Letters 10-24-2016

It’s Obama’s 1984 Several editions ago I concluded a short letter to the editor with an ominous rhetorical flourish: “Welcome to George Orwell’s 1984 and the grand opening of the Federal Department of Truth!” At the time I am sure most of the readers laughed off my comments as right-wing hyperbole. Shame on you for doubting me...

Gun Bans Don’t Work It is said that mass violence only happens in the USA. A lone gunman in a rubber boat, drifted ashore at a popular resort in Tunisia and randomly shot and killed 38 mostly British and Irish tourists. Tunisian gun laws, which are among the most restrictive in the world, didn’t stop this mass slaughter. And in January 2015, two armed men killed 11 and wounded 11 others in an attack on the French satirical magazine Charlie Hebdo. French gun laws didn’t stop these assassins...

Scripps’ Good Deed No good deed shall go unpunished! When Dan Scripps was the 101st District State Representative, he introduced legislation to prevent corporations from contaminating (e.g. fracking) or depleting (e.g. Nestle) Michigan’s water table for corporate profit. There are no property lines in the water table, and many of us depend on private wells for abundant, safe, clean water. In the subsequent election, Dan’s opponents ran a negative campaign almost solely on the misrepresentation that Dan’s good deed was a government takeover of your private water well...

Political Definitions As the time to vote draws near it’s a good time to check into what you stand for. According to Dictionary.com the meanings for liberal and conservative are as follows:

Liberal: Favorable to progress or reform as in political or religious affairs.

Conservative: Disposed to preserve existing conditions, institutions, etc., or to restore traditions and limit change...

Voting Takes A Month? Hurricane Matthew hit the Florida coast Oct. 6, over three weeks before Election Day. Bob Ross (Oct. 17th issue) posits that perhaps evacuation orders from Governor Scott may have had political motivations to diminish turnout and seems to praise Hillary Clinton’s call for Gov. Scott to extend Florida’s voter registration deadline due to evacuations...

Clinton Foundation Facts Does the Clinton Foundation really spend a mere 10 percent (per Mike Pence) or 20 percent (per Reince Priebus) of its money on charity? Not true. Charity Watch gives it an A rating (the same as it gives the NRA Foundation) and says it spends 88 percent on charitable causes, and 12 percent on overhead. Here is the source of the misunderstanding: The Foundation does give only a small percentage of its money to charitable organizations, but it spends far more money directly running a number of programs...

America Needs Change Trump supports our constitution, will appoint judges that will keep our freedoms safe. He supports the partial-birth ban; Hillary voted against it. Regardless of how you feel about Trump, critical issues are at stake. Trump will increase national security, monitor refugee admissions, endorse our vital military forces while fighting ISIS. Vice-presidential candidate Mike Pence will be an intelligent asset for the country. Hillary wants open borders, increased government regulation, and more demilitarization at a time when we need strong military defenses...

My Process For No I will be voting “no” on Prop 3 because I am supportive of the process that is in place to review and approve developments. I was on the Traverse City Planning Commission in the 1990s and gained an appreciation for all of the work that goes into a review. The staff reviews the project and makes a recommendation. The developer then makes a presentation, and fellow commissioners and the public can ask questions and make comments. By the end of the process, I knew how to vote for a project, up or down. This process then repeats itself at the City Commission...

Regarding Your Postcard If you received a “Vote No” postcard from StandUp TC, don’t believe their lies. Prop 3 is not illegal. It won’t cost city taxpayers thousands of dollars in legal bills or special elections. Prop 3 is about protecting our downtown -- not Munson, NMC or the Commons -- from a future of ugly skyscrapers that will diminish the very character of our downtown...

Vote Yes It has been suggested that a recall or re-election of current city staff and Traverse City Commission would work better than Prop 3. I disagree. A recall campaign is the most divisive, costly type of election possible. Prop 3, when passed, will allow all city residents an opportunity to vote on any proposed development over 60 feet tall at no cost to the taxpayer...

Yes Vote Explained A “yes” vote on Prop 3 will give Traverse City the right to vote on developments over 60 feet high. It doesn’t require votes on every future building, as incorrectly stated by a previous letter writer. If referendums are held during general elections, taxpayers pay nothing...

Beware Trump When the country you love have have served for 33 years is threatened, you have an obligation and a duty to speak out. Now is the time for all Americans to speak out against a possible Donald Trump presidency. During the past year Trump has been exposed as a pathological liar, a demagogue and a person who is totally unfit to assume the presidency of our already great country...

Picture Worth 1,000 Words Nobody disagrees with the need for affordable housing or that a certain level of density is dollar smart for TC. The issue is the proposed solution. If you haven’t already seen the architect’s rendition for the site, please Google “Pine Street Development Traverse City”...

Living Wage, Not Tall Buildings Our community deserves better than the StandUp TC “vote no” arguments. They are not truthful. Their yard signs say: “More Housing. Less Red Tape. Vote like you want your kids to live here.” The truth: More housing, but for whom? At what price..

Home · Articles · News · Features · The Collector:Brant Leonard is...
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The Collector:Brant Leonard is in a spin with 15, 000 record albums

Robert Downes - May 9th, 2011
The Collector: Brant Leonard is in a spin with 15,000 record albums
By Robert Downes
Brant Leonard inserts a needle the size of a half-inch finishing nail into
the stylus of a 1925 Victrola and lowers the arm on a 78 rpm recording of
“Mr. Sandman” by a long-lost girl band called the Chordettes...
Out pours a sound from the 1940s that’s as thick and rich as plush velvet,
and even though there are no electronic parts or speakers in the Victor’s
Orthophonic Credenza, the music is LOUD!!! It seems almost impossible,
considering this hand-cranked record player relies on a single resonating
wooden chamber as a speaker.
“We got louder with our technology, but not necessarily better,” Brant
says of the Victrola, which was considered a cutting edge sound system in
the mid-1920s. “When you listen to a record on this it seems real. It’s
almost like the singers are in the room with you or around the corner.”
The quality of the sound from this primitive record player seems almost
beyond belief, and with no volume knobs the only way to turn the sound
down on the Victrola is to close its cabinet doors. It’s as if you’ve
stumbled into a lost world of pure, organic sound, compared to which your
digital MP3 downloads are a ghostly imitation.

Leonard, 61, is more than a casual visitor to this kingdom of sound. “I
guess I’ve got about 15,000 records altogether,” he says. “I think I’ve
got between 8,000 and 11,000 LPs and probably 2,000-3,000 45s, with a
couple thousand 78s.”
For the clueless, 78 rpm albums were the original record albums created on
discs of shellac or an early form of plastic called bakelite. Before
electronic recording techniques were developed in the 1920s, 78s were
created by using a megaphone-like horn to funnel the sound of musicians
down through a needle, etching the music in the grooves of a master disc
that was used to stamp out replicas.
Each 78 packed a single song per side and the records were produced from
the 1920s through the early ‘60s. Leonard has an RCA Victor 78 record of
Elvis Presley singing “Love Me Tender,” in which you can hear the scratch
of his guitar strings; and even The Beatles recorded some 78s before
becoming the kings of pop 45s and 33 rpm LPs.
With 15,000 records packed wall-to-wall in his home south of Traverse
City, one might imagine that Leonard has been collecting all his life.
Actually, he didn’t get started until after a divorce in 1996.
“I had some records as a kid, but I was more into performing in bands in
high school than buying records,” he says. “But around the time I started
collecting, people started dumping their albums and going to CDs. You
could buy 200 or 300 records for five bucks at a garage sale. Buying
records became something to do for me as a hobby and they were cheap, so
it kind of snowballed.”

55-60 PIANOS
Leonard collects a lot of other things too. He has three Victrolas, for
instance, and as a lifelong musician he owns a well-rounded collection of
prize guitars, including some fine old Martins and Gibsons. Then there is
his back yard full of junk cars -- he has a sweet spot for old Mopar
Chryslers -- a specialty that includes a 1970s Plymouth Valiant, a ‘67
Dodge stepvan and a ‘61 Dodge Dart Seneca to name a few.
But it’s his piano collection that hits a high note.
“I own approximately 55 to 60 pianos and don’t hardly ever scrap them. I
have too much respect for what goes into them. They will someday be kind
of like a retirement plan for me,” he says with a laugh.
Leonard has kind blue eyes, a soft laugh and a ready smile. His shaggy
appearance and omnipresent cowboy hat belies the fact that he’s a
highly-respected piano tuner known throughout the region who has rubbed
elbows with some of the biggest stars in showbiz.
In addition to tuning the pianos for the Dennos Museum Center,
Northwestern Michigan College and many private owners, Leonard rents
instruments to big acts passing through the region.
“I’ve been doing this for a long time,” he says, “and there are only a
small circle of people who can rent out a decent piano. A lot of
performers want the big nine-footers.”
His clients have included Neil Sedaka, Burt Bacharach, Florence Henderson,
Robert Goulet, Kevin Rhodes, and Bob Seeley & Mr. B. Many of them have
signed the pride of his collection: a 1915 Steinway that was rebuilt in
1989 and is worth an estimated $65,000. It’s one of six Steinways of
walnut or ebonized cherry that Leonard owns -- he rents them for anywhere
from $700 - $1,600 per performance, depending on how far he has to drive.
He also owns a vintage 1920s player piano worth an estimated $100,000.

Not bad for a self-taught piano tuner whose first experience with a piano
was dropping one off the back of a pickup truck into a snowbank…
Leonard grew up in a military family that was always on the move. “My dad
was in the military and I had lived in 18 locations by the time I turned
16,” he says.
But he had an early interest in music, playing piano as a kid and then
guitar, bass and Hammond B3 organ in a high school band while living in
Leavenworth, Kansas.
By the late ‘60s Leonard and the Jonathan Trio band had hit the road. “We
traveled around two or three weeks at a time from one town to the next --
Kansas, Kentucky, Illinois, Nebraska,” he recalls.
On May 4, 1970 -- the day of the Kent State Massacre in Ohio -- Leonard’s
band arrived for the first time in Traverse City, fresh from a gig at the
Ruby Doo Hotel in St. Joseph, Missouri. They got a job at the Top of the
Park and tore the place up with rock tunes, Motown, and covers of
folk-rock hits like “Suite Judy Blue Eyes.”
“We lit this town up with a line waiting to get in that went on all night
long,” Leonard recalls with a sparkle in his deep blue eyes. “Seventeen
years after that experience people were still asking me about the band.
For this area, we really were the first covering those kinds of songs.”

With status as a bona fide local celebrity, Leonard decided to move to TC
full time in the early ‘70s, where he was drawn to the folk sounds of a
long-gone and much-venerated basement club called The Keller. “I heard a
whole new kind of music there from the rock we’d been playing -- artists
like John Prine and Jimmy Buffet -- and it piqued my interest in playing
guitar again.”
Soon, Leonard was performing with The Talisman, a band headed-up by Al
Jankowski (noted today as one of the top multi-instrumentalists in the
region). At around the same time, he decided to take up the piano.
“I got a junk piano that needed tuning and I borrowed a truck to take it
home,” he recalls. “Well, I drove about 50 feet and the piano bounced out
of the truck into a snow bank. And I got so mad the air turned blue from
me going off about it. I had to get a front-end loader to get it back in
the truck.”
His then-wife Susie bought him a book on tuning pianos and using a couple
of pairs of pliers, Leonard went after the loose tuning pins of the
“I started reading the book and with one thing after another, I worked my
way through it,” he says of his self-taught education. “Anybody can do
that if you just don’t quit.”

Today, you can catch Leonard’s act almost every Thursday night, performing
at the Round Up open mic show at The Hayloft bar on M-72, west of TC.
He’s a ‘guitarist’s guitarist,’ with perfect pitch, soulful song
selections, and a deft hand at fingerpicking styles.
He’s also more than a little dedicated: when Leonard lost the index finger
on his right picking hand (“to an alligator”) on a Sunday in 2005, he was
back onstage at the FarmFest in Johannesburg, performing that Thursday,
and back at The Hayloft as well with a bandage on his hand.
As for his record collection, Leonard seems content to listen to his
albums, rather than selling them on eBay or to other collectors.
Part of this is from sheer inclination, or even perhaps the essence of who
Leonard is as a person. “I live by what I hear,” he says. “I tune pianos
and I’m keenly aware of sounds and tone.”
He’s also more interested in the rudimentary technology of the past than
the digital sounds of the present. “There are probably quite a few record
collectors out there, but I’m not on the Internet,” he says. “I don’t
even know how to turn a computer on anymore -- I’ve got too much to do
That and the fact that the past is still very much alive in Leonard’s
collection, and he’s still got the sounds of Bob Wills, Bing Crosby, The
Jordanaires, The Easy Riders, Porter Wagner and thousands of other
long-gone musicians in his blood.
He notes that even though they relied on low-tech recording methods, those
old 78 rpms pack a lot of aural information precisely because they’re
whipping around so fast and deep -- kind of like Brant Leonard himself,
come to think of it.
“I prefer 78s,” he says. “You can play a 78 and then play a LP of the
same song by the same artist and the 78 will sound better. It’s the
presence I like -- it sounds like you’re right there.”
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