Letters

Letters 07-28-14

Worry About Legals

I can’t figure out what perplexes me more, the misinformation everywhere in the media or those who believe it to be true. Take the Hobby Lobby case; as a company that is primarily owned by a religious family, they felt their First Amendment rights were infringed upon by the “Affordable” Care Act...

Stop Labeling and Enjoy

I have been struggling to find a simple way of understanding for myself the concepts of conservative, liberal, and moderation as it relates to our social interactions with each other...

Proposal One & The Public Good

Are you kidding me? Another corporate giveaway with loopholes for large corporations who rule us? Hasn’t our corrupt and worthless governor done enough to raise taxes, provide corporate welfare, unjustly tax pensions, and shut down elected officials with his emergency manager racket...

The Truth About Road Workers

Apparently Mr. Kachadurian did not catch on to the fact that the MDOT Employee Memorial in Clare is a tribute to highway workers who lost their lives building our transportation systems. It was paid for by current and former MDOT employees who likely knew some of these people personally...

Idiotic and Misguided

As a seasonal resident, I always look forward to reading your paper, if only because of the idiotic letters to the editor and off the wall columns...


Home · Articles · News · Music · 4Play: Klaxons, Gasoline Silveer,...
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4Play: Klaxons, Gasoline Silveer, Manic Street Ptreachers, Vincent Minor

Kristi Kates - January 31st, 2011
Klaxons - Surfing the Void - Polydor
Electro-rock band Klaxons stepped out of Europe and into Los Angeles to record their sophomore set with producer Ross Robinson, and have added even more of an alternative feel to their music via several experimental elements and plenty of dark harmonies. First single “Echoes” presents a zippy beat and chiming guitars, while the title track ventures into unusual vocal territory with high falsettos and electronica fx; “Future Memories” sets the tune to a military beat, and “Flashover” echoes Interpol with its near-disco beat and heavy instrumentals.





Gasoline Silver - Gasoline Silver - Victorian
Lead singer Ron Franklin (who eerily resembles former Battles singer Tyondai Braxton) is at the wheel of this Minnesota band, whose debut disc offers a punk-pop feel that is sprinkled with everything from soulful dance music to electronic folk. They somehow manage to blend all of that into a sound that works, whether they’re putting harmonica into “The Wild Farewell” or throwing the vocals into an echo bin on “It’s All Over But the Crying.” A solid start for a band that already seems to know how to blend the unusual with the catchy.




Manic Street Preachers - Postcards from a Young Man - 101
Serving as the follow up to MSP’s 2009 set, Journal for Plague Lovers, the band’s latest, produced by Dave Eringa and mixed by the skillful Chris Lord Alge, harkens back to much earlier releases with its thick ranges of string work and layered choruses and choir backing vocals. The songs are very quickly memorable, whether they’re slow or quick of tempo, and they’ve invited some interesting guests along, too - Echo’s Ian McCulloch sings along on “Some Kind of Nothingness,” and Manics bassist Nicky Wire contributes vocals to “The Future...” A dense, concise set.



Vincent Minor - Born in the Wrong Era - SSR
Minor’s debut EP is well worth the purchase, even though it’s limited to five of the singer-songwriter’s spiky-smooth tunes. Anchored mostly on piano, this is pop with a lyrical purpose, as Minor sprinkles intriguing expressions and phrases throughout his compositions, even as he’s setting them to ‘70s pop lite foundations that have been pushed into the modern age. “Fanfare” is reminiscent of the early work of the Ben Folds Five, and is perhaps the most catchy song of the set; “Late Night Show” and the title track also hold their own special appeal.
 
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