Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

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4Play: The Cars, Stevie Nicks, Matthew Morrison, Jennifer Lopez

Kristi Kates - May 9th, 2011
The Cars - Move Like This - Hear Music
Back after nearly a quarter-century out of the loop as a band, ‘80s hipsters The Cars reconfigure their jittery, poppy brand of new wave into a slightly more modernized set that’s still just retro enough to bring back their old fans while most likely snagging a few new ones, as well. The synths, jagged guitars, and distinctive Ric Ocasek vocals are all present and ready to be called to order within a series of well-constructed pop songs reminiscent of Devo, Talking Heads, and, well, The Cars of yesteryear. “Sad Song” debuts first with its accompanying Rene-Magritte-meets-the-’80s video; production by Jacknife Lee adds consistancy.
 


Stevie Nicks - In Your Dreams - Reprise
Written and tracked at Nicks’ own home in L.A. with co-production by Alanis Morrisette cohort Glen Ballard and Eurythmic Dave Stewart, Nicks’ latest is notable in that her voice and songwriting are perhaps the only two consistent elements that pull all of these tracks together to make a recognizable Stevie Nicks album. It’s interesting and admirable that at this point in her career, Nicks chose to do quite a bit of sound experimenting, and it works for the most part, from the synths on “Everybody Loves You” to the wall of guitars on “Ghosts Are Gone,” the string-graced “Italian Summer,” and the Americana-seasoned “Cheaper Than Free.”
 


Matthew Morrison - Matthew Morrison - Island
Gleeksters will recognize the charismatic Morrison from his role as teacher Will on the hugely popular TV series Glee. Others, however, may not find this album compelling enough to further seek out the actor/singer (Morrison actually had a ton of Broadway experience before being cast on the television show.) While Morrison has a pleasant enough singing voice, and collaborated with the likes of producer Espionage and guest performers Gwyneth Paltrow and Elton John, his own performances are somewhat tepid; lead single “Summer Rain” sets the vanilla tone by being reminiscent of a late-night infomercial “Romantic Pop Hits” album.
 

Jennifer Lopez - Love? - Island
J-Lo may be a multi-tasking performer, with her singing, acting, producer, fashionista, and American Idol judge roles all woven together; but perhaps she’s trying to focus on too many things at once to the detriment of some. Lopez’ latest album, while sure to be a sensation at the clubs, simply doesn’t have enough weight to make much of an impression elsewhere, nor are the tracks forward enough to sit beside more modern artists, and even the heavy production can’t disguise her thin voice. “On the Floor” and “Hypnotico” are, again, at least suitable for the dance floor, but the rest are tracks that will likely be forgotten a year from now.
 
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