Letters

Letters 05-04-2015

I Love The Eighth Street Changes I read the letter in the 4/13 paper about not liking the Eighth Street changes, and it spurred me to let you know that I do like the Eighth Street changes, as do many of my neighboring residents.

Michigan Taxes Equal Uncompetitive State Michigan has been losing population. According to the eighth edition of the “Rich States, Poor States” report released by the American Legislative Exchange Council (ALEC), states with low taxes have been gaining population.

“Déjà Vu, All Over Again!” Sometimes that Yogi Berra quote is pitch perfect.  Back in 1993, Michigan’s roads were falling apart. Governor Engler refused to raise motor fuel taxes -- he issued bonds instead and kicked that problem down the road.

No To Fracking I would like to respond to the article in the Apr 27th issue regarding fracking.

Find Something Better Our politicians in Lansing love to talk about “no more taxes.” I agree that they seem to be against any new taxes on the very wealthy and businesses, but seem to have no problem increasing taxes on the poor and the middle class.

Home · Articles · News · Music · 4Play:Badly Drawn Boy, The Apples...
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4Play:Badly Drawn Boy, The Apples in Stereo, Eels, Autumn Defense 4/4/11

Kristi Kates - April 4th, 2011
Badly Drawn Boy - It’s What I’m Thinking: Part One - The End Records
Chock-full of emotional filling and dusted with instrumental sugar, Badly Drawn Boy’s latest - like so many of his best albums - is another musical treat that’s light enough to not be overwhelming, but still a rewarding and smart listen. His personal lyrics tell the stories, while the melodies remain as catchy as always, right from the temperate opener (“In Safe Hands”) to the reflective “What Tomorrow Brings,” the simple but effortlessly pretty balladry of “Saw You Walk Away” and “The Electric,” and onward to the slightly more musically-adventurous “A Pure Accident” and “This Beautiful Idea.” It’s fairly apparent that most of the album is inspired by relationships - but hopefully something else he’s thinking about is how to make more great music like this.


The Apples in Stereo - Travellers in Space and Time - Yep Roc
Serving as the successor to their much-lauded New Magnetic Wonder album, The Apples in Stereo push forward with more of their uber-catchy refrains and witty wordplay. A slightly more danceable feel is woven through this set, with disco beats enhancing tracks like “Hey Elevator” and the appropriately-dubbed “Dance Floor,” while songs like “Dignified Dignitary” and “No Vacation” keep those foot-friendly rhythms while blending back in the Apples’ appealing quirkiness, from their inclusion of vocoders and off-kilter harmonies to their slightly goofy way of writing lyrics that tell universal tales in a humorous way, albeit one that’s blended with alien synths and heavy rock guitars.



Eels - Tomorrow Morning - E Works
With more electronica and definitively anchoring bass lines than prior efforts, Eels frontman E (aka Mark Everett) throws out the songs on his latest effort like confetti, completing what’s being considered a concept trio of albums that began in 2009. With carefully-structured arrangements showcasing Everett’s personal, often humorous lyric stylings, this is a more hopeful album than the two prior, beginning with the instrumental opener “In Gratitude of This Magnificence” setting the tone. “What I Have to Offer” is a simple man’s love song, quickly followed by a 180, mood-wise, with “This is Where It Gets Good,” with its funky beat and synth work; and “Mystery of Life” is a standout with its obvious Beach Boys-influenced harmonies.



Autumn Defense - Once Around - Yep Roc
You might be familiar with at least two of the members of this band, namely Pat Sansone and John Stirratt, who are also bandmates in another little indie band called... Wilco. The Autumn Defense has actually been a side project of the friends for about the past 10 years, and offers both some similarities to Wilco’s sound and some fresh infusions that are all Autumn Defense’s own. The production is sharp, the arrangements bedecked with strings and plenty of backing vocals, and the songs themselves, while not as immediately catchy as Wilco’s tunes, do grow on you, especially tracks like “Tell Me What You Want,” “Don’t Know,” “The Rift,” and “There Will Always Be a Way.”
 
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