Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Music · Miss Tess
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Miss Tess

Kristi Kates - February 28th, 2011
Miss Tess’ leads the Retro Parade
By Kristi Kates
Being compared to the likes of both Ella Fitzgerald and Madeleine Peyroux - and being dubbed Outstanding Folk Artist of the Year by the Boston Music Awards - is no small feat.
But Boston-launched, New York-based singer-songwriter Miss Tess, who will be appearing in Traverse City at the InsideOut Gallery, on March 2, is no small-minded musician, pushing and pulling her talents through a wide range of projects but always keeping her own musical sensibilities intact.

PUNK TO PARADE
With her 1940s guitar and her band, the Bon Ton Parade (Danny Weller on upright bass, Raphael McGregor on lap steel, and Matt Meyer on drums), Miss Tess - no last name, thank you - is making a big splash these days with her latest album, The Waltz Set. It might seem like something of a breakthrough for those outside of the East Coast musical scene - yet Tess has actually been pursuing her career for the past six years.
Growing up in Massachusetts, Tess says she was influenced early on by the music heard in her family home - which she did a complete 180 from in later years by buying her first pop-punk CD.
“I grew up listening to my parents playing old folk, swing, jug band, and big band music,” she reminisces, “but I think the first CD I bought was Green Day’s Dookie.”
Fortunately for her audiences, the old-school tunes stuck for Miss Tess far more than any renditions of Green Day’s “Basket Case” may have.
“It was inevitable (to create a more retro style of music) based on my background,” she explains, “I grew up listening to so much of that style of music that I think it’s just in my blood.”

THE WALTZ SET
She eventually took piano lessons, and then spent some time couch-surfing with her guitar in tow - and by 2005, Miss Tess had already formed her Bon Tons band, which began playing at nightspots around the Boston area. The first pair of Miss Tess albums would arrive in 2007, one a “regular” album and one a set of jazz standards on which Tess was accompanied by a sextet of Washington, DC-based jazz players.
And to think that all of this accomplishment was started primarily out of Green Day-worthy ennui.
“I think it was actually boredom,” Tess chuckles, “I used to work at an art gallery, and sometimes there was nothing to do all day. Then I started traveling with my guitar and wrote more songs that way.”
“More songs” is an understatement. In 2009, this overachiever released two more albums, Live on the Road - a live album, ‘natch - and “Darling, oh Darling,” a quirky playlist of original tunes on which Tess experiments with jazz, blues, rockabilly, and even country-western sounds.
“The Waltz Set definitely has a few more country influences for sure,” she says, “as well as some folk inspirations. I wanted to try a concept album, so waltzes were my concept.”
“Who doesn’t like 3/4 time, ya know?” she smiles.

NEW AND OLD
The past four years have seen Miss Tess spending much of her time on the road, criss-crossing the country on a range of national tour dates. And that aforementioned album, The Waltz Set, debuts five original waltzes - certainly a diversion from today’s radio hits - plus a waltz-based cover of the Skeeter Davis song “End of the World.” The vintage tunes and sharp musicianship showcase just why Miss Tess is finally starting to get more and more attention outside of her home region.
2011 and 2012 is slated to be a very busy year for Miss Tess, as she’s relocated to New York City and is also carrying a consistently heavy touring schedule. She and the Bon Tons are currently on a six-week tour from Nashville to the Midwest (TC included, of course), and are then heading to Austin, Texas for the big SXSW Festival. A new full-length album is also in the works, with recording set to begin later this summer.
And as for her influences of today, they’ve shifted a little, from the pop charts to music crafted by her peers - but her love for retro sounds is always in effect.
“A lot of the newer stuff I listen to is music being created by my friends,” she says, “but I still listen to a lot of the old stuff.”

Miss Tess and the Bon Ton Parade will be performing on March 2 at the InsideOut Gallery in Traverse City. For more info on Miss Tess and her band, visit www.misstessmusic.com or www.myspace.com/misstessmusic.
 
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