Letters

Letters 07-28-14

Worry About Legals

I can’t figure out what perplexes me more, the misinformation everywhere in the media or those who believe it to be true. Take the Hobby Lobby case; as a company that is primarily owned by a religious family, they felt their First Amendment rights were infringed upon by the “Affordable” Care Act...

Stop Labeling and Enjoy

I have been struggling to find a simple way of understanding for myself the concepts of conservative, liberal, and moderation as it relates to our social interactions with each other...

Proposal One & The Public Good

Are you kidding me? Another corporate giveaway with loopholes for large corporations who rule us? Hasn’t our corrupt and worthless governor done enough to raise taxes, provide corporate welfare, unjustly tax pensions, and shut down elected officials with his emergency manager racket...

The Truth About Road Workers

Apparently Mr. Kachadurian did not catch on to the fact that the MDOT Employee Memorial in Clare is a tribute to highway workers who lost their lives building our transportation systems. It was paid for by current and former MDOT employees who likely knew some of these people personally...

Idiotic and Misguided

As a seasonal resident, I always look forward to reading your paper, if only because of the idiotic letters to the editor and off the wall columns...


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4Play: Willie Nelson, Richard Thompson, Dierks Bentley, KT Tunstall

Ross Boissoneau - December 20th, 2010
Willie Nelson - Country Music (Rounder Records)
When Willie Nelson was busted for pot, yet again last week, he said “I feel great! I feel six ounces lighter.” It is that kind of spirit that is featured on this recording. The Grammy-nominated “Country Music” has the relaxed feel of Willie getting together with his best buds and playing classic country tunes with mostly acoustic instruments. It has the sound of a group of pickers crowding around one mic and swapping solos on fiddles and mandolins. “Satisfied Mind,” “Pistol Packin’ Mama” and Hank Williams’ “House of Gold” are standouts, but the collection includes 15 tunes and they are all good and fun.



Richard Thompson - Dream Attic (Shout Factory)
It is not easy for the uninitiated to cozy up to Richard Thompson’s heavy English accented snarl, but his dazzling guitar playing makes it worth the effort. “Dream Attic” is a sparkling live recording of all-new material. It includes a wide variety of styles from Irish to rock-a-billy and has the flow, with peaks and valleys, that feel more like a concert than a bunch of songs. The best moments are still when Thompson lets loose on his Stratocaster. Forty years removed from his days with Fairport Convention, he sounds as good as ever.




Dierks Bentley - Up On the Ridge (Capitol Records)
It used to be when a country star would cross over he would go slick in an attempt to appeal to a pop music audience. Nowadays the thing to do is to go back to the roots and and make a bluegrass album. On “Up On the Ridge” Bentley recruits some of the best with the likes of Alison Krauss, Del McCoury and mandolinist extraordinaire Chris Thile and his band, the Punch Brothers. It is still something less than hardcore bluegrass. Bentley pushes it just far enough where it will still be played on modern country radio, but it is a fine album and has plenty of surprises including bluegrass versions of Bob Dylan’s “Senor (Tales of Yankee Power),” U2’s “Pride (In the Name of Love)” and “Bottle to the Bottom,” a duet with Kris Kristofferson.


KT Tunstall - Tiger Suit (Relentless)
Scottish singer/songwriter KT Tunstall is best known for her hits “Black Horse and the Cherry Tree” and “Suddenly I See,” a tune inspired by Patti Smith. Tunstall doesn’t quite have Smith’s intensity and sense of music as art (who does?), but on “Tiger Suit” Tunstall makes it clear she is a creative force to be reckoned with and is a lot more than a one or two hit wonder. Recorded in Germany at the same studio where U2’s Achtung Baby and David Bowie’s Heroes were recorded, Tunstall ventures into the world of electronica and dance rhythms without letting it all overwhelm her own distinctive energy and personality.
 
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