban culture and music from the ’30s and ’40s, then we certainly
qualify. These days, we have moved beyond the old-timey music where we
first gained our reputation.”
A big part of their reputation, as well, are their energetic live
performances, in which they blend a little retro physical comedy with
their sharp musical skills, calling to mind the visuals of Charlie
Chaplin or Buster Keaton.
“We enjoy musical and performance traditions that come directly from
the stages of Vaudeville or even Commedia Dell’Arte (a form of Italian
improv theater begun in the mid-16th century, translated as ‘comedy of
art’), for that matter,” Farkas says, “back then, there was no
separation between comedy and music.”
“You put on a show, and in the best case scenario, you had the benefit
of good lighting, sound, and ambiance to set the stage for some kind
of transformation,” he continues. “Live shows should always endeavor
toward transformation. That is the reason why people went out to see
music or theater in the first place.”

The Wiyos will be performing at the InsideOut Gallery in Traverse City
on November 20. For more info on the band, visit www.thewiyos.com.

 
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