Letters

Letters 08-03-2015

Real Brownfields Deserve Dollars I read with interest the story on Brownfield development dollars in the July 20 issue. I applaud Dan Lathrop and other county commissioners who voted “No” on the Randolph Street project...

Hopping Mad Carlin Smith is hopping mad (“Will You Get Mad With Me?” 7-20-15). Somebody filed a fraudulent return using his identity, and he’s not alone. The AP estimates the government “pays more than $5 billion annually in fraudulent tax refunds.” Well, many of us have been hopping mad for years. This is because the number one tool Congress has used to fix this problem has been to cut the IRS budget –by $1.2 billion in the last 5 years...

Just Grumbling, No Solutions Mark Pontoni’s grumblings [recent Northern Express column] tell us much about him and virtually nothing about those he chooses to denigrate. We do learn that Pontoni may be the perfect political candidate. He’s arrogant, opinionated and obviously dimwitted...

A Racist Symbol I have to respond to Gordon Lee Dean’s letter claiming that the confederate battle flag is just a symbol of southern heritage and should not be banned from state displays. The heritage it represents was the treasonous effort to continue slavery by seceding from a democratic nation unwilling to maintain such a consummate evil...

Not So Thanks I would like to thank the individual who ran into and knocked over my Triumph motorcycle while it was parked at Lowe’s in TC on Friday the 24th. The $3,000 worth of damage was greatly appreciated. The big dent in the gas tank under the completely destroyed chrome badge was an especially nice touch...

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4Play: Willie Nelson, Richard Thompson, Dierks Bentley, KT Tunstall

Ross Boissoneau - December 20th, 2010
Willie Nelson - Country Music (Rounder Records)
When Willie Nelson was busted for pot, yet again last week, he said “I feel great! I feel six ounces lighter.” It is that kind of spirit that is featured on this recording. The Grammy-nominated “Country Music” has the relaxed feel of Willie getting together with his best buds and playing classic country tunes with mostly acoustic instruments. It has the sound of a group of pickers crowding around one mic and swapping solos on fiddles and mandolins. “Satisfied Mind,” “Pistol Packin’ Mama” and Hank Williams’ “House of Gold” are standouts, but the collection includes 15 tunes and they are all good and fun.



Richard Thompson - Dream Attic (Shout Factory)
It is not easy for the uninitiated to cozy up to Richard Thompson’s heavy English accented snarl, but his dazzling guitar playing makes it worth the effort. “Dream Attic” is a sparkling live recording of all-new material. It includes a wide variety of styles from Irish to rock-a-billy and has the flow, with peaks and valleys, that feel more like a concert than a bunch of songs. The best moments are still when Thompson lets loose on his Stratocaster. Forty years removed from his days with Fairport Convention, he sounds as good as ever.




Dierks Bentley - Up On the Ridge (Capitol Records)
It used to be when a country star would cross over he would go slick in an attempt to appeal to a pop music audience. Nowadays the thing to do is to go back to the roots and and make a bluegrass album. On “Up On the Ridge” Bentley recruits some of the best with the likes of Alison Krauss, Del McCoury and mandolinist extraordinaire Chris Thile and his band, the Punch Brothers. It is still something less than hardcore bluegrass. Bentley pushes it just far enough where it will still be played on modern country radio, but it is a fine album and has plenty of surprises including bluegrass versions of Bob Dylan’s “Senor (Tales of Yankee Power),” U2’s “Pride (In the Name of Love)” and “Bottle to the Bottom,” a duet with Kris Kristofferson.


KT Tunstall - Tiger Suit (Relentless)
Scottish singer/songwriter KT Tunstall is best known for her hits “Black Horse and the Cherry Tree” and “Suddenly I See,” a tune inspired by Patti Smith. Tunstall doesn’t quite have Smith’s intensity and sense of music as art (who does?), but on “Tiger Suit” Tunstall makes it clear she is a creative force to be reckoned with and is a lot more than a one or two hit wonder. Recorded in Germany at the same studio where U2’s Achtung Baby and David Bowie’s Heroes were recorded, Tunstall ventures into the world of electronica and dance rhythms without letting it all overwhelm her own distinctive energy and personality.
 
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