Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Music · 4Play: AMOS LEE, THE DECEMERISTS,...
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4Play: AMOS LEE, THE DECEMERISTS, BIGHT EYES, COLD WAR KIDS

Kristi Kates - February 14th, 2011
Amos Lee - Mission Bell - Blue Note
Melding the vocal stylings of Bill Withers and James Taylor together into a soulful American roots-music mix, Lee’s latest (his fourth album) includes a wide range of guest musicians and amps up his arranging skills with more complexity than previous releases. He brings Lucinda Williams in for a duet on “Clear Blue Eyes” to great effect, while Willie Nelson steps in on a secondary version of Lee’s song “El Camino,” although Lee’s Nelson-free version is as good as, if not better than, the collaborative take on the tune. Other standouts include the downtrodden but pretty “Out of the Cold,” the joyful “Violin,” the well-constructed balladry of “Stay With Me,” and the pensive-meets-instructive “Learned a Lot.”


The Decemberists - The King is Dead - Capitol
Taking a stripped-down approach to their songs as a deliberate departure from the more elaborate, pin-detailed concoctions of years past, The Decemberists have also brought in more of a country-indie-folk influence on their new set, which includes guitar work on several tracks by one of the album’s inspirations, R.E.M.’s guitarist Peter Buck. Recorded at a converted farm, the band aimed to construct the new tracks in as spare a format as possible, and that idea is showcased on such tracks as the chime-y “Calamity Song,” the harmonica-laden “Down by the Water, the delicate “Dear Avery,” and the more peppy “This is Why We Fight,” which pays musical homage to Johnny Marr.


Bright Eyes - The People’s Key - Saddle Creek
Main Bright Eyes man Conor Oberst has settled in nicely with his mostly-permanent band configuration of himself, Nate Walcott, and Mike Mogis, and that more solid standard shows through here in Bright Eyes’ latest set of well-anchored songs. Oberst’s distinctive vocals still float above the proceedings; but of note here is the fact that the entire set is quite a bit more peppy than earlier albums, complete with more direct “rawk” guitar sounds, a dose of rambling spoken-word, and plenty of wacky samples and loops to add interest. “Approximated Sunlight” is about as low as it gets; otherwise, tracks like “Triple Spiral,” “Easy/Lucky/Free,” and “Beginner’s Mind” find Oberst in a much better mood than usual.

Cold War Kids - Mine is Yours - Interscope
Uber-catchy and still firmly in grasp of their indie-rock sensibilities, Cold War Kids worked with producer Jacquire King (Modest Mouse, Kings of Leon) on their latest collection of tunes, and King’s big-budget sound added just enough sheen to the proceedings, but not so much as to take away what CWK do best. The title track is sharply put together, and starts the album off with a nod to the hooks that will follow, from the bass floor of the catchy “Royal Blue” and the harmony-laden “Skip the Charades,” to the arena-ready “Bulldozer,” the equally earwormy “Broken Open,” and lead single “Louder Than Ever.” There are plenty of both musically and lyrically-diverse moments here, a great set from a continually growing band.
 
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