Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Music · Chanticleer
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Chanticleer

Kristi Kates - February 28th, 2011
Chanticleer: An Orchestra of Voices
By Kristi Kates
First, a little background. Chanticleer, the internationally-renowned singing group, has actually been around since 1978. Founded by musicology grad student Louis Botto - who found it unusual that much of the repertoire he was studying wasn’t actually being performed - the group was initially pulled from members of choirs in which Botto sang (namely the San Francisco Symphony Chorus and the Grace Cathedral Choir), and began as a nine-member endeavor.
They named themselves after Chanticleer, the singing rooster in one of Geoffrey Chaucer’s Canterbury Tales - and the group debuted before a capacity audience at San Fran’s historic Old Mission Dolores. With their very first show a smash success, the nonet agreed to continue on, and a singing tradition was born.

AUDITION TO SING
Today, Chanticleer has expanded to a dozen members, although they still continue musically much along the same philosophy. New members are added periodically as others drop away from the project or retire; current music director and performer Matthew Oltman, who joined the group himself 13 years ago, says that their “record holder” has been in the group for 26 years, while a couple of the members have only been singing with Chanticleer for one year.
He also explains that the process of becoming a Chanticleer singer isn’t a simple one.
“We audition people every year,” he begins, “but we’re always just 12 members, so of course a spot has to be open first. I knew of Chanticleer back in high school and college - I’ve always been a singer - so when I finished my undergrad and masters degrees in voice, and I heard they were holding auditions, I thought, well, as a singer, I’m going to have to get used to going to auditions, so this is good practice. That’s the funny part - I approached it as something for me to do to just get experience auditioning - and I got in.”
The audition process itself, Oltman says, wasn’t the typical audition in which you might walk in, state your name, sing, and get a verdict; the Chanticleer auditions take three full days.
“You sing by yourself, you sing with others, you sight-read and sing, you even just hang out with the others,” Oltman explains, “it’s as much about chemistry between the members as it is music.”

600 YEARS OF SPACE
Now that Oltman’s got over a dozen years as a Chanticleer under his belt, his music director role finds him responsible for choosing the repertoires of songs and programming the concerts. The dozen men blend their individual singing skills so well - all the way from countertenor to bass - that they’ve been dubbed ‘an orchestra of voices.’
The current performance that Chanticleer are touring with is a program called “Out of This World,” which Oltman explains is ‘an exposition of music dealing with space and the Heavens.’
“We’ll be performing music on that theme spanning about 600 years of music history, from the Renaissance all the way to pieces of music that we’ve commissioned specifically for Chanticleer to perform,” he says.
One of those new pieces, written by San Francisco composer Mason Bates, is titled “Observer in the Magellanic Cloud,” while another piece of music, Oltman says, uses words spoken by a NASA astronaut as he reflected on space.

BEIJING TO TRAVERSE BAY
Chanticleer may not travel as far as space with their performances, but one of the things Oltman says he personally likes best about being part of the group - after the music itself, of course - are all of the travel opportunities.
“We have played in so many unusual and wonderful venues,” he says, “we’ve sung in most of the great concert houses in Europe, which is a thrill because of how famous they are. We’ve done everything from singing in outdoor amphitheaters in the woods to singing in the famous Egg, the National Center for the Performing Arts that they built in Beijing.”
In addition to these slightly more exotic locales, Oltman says that their upcoming performance here will be his third time in Traverse City.
“I’ve played in Michigan many times in my 13 years with Chanticleer,” he says, “Traverse City is just so pretty. That’s one of the many great things about being in the group - we get to see so many beautiful places in the States and around the world.”

Chanticleer will be performing at the City Opera House in TC on Friday, March 4 at 7:30 p.m.; www.cityoperahouse.org or 231-941-8082 for tickets ($35/$20).

 
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