Letters

Letters 09-15-2014

Stop The Games On Campus

Four head coaches – two at U of M and two at MSU – get a total of $13 million of your taxpayer dollars each year. Their staffs get another $11 million...

The Truth About Fatbikes

While we appreciate the fatbike trail coverage, the quote from the article below is exactly what we demonstrated not to be true in most cases last season...

Man Has Environmental Responsibility

I tend to agree with Thomas Kachadurian (“Playing God,” Sept. 8) that we should not interfere with the power of nature by deciding what is “native” and what is not. Man usually does what is better for man (or so we believe), hence the survival and population growth of our species...

The Bush & Obama Facts

Don Turner’s letter to the editor on 8/25/14 stated that there has never been a more corrupt, dishonest, etc. set of politicians in the White House. He states no facts, but here are a few...

Ban Pesticides

I grew up downstate in a neighborhood without pesticides. I was always very healthy. Living here, I have become ill. So I did my research and found out a lot about these poison agents called pesticides (herbicides, fungicides, insecticides, chemical fertilizers, etc) that are being spread throughout this community, accumulating in our air, water and soil...

Respect for Presidents?

Recently we read the Letter to the Editor that encouraged us to stop characterizing President Obama as anything other than an upstanding, moral, inspiring “first Black President”. The author would have us think that the rancor in the press, media and public is misguided. And, believe it or not, this rancor is a “glaring exception to … unwritten patriotic rule” of historically supporting all previous presidents...


Home · Articles · News · Music · 4Play: Klaxons, Gasoline Silveer,...
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4Play: Klaxons, Gasoline Silveer, Manic Street Ptreachers, Vincent Minor

Kristi Kates - January 31st, 2011
Klaxons - Surfing the Void - Polydor
Electro-rock band Klaxons stepped out of Europe and into Los Angeles to record their sophomore set with producer Ross Robinson, and have added even more of an alternative feel to their music via several experimental elements and plenty of dark harmonies. First single “Echoes” presents a zippy beat and chiming guitars, while the title track ventures into unusual vocal territory with high falsettos and electronica fx; “Future Memories” sets the tune to a military beat, and “Flashover” echoes Interpol with its near-disco beat and heavy instrumentals.





Gasoline Silver - Gasoline Silver - Victorian
Lead singer Ron Franklin (who eerily resembles former Battles singer Tyondai Braxton) is at the wheel of this Minnesota band, whose debut disc offers a punk-pop feel that is sprinkled with everything from soulful dance music to electronic folk. They somehow manage to blend all of that into a sound that works, whether they’re putting harmonica into “The Wild Farewell” or throwing the vocals into an echo bin on “It’s All Over But the Crying.” A solid start for a band that already seems to know how to blend the unusual with the catchy.




Manic Street Preachers - Postcards from a Young Man - 101
Serving as the follow up to MSP’s 2009 set, Journal for Plague Lovers, the band’s latest, produced by Dave Eringa and mixed by the skillful Chris Lord Alge, harkens back to much earlier releases with its thick ranges of string work and layered choruses and choir backing vocals. The songs are very quickly memorable, whether they’re slow or quick of tempo, and they’ve invited some interesting guests along, too - Echo’s Ian McCulloch sings along on “Some Kind of Nothingness,” and Manics bassist Nicky Wire contributes vocals to “The Future...” A dense, concise set.



Vincent Minor - Born in the Wrong Era - SSR
Minor’s debut EP is well worth the purchase, even though it’s limited to five of the singer-songwriter’s spiky-smooth tunes. Anchored mostly on piano, this is pop with a lyrical purpose, as Minor sprinkles intriguing expressions and phrases throughout his compositions, even as he’s setting them to ‘70s pop lite foundations that have been pushed into the modern age. “Fanfare” is reminiscent of the early work of the Ben Folds Five, and is perhaps the most catchy song of the set; “Late Night Show” and the title track also hold their own special appeal.
 
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