Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Features · Sparkle power
. . . .

Sparkle power

Kristi Kates - February 21st, 2011
Sparkle Power: Aluminum Show puts the pedal to the metal
By Kristi Kates
Combining movement, plenty of dance, astounding visual theater, and even a
little humor, The Aluminum Show is perhaps one of the more unusual
performances to step onto the City Opera House stage in Traverse City.
An Israeli-based company that’s garnered worldwide recognition for its
artistic and unique approach, the Show has toured across the globe, making
what at first appear to be simple hardware-store implements into an
intriguing and futuristic on-stage world.
The show’s creator, Ilan Azriel, had a one-man puppet-type show that he
was operating across the world several years ago. A stop in Las Vegas
exposed Azriel to shows by the likes of Blue Man Group, inspiring him to
return to his homeland of Israel to create something bigger.
“He didn’t want to copy the shows he’d seen in Las Vegas,” explains
Aluminum Show producer David Azulay, “he wanted to be inspired to make
something big and new that was his own.”

HARDWARE INSPIRATION
Azriel began searching for materials to use in a new stage show, looking
everywhere for ideas, including hardware stores.
“He was actually at a hardware store when he saw some aluminum tubes up on
a shelf, the kind that were used for air conditioning,” Azulay explains.
“As he pulled a box off of a shelf, one of the tubes fell out. He put it
on his hand, and started moving his hand around as if it were a puppet. He
liked the way it came to life, and he thought, ‘if I can do this with just
my hand, what would this tube look like if I put a dancer in it?’”
That is precisely what Azriel did. Acquiring a range of industrial factory
materials from castoffs (“factory leftovers,” Azulay calls them) to
custom-created tubes adapted from the original air conditioning tubes
(made more flexible so the dancers could ‘wear’ them), Azriel put together
a roster of items to help his performers build the set, dress the cast,
and interact with the audience.
“Some of the materials are just regular things you could buy at Home
Depot,” Azulay chuckles, “and some are custom. In addition to the tubes,
we use mylar, aluminum foil, and we built our set from sheets of aluminum.
We try to use the aluminum in everything we use in the show.”
Hence the show’s theme, of course - and it’s accompanying storyline, which
outlines the tale of a machine determined to reunite with its family,
traveling through a bizarre technological world and acquiring friends -
one of them human - along the way.

METAL TRANSFORMATIONS
The challenges, Azulay explains, mostly lie with the performers
themselves, who have to be specially trained in order to adapt to
performing with these unusual costumes-slash-props.
“The dancers dance inside and outside of the tubes,” he points out, “so
they are not in the tubes all of the time. But they still have to learn,
especially when wearing the tubes, a sense of direction onstage, how to
find their place on the stage, and how to ‘humanize’ the tubes so as to
relate to the audience.”
The dancers - 10 of whom were selected for this particular tour - were
auditioned in New York City in August, sent to Israel in September, and
returned to the U.S. in December to begin this tour, after about three
months of training. They will stay with The Aluminum show’s U.S. run until
late May, and then it’s on to Spain and South America.
The creator’s, producer’s, and dancers’ efforts, are succeeding, according
to great critical reviews of the show, and according to Azulay himself,
who seems just as impressed by the show as the audience, even though he’s
essentially part of it.
“You look at these cold, metal things sitting on stage,” Azulay says,
“and, at first, they are nothing. Then, you can suddenly see emotions in
them - you can see they’re happy, you can see they’re sad, you can see the
audience relating to them. It’s amazing.”

The Aluminum Show will hit the stage at the City Opera House in Traverse
City on February 24, at 7:30 p.m. Tickets $35/$20. For tix or more
information, visit
www.cityoperahouse.org or telephone
231-941-8082.

 
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