Letters

Letters 02-08-2016

Less Ageism, Please The January 4 issue of this publication proved to me that there are some sensible voices of reason in our community regarding all things “inter-generational.” I offer a word of thanks to Elizabeth Myers. I too have worked hard for what I’ve earned throughout my years in the various positions I’ve held. While I too cannot speak for each millennial, brash generalizations about a lack of work ethic don’t sit well with me...Joe Connolly, Traverse City

Now That’s an Escalation I just read the letter from Greg and his defense of the AR15. The letter started with great information but then out of nowhere his opinion went off the rails. “The government wants total gun control and then confiscation; then the elimination of all Constitutional rights.” Wait... what?! To quote the great Ron Burgundy, “Well, that escalated quickly!”

Healthy Eating and Exercise for Children Healthy foods and exercise are important for children of all ages. It is important for children because it empowers them to do their best at school and be able to do their homework and study...

Mascots and Harsh Native American Truths The letter from the Choctaw lady deserves an answer. I have had a gutful of the whining about the fate of the American Indian. The American Indians were the losers in an imperial expansion; as such, they have, overall, fared much better than a lot of such losers throughout history. Everything the lady complains about in the way of what was done by the nasty, evil Whites was being done by Indians to other Indians long before Europeans arrived...

Snyder Must Go I believe it’s time. It’s time for Governor Snyder to go. The FBI, U.S. Postal Inspection Service and the EPA Criminal Investigation Division are now investigating the Flint water crisis that poisoned thousands of people. Governor Snyder signed the legislation that established the Emergency Manager law. Since its inception it has proven to be a dismal failure...

Erosion of Public Trust Let’s look at how we’ve been experiencing global warming. Between 1979 and 2013, increases in temperature and wind speeds along with more rain-free days have combined to stretch fire seasons worldwide by 20 percent. In the U.S., the fire seasons are 78 days longer than in the 1970s...

Home · Articles · News · Art · Char Brickel
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Char Brickel

Al Parker - May 23rd, 2011
It’s easy to see that artist Char Bickel is serious when it comes to joy and fun.
“It’s good to keep in touch with that childhood joy,” advises the smiling Northport resident who creates evocative, handsome shadow boxes of painted silk and cotton fabric that is painstakingly cut and glued. “I loved making art as a kid and I still do.”  
Paying homage to collage, Bickel’s works draw their inspiration from the nature that surrounds her in Leelanau County and most of her works include images of animals – rabbits, fish, birds, and most noticeably, bears. In fact, her haunting image of a Juggling Bear has become synonymous with her work, appearing in a variety of her shadow boxes.
“There’s something about the shape of bears,” she says. “I’ve been doing the Juggling Bear since 1992. It’s sort of a logo for me now. To me, it reflects that you should handle parts of life in balance and joyfully.” 
Bickel’s shadow boxes begin simply with white silk that is screen printed with splashes of color. Then she cuts and glues the silk into images as simple and subtle as bears flying kites or ponies romping on a beach. The scenes may seem other-worldly, yet are rooted in the familiar. Take a closer look and you’ll see sturdy stitching linking a stone to the beach or fixing the moon in the sky.
“I like adding detail,” she says. “I like to start with a strong image first, then see something else and something else, adding details.”

AN EDUCATION
Bickel grew up near the shores of Lake Michigan in Muskegon and realized early on that art would play a major role in her life. After graduating from the University of Michigan with a fine arts degree in painting, she earned her MFA in fibers from the Cranbrook Academy of Art.
Before Bickel and her husband Steve Wetherbee moved to Northport in 1991, she taught art classes at Lansing Community College, The Center for Creative Studies, and Wayne State University. A year later, she opened Zoon Gallery (later Char Bickel Gallery) which highlighted her works in Northport for a decade before closing in 2002.
With an interest in young artists, Bickel has also taught in both Northport and Suttons Bay public schools.
She creates her shadow boxes in a studio at her circa-1890 white farmhouse atop a hill. It’s filled with all varieties of her creativity, plus the works of many of her friends and contemporary artists. On display are pieces by Angela Saxon, Sue Brightheart, Steve Toornman, Meredith Krell, Charla Khanna, Chris Roberts-Antieau, Doug Racich, Melanie Steffes and others.
Over the years, Bickel’s pieces have been displayed in dozens of galleries nationwide and the focus of several solo exhibitions, including at the Slusser Gallery at the U-M and the Ann Arbor Art Association. Many private and corporate collections include her creative works. Locally, she’s been featured at Kejara’s Bridge in Lake Leelanau and Parallel Arts in Northport.
On June 24, she’ll be the featured artist for the annual Suttons Bay Artwalk. 

SHADOW BOXES
Fans of Bickel’s work will want to be aware of her new series of 10x10-inch shadow boxes that she’ll be displaying this summer. Each will focus on a single nature image – usually a fish, bird, rabbit, frog, horse, bear or other creature. 
She’s also been busy collecting sand samples from a variety of northern Michigan beaches and plans to include tiny bottles of different sands in upcoming works.
“Art is food for the soul,” explains Bickel. “When you contemplate art, you mirror the artist’s experience; you are in touch with the universal creative imagination that breathed life into the picture. The animals and mysterious ladies who visit my pictures have also visited my dreams. They are wise, shy presences whom I try to depict in a respectful, poetic way, using a satisfying yin/yang combination of collage and painting.”
That poetic chord resonates with Sue Ann Round, owner of the Michigan Artists Gallery where 40 to 50 of Bickel’s works are always on display. 
“I would definitely say she’s a poet,” offers Round. “It’s very common for her to write a little something on the back of a piece that often brings someone to tears.”
 
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