Letters

Letters 09-26-2016

Welcome To 1984 The Democrat Party, the government education complex, private corporations and foundations, the news media and the allpervasive sports and entertainment industry have incrementally repressed the foundational right of We the People to publicly debate open borders, forced immigration, sanctuary cities and the calamitous destruction of innate gender norms...

Grow Up, Kachadurian Apparently Tom Kachadurian has great words; too bad they make little sense. His Sept. 19 editorial highlights his prevalent beliefs that only Hillary and the Dems are engaged in namecalling and polarizing actions. Huh? What rock does he live under up on Old Mission...

Facts MatterThomas Kachadurian’s “In the Basket” opinion deliberately chooses to twist what Clinton said. He chooses to argue that her basket lumped all into the clearly despicable categories of the racist, sexist, homophobic , etc. segments of the alt right...

Turn Off Fox, Kachadurian I read Thomas Kachadurian’s opinion letter in last week’s issue. It seemed this opinion was the product of someone who offered nothing but what anyone could hear 24/7/365 on Fox News; a one-sided slime job that has been done better by Fox than this writer every day of the year...

Let’s Fix This Political Process Enough! We have been embroiled in the current election cycle for…well, over a year, or is it almost two? What is the benefit of this insanity? Exorbitant amounts of money are spent, candidates are under the microscope day and night, the media – now in action 24/7 – focuses on anything and everything anyone does, and then analyzes until the next event, and on it goes...

Can’t Cut Taxes 

We are in a different place today. The slogan, “Making America Great Again” begs the questions, “great for whom?” and “when was it great?” I have claimed my generation has lived in a bubble since WWII, which has offered a prosperity for a majority of the people. The bubble has burst over the last few decades. The jobs which provided a good living for people without a college degree are vanishing. Unions, which looked out for the welfare of employees, have been shrinking. Businesses have sought to produce goods where labor is not expensive...

Wrong About Clinton In response to Thomas Kachadurian’s column, I have to take issue with many of his points. First, his remarks about Ms. Clinton’s statement regarding Trump supporters was misleading. She was referring to a large segment of his supporters, not all. And the sad fact is that her statement was not a “smug notion.” Rather, it was the sad truth, as witnessed by the large turnout of new voters in the primaries and the ugly incidents at so many of his rallies...

Home · Articles · News · Art · Char Brickel
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Char Brickel

Al Parker - May 23rd, 2011
It’s easy to see that artist Char Bickel is serious when it comes to joy and fun.
“It’s good to keep in touch with that childhood joy,” advises the smiling Northport resident who creates evocative, handsome shadow boxes of painted silk and cotton fabric that is painstakingly cut and glued. “I loved making art as a kid and I still do.”  
Paying homage to collage, Bickel’s works draw their inspiration from the nature that surrounds her in Leelanau County and most of her works include images of animals – rabbits, fish, birds, and most noticeably, bears. In fact, her haunting image of a Juggling Bear has become synonymous with her work, appearing in a variety of her shadow boxes.
“There’s something about the shape of bears,” she says. “I’ve been doing the Juggling Bear since 1992. It’s sort of a logo for me now. To me, it reflects that you should handle parts of life in balance and joyfully.” 
Bickel’s shadow boxes begin simply with white silk that is screen printed with splashes of color. Then she cuts and glues the silk into images as simple and subtle as bears flying kites or ponies romping on a beach. The scenes may seem other-worldly, yet are rooted in the familiar. Take a closer look and you’ll see sturdy stitching linking a stone to the beach or fixing the moon in the sky.
“I like adding detail,” she says. “I like to start with a strong image first, then see something else and something else, adding details.”

AN EDUCATION
Bickel grew up near the shores of Lake Michigan in Muskegon and realized early on that art would play a major role in her life. After graduating from the University of Michigan with a fine arts degree in painting, she earned her MFA in fibers from the Cranbrook Academy of Art.
Before Bickel and her husband Steve Wetherbee moved to Northport in 1991, she taught art classes at Lansing Community College, The Center for Creative Studies, and Wayne State University. A year later, she opened Zoon Gallery (later Char Bickel Gallery) which highlighted her works in Northport for a decade before closing in 2002.
With an interest in young artists, Bickel has also taught in both Northport and Suttons Bay public schools.
She creates her shadow boxes in a studio at her circa-1890 white farmhouse atop a hill. It’s filled with all varieties of her creativity, plus the works of many of her friends and contemporary artists. On display are pieces by Angela Saxon, Sue Brightheart, Steve Toornman, Meredith Krell, Charla Khanna, Chris Roberts-Antieau, Doug Racich, Melanie Steffes and others.
Over the years, Bickel’s pieces have been displayed in dozens of galleries nationwide and the focus of several solo exhibitions, including at the Slusser Gallery at the U-M and the Ann Arbor Art Association. Many private and corporate collections include her creative works. Locally, she’s been featured at Kejara’s Bridge in Lake Leelanau and Parallel Arts in Northport.
On June 24, she’ll be the featured artist for the annual Suttons Bay Artwalk. 

SHADOW BOXES
Fans of Bickel’s work will want to be aware of her new series of 10x10-inch shadow boxes that she’ll be displaying this summer. Each will focus on a single nature image – usually a fish, bird, rabbit, frog, horse, bear or other creature. 
She’s also been busy collecting sand samples from a variety of northern Michigan beaches and plans to include tiny bottles of different sands in upcoming works.
“Art is food for the soul,” explains Bickel. “When you contemplate art, you mirror the artist’s experience; you are in touch with the universal creative imagination that breathed life into the picture. The animals and mysterious ladies who visit my pictures have also visited my dreams. They are wise, shy presences whom I try to depict in a respectful, poetic way, using a satisfying yin/yang combination of collage and painting.”
That poetic chord resonates with Sue Ann Round, owner of the Michigan Artists Gallery where 40 to 50 of Bickel’s works are always on display. 
“I would definitely say she’s a poet,” offers Round. “It’s very common for her to write a little something on the back of a piece that often brings someone to tears.”
 
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