Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Music · 4Play: Klaxons, Gasoline Silveer,...
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4Play: Klaxons, Gasoline Silveer, Manic Street Ptreachers, Vincent Minor

Kristi Kates - January 31st, 2011
Klaxons - Surfing the Void - Polydor
Electro-rock band Klaxons stepped out of Europe and into Los Angeles to record their sophomore set with producer Ross Robinson, and have added even more of an alternative feel to their music via several experimental elements and plenty of dark harmonies. First single “Echoes” presents a zippy beat and chiming guitars, while the title track ventures into unusual vocal territory with high falsettos and electronica fx; “Future Memories” sets the tune to a military beat, and “Flashover” echoes Interpol with its near-disco beat and heavy instrumentals.





Gasoline Silver - Gasoline Silver - Victorian
Lead singer Ron Franklin (who eerily resembles former Battles singer Tyondai Braxton) is at the wheel of this Minnesota band, whose debut disc offers a punk-pop feel that is sprinkled with everything from soulful dance music to electronic folk. They somehow manage to blend all of that into a sound that works, whether they’re putting harmonica into “The Wild Farewell” or throwing the vocals into an echo bin on “It’s All Over But the Crying.” A solid start for a band that already seems to know how to blend the unusual with the catchy.




Manic Street Preachers - Postcards from a Young Man - 101
Serving as the follow up to MSP’s 2009 set, Journal for Plague Lovers, the band’s latest, produced by Dave Eringa and mixed by the skillful Chris Lord Alge, harkens back to much earlier releases with its thick ranges of string work and layered choruses and choir backing vocals. The songs are very quickly memorable, whether they’re slow or quick of tempo, and they’ve invited some interesting guests along, too - Echo’s Ian McCulloch sings along on “Some Kind of Nothingness,” and Manics bassist Nicky Wire contributes vocals to “The Future...” A dense, concise set.



Vincent Minor - Born in the Wrong Era - SSR
Minor’s debut EP is well worth the purchase, even though it’s limited to five of the singer-songwriter’s spiky-smooth tunes. Anchored mostly on piano, this is pop with a lyrical purpose, as Minor sprinkles intriguing expressions and phrases throughout his compositions, even as he’s setting them to ‘70s pop lite foundations that have been pushed into the modern age. “Fanfare” is reminiscent of the early work of the Ben Folds Five, and is perhaps the most catchy song of the set; “Late Night Show” and the title track also hold their own special appeal.
 
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