Letters

Letters 08-03-2015

Real Brownfields Deserve Dollars I read with interest the story on Brownfield development dollars in the July 20 issue. I applaud Dan Lathrop and other county commissioners who voted “No” on the Randolph Street project...

Hopping Mad Carlin Smith is hopping mad (“Will You Get Mad With Me?” 7-20-15). Somebody filed a fraudulent return using his identity, and he’s not alone. The AP estimates the government “pays more than $5 billion annually in fraudulent tax refunds.” Well, many of us have been hopping mad for years. This is because the number one tool Congress has used to fix this problem has been to cut the IRS budget –by $1.2 billion in the last 5 years...

Just Grumbling, No Solutions Mark Pontoni’s grumblings [recent Northern Express column] tell us much about him and virtually nothing about those he chooses to denigrate. We do learn that Pontoni may be the perfect political candidate. He’s arrogant, opinionated and obviously dimwitted...

A Racist Symbol I have to respond to Gordon Lee Dean’s letter claiming that the confederate battle flag is just a symbol of southern heritage and should not be banned from state displays. The heritage it represents was the treasonous effort to continue slavery by seceding from a democratic nation unwilling to maintain such a consummate evil...

Not So Thanks I would like to thank the individual who ran into and knocked over my Triumph motorcycle while it was parked at Lowe’s in TC on Friday the 24th. The $3,000 worth of damage was greatly appreciated. The big dent in the gas tank under the completely destroyed chrome badge was an especially nice touch...

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4Play: Sade, Eddie Vedder, Rihanna, Ben Harper

Kristi Kates - May 23rd, 2011
Sade - The Ultimate Collection - Epic
Whether you term Sade a solo artist or a band, Sade’s jazz-pop is still of note, even though the bulk of their on-the-radar work was back in the late ‘80s and early ‘90s. This “ultimate” collection includes 29 tunes in all, including Sade’s best-known track, the Spanish-flavored “Smooth Operator,” as well as additional songs “Still in Love with You,” a standout Neptunes remix of “By Your Side” with added guitars, and a well-done experimental revamp of “The Moon and the Sky” which adds trip-hop beats and spoken-word overlays from Jay-Z. It’s a solid best-of that also includes four previously unreleased songs for added interest.
 


Eddie Vedder - Ukelele Songs - Monkey Wrench
Like the title says - and no, it’s no joke - this is indeed a set of tunes performed by Vedder, with vocals on… ukelele, including both covers and original songs that Vedder has performed live at times but never released. It’s an interesting and effective break from his role as Pearl Jam frontman; although most of the songs are sparsely arranged and devoid of much heft, they’re still performed prettily enough to be entertaining. “Can’t Keep,” “Without You,” and Vedder’s collaboration with The Frames’ Glen Hansard on “Sleepless Nights” are standouts; first single “Longing to Belong” is on its way to radio as you read this.
 


Rihanna - Loud - Def Jam
Several of the songs on Rihanna’s latest might have been better included thematically in her previous release, Rated R - or even X, for that matter. For such a hip-hop talent, it’s a shame that Rihanna has to be so gratuitous in her lyric-writing, which takes away from the songs themselves, but there are still a few tracks here worthy of attention. “What’s My Name,” featuring Drake, is a catchy throwback to Rihanna’s older work, while “Only Girl,” the first single, is set to stand out on radio, and “Complicated” is reminiscent of Destiny’s Child; “Love the Way You Lie Part II” might’ve worked if she hadn’t allowed Eminem to dominate the track.


Ben Harper - Give Til It’s Gone - V Records
Recorded in Jackson Browne’s L.A. studio (Browne also throws in some vocals on Harper’s “Pray That Our Love Sees the Dawn” from this very set), Harper’s 10th collection of tunes was influenced in part by folk-rocker Neil Young and was co-written in part with Beatle Ringo Starr. Starr’s contributions on the bubbly, ‘60s-inflected “Spilling Faith” and the mostly-instrumental “Get There From Here” are two of the album’s best moments, while first single “Rock N’ Roll is Free” was directly inspired by Young and showcases Harper’s retro abilities; “Don’t Give Up On Me Now” focuses on his more personal side.
 
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