Letters 10-24-2016

It’s Obama’s 1984 Several editions ago I concluded a short letter to the editor with an ominous rhetorical flourish: “Welcome to George Orwell’s 1984 and the grand opening of the Federal Department of Truth!” At the time I am sure most of the readers laughed off my comments as right-wing hyperbole. Shame on you for doubting me...

Gun Bans Don’t Work It is said that mass violence only happens in the USA. A lone gunman in a rubber boat, drifted ashore at a popular resort in Tunisia and randomly shot and killed 38 mostly British and Irish tourists. Tunisian gun laws, which are among the most restrictive in the world, didn’t stop this mass slaughter. And in January 2015, two armed men killed 11 and wounded 11 others in an attack on the French satirical magazine Charlie Hebdo. French gun laws didn’t stop these assassins...

Scripps’ Good Deed No good deed shall go unpunished! When Dan Scripps was the 101st District State Representative, he introduced legislation to prevent corporations from contaminating (e.g. fracking) or depleting (e.g. Nestle) Michigan’s water table for corporate profit. There are no property lines in the water table, and many of us depend on private wells for abundant, safe, clean water. In the subsequent election, Dan’s opponents ran a negative campaign almost solely on the misrepresentation that Dan’s good deed was a government takeover of your private water well...

Political Definitions As the time to vote draws near it’s a good time to check into what you stand for. According to Dictionary.com the meanings for liberal and conservative are as follows:

Liberal: Favorable to progress or reform as in political or religious affairs.

Conservative: Disposed to preserve existing conditions, institutions, etc., or to restore traditions and limit change...

Voting Takes A Month? Hurricane Matthew hit the Florida coast Oct. 6, over three weeks before Election Day. Bob Ross (Oct. 17th issue) posits that perhaps evacuation orders from Governor Scott may have had political motivations to diminish turnout and seems to praise Hillary Clinton’s call for Gov. Scott to extend Florida’s voter registration deadline due to evacuations...

Clinton Foundation Facts Does the Clinton Foundation really spend a mere 10 percent (per Mike Pence) or 20 percent (per Reince Priebus) of its money on charity? Not true. Charity Watch gives it an A rating (the same as it gives the NRA Foundation) and says it spends 88 percent on charitable causes, and 12 percent on overhead. Here is the source of the misunderstanding: The Foundation does give only a small percentage of its money to charitable organizations, but it spends far more money directly running a number of programs...

America Needs Change Trump supports our constitution, will appoint judges that will keep our freedoms safe. He supports the partial-birth ban; Hillary voted against it. Regardless of how you feel about Trump, critical issues are at stake. Trump will increase national security, monitor refugee admissions, endorse our vital military forces while fighting ISIS. Vice-presidential candidate Mike Pence will be an intelligent asset for the country. Hillary wants open borders, increased government regulation, and more demilitarization at a time when we need strong military defenses...

My Process For No I will be voting “no” on Prop 3 because I am supportive of the process that is in place to review and approve developments. I was on the Traverse City Planning Commission in the 1990s and gained an appreciation for all of the work that goes into a review. The staff reviews the project and makes a recommendation. The developer then makes a presentation, and fellow commissioners and the public can ask questions and make comments. By the end of the process, I knew how to vote for a project, up or down. This process then repeats itself at the City Commission...

Regarding Your Postcard If you received a “Vote No” postcard from StandUp TC, don’t believe their lies. Prop 3 is not illegal. It won’t cost city taxpayers thousands of dollars in legal bills or special elections. Prop 3 is about protecting our downtown -- not Munson, NMC or the Commons -- from a future of ugly skyscrapers that will diminish the very character of our downtown...

Vote Yes It has been suggested that a recall or re-election of current city staff and Traverse City Commission would work better than Prop 3. I disagree. A recall campaign is the most divisive, costly type of election possible. Prop 3, when passed, will allow all city residents an opportunity to vote on any proposed development over 60 feet tall at no cost to the taxpayer...

Yes Vote Explained A “yes” vote on Prop 3 will give Traverse City the right to vote on developments over 60 feet high. It doesn’t require votes on every future building, as incorrectly stated by a previous letter writer. If referendums are held during general elections, taxpayers pay nothing...

Beware Trump When the country you love have have served for 33 years is threatened, you have an obligation and a duty to speak out. Now is the time for all Americans to speak out against a possible Donald Trump presidency. During the past year Trump has been exposed as a pathological liar, a demagogue and a person who is totally unfit to assume the presidency of our already great country...

Picture Worth 1,000 Words Nobody disagrees with the need for affordable housing or that a certain level of density is dollar smart for TC. The issue is the proposed solution. If you haven’t already seen the architect’s rendition for the site, please Google “Pine Street Development Traverse City”...

Living Wage, Not Tall Buildings Our community deserves better than the StandUp TC “vote no” arguments. They are not truthful. Their yard signs say: “More Housing. Less Red Tape. Vote like you want your kids to live here.” The truth: More housing, but for whom? At what price..

Home · Articles · News · Music · Dan Hicks
. . . .

Dan Hicks

Robert Downes - May 9th, 2011
For Dan Hicks the Licks Still Click
By Robert Downes
When you ask Dan Hicks what to expect from his upcoming show in Traverse
City, he counters by asking if the concert hall is big enough to
accommodate his band’s elephant. “We travel with a live elephant and I’ll
be riding him out onto the stage,” he says.
One can assume that this master of funny, thoughtful songs dredged up
from the muddy currents of Americana, swing jazz and cowboy music is
kidding. But elephant or not, at the very least you can expect to hear
some choice pickin’ and vocals clickin’ when Dan Hicks and The Hot Licks
perform at the InsideOut Gallery in TC this Monday, May 16.
Hicks, 70, has been called a “National Treasure” of the American music
scene by the San Francisco Chronicle for good reason. When Hicks strums
his acoustic guitar, the reverberations echo back 50 years or so to the
dawn of a revolution in music.
As a drummer with The Charlatans, playing free-form experimental music as
early as 1965, Hicks was one of the early pioneers of the psychedelic era
in San Francisco during the ‘60s. The Charlatans performed with such
iconic groups as the Jefferson Airplane, the Grateful Dead, The Family
Dog, and Big Brother & The Holding Company at a time when they were
packing the Fillmore Ballroom, Golden Gate Park, and the hippie-filled
Haight-Ashbury with the sounds of acid rock.

But at the height of that electrifying era, Hicks took a U-turn deep into
the roots of Americana, serving up acoustic cowboy ballads, western swing,
jazz melodies and funny songs about getting drunk, stoned and
It’s an affliction from which he’s never recovered.
“I had always been interested in folk and jazz since my junior high school
days, and I was also playing as a solo folk act around the Bay area along
with being involved in the psychedelic stuff,” he says, speaking by phone
from his home in Mill Valley, north of San Francisco.
He launched his Hot Licks band with violinist David LaFlamme in 1968 as a
warmup act for The Charlatans and soon found himself going with the
acoustic flow. On songs such as “I Scare Myself” with its flamenco chord
progression and seductive violin solo, Hicks gave hippie-era listeners a
new avenue of mind-blowing sound to explore. And his addition of two
female singers (The Lickettes) harmonizing on songs such as “Canned Music”
and “You Gotta Believe” added a Lennon Sisters quality, which -- combined
with a stoner sensibility and the wry outlook of an R. Crumb comic -- took
folk music to places it had seldom, if ever, been.

Since then, Hicks has influenced scores of other bands, including The
Grateful Dead and Asleep at the Wheel. You can hear echos of his humor
in the work of artists such as the Rev. Horton Heat, and he presaged the
modern, post-traditional bluegrass trend by decades, exemplified today
by such bands as Greensky Bluegrass and Railroad Earth.
But Hicks isn’t resting on his laurels. These days he has a number of
projects in the works, or is at least thinking about getting started.
“I’m working with someone on a lyrics thing -- it will be a book of poetry
with just the lyrics of 30 of my tunes,” he says. “I’m also working on
some songs for a new album, but first I’ve got to get through some gigs
with the band throughout the Midwest.
“I’ve also just finished something I call the Kollege of Music
Knowledge, where I do a show that goes into the history and styles of
various forms of music,” he adds. “I like to do these ‘concept’ things
now and then -- it’s a narrative that goes into the history of the
blues, swing and folk rock.”
Then there’s a stage play being considered in New York City called “Feel
Like Singing,” which would hinge on some of Hicks’ most popular songs,
assuming he gets it together to make it happen. “A lot of it has to come
from me, and then with someone to improve what’s been started.”

What about new songs? Is it hard to write new stuff when there’s such
high audience demand for songs written 40 years ago, such as “I Scare
“I’m not in the shadow of them,” Hicks says of his oldies. “But it’s hard
to come up with new stuff. I’m not as active as when I used to write
songs every day all fresh and new. My enthusiasm isn’t what it used to
be. When you’re writing a song, you want to be fresh and different and
new. The words I’m good at, but with melodies you might feel that you’ve
done that a million times already, and that can be an obstacle to getting
things done.”
Plus, Hicks adds, a great riff or a zinger of a lyric might amount to only
seven seconds of a new song. “You can come up with a nice groove, but
finishing out the song is where the work is.”
Speaking of songwriting, many folk artists tend toward mopey, lugubrious
themes, but Hicks is invariably upbeat and funny.
“That funny stuff sort of comes more naturally,” he says. “But I’ve got
one love song in the works and I’m going to keep it going and be more
serious. Like one of the girls in the band said, the songs don’t all have
to be hilarious.”

Does Hicks keep in touch with any of the musicians he knew from the
psychedelic days? After all, he’s a bit of a “last man standing” on that
scene with the passing of Jerry Garcia, Janis Joplin and many others.
“Just by chance I might meet someone every now and then from that Summer
of Love thing,” he says. “I played a gig in East Bay and Peter Albin, who
was the guitar player in Big Brother and the Holding Company, showed up.
But our number is getting fewer.”
In terms of what to expect at his upcoming show, Hicks says the band will
feature his iconic female backup singers, who will also be performing on
percussion; along with a violinist/mandolinist and himself on rhythm
Then there’s that elephant he mentioned -- if he shows up, presumably, he
will be playing trumpet.

Dan Hicks and His Hot Licks perform at 8 p.m. Monday, May 16 at the
InsideOut Gallery in Traverse City. Tickets are $25 advance (Oryana, the
InsideOut and treatickets.com) or $30 at the door.
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