Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Music · 4Play: James Blake, The Script,...
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4Play: James Blake, The Script, Edwyn Collins, The Dodos

Kristi Kates - March 14th, 2011
James Blake - James Blake - Universal
Blake’s unique, downtrodden take on dubstep may not be for everyone - or
at least, not for those who don’t appreciate a certain level of
pensiveness - but his skills at melding quietude with beats can’t be
denied. The studied awkwardness of the piano on “Give Me My Month,” the
street corner loneliness and abandoned penny organ sounds of
“Measurements,” the ’80s detachment of “Lindisfarne II,” and the clicky
apathy of “The Wilhelm Scream” never pick up the pace to take the listener
anywhere at all, but that unmoving sadness is part of what makes this
album succeed - as long as the listener is in a very specific frame of
mind for the listen.

 
The Script - Science and Faith - Epic
The opposite end of the spectrum from Blake, we find Irish band The
Script, endlessly dynamic and constantly moving as they are. This
sophomore album is very much along the same vein of the debut set, written
by the band’s Danny O’Donoghue and Mark Sheehan, and catchy numbers one
and all. The Script’s one failing is that they occasionally get a little
too pop for their own good; tunes like “Nothing” become a little too boy
band, while if they stuck with more introspective tracks like “This =
Love,” “If You Ever Come Back,” and the science-vs-life title track,
they’d showcase more of the smarts that are actually one of their many
strengths.


Edwyn Collins - Losing Sleep - Downtown Records
The long-shot return of Collins is a surprising one, both for fans of
Collins’ influential band, Orange Juice, and for the man himself.
Sidelined for years by a brain hemorrhage, Collins fought for his music as
well as for his life, and this album is nothing short of reward. Kicking
off with the energetic title track - complete with a beat borrowed from
The Jam/The Supremes - the whole set is a popcomplishment, from the breezy
Britpop and broad sweeping guitars of “Do It Again” (co-written w/ Franz
Ferdinand’s Alex Kapranos) to the ratchety-guitar’d Johnny Marr
collaboration “Come Tomorrow, Come Today.” Cheers, Collins - welcome back.
 

The Dodos - No Color - FK Records
They might be working primarily with a guitar and snare drum, but The
Dodos’ sound is pretty much a complete 180 from anything the White Stripes
have done. First indie-pop single “Black Night” is far more reminiscent of
I’m From Barcelona (with only a solo lead vocal) or Death Cab for Cutie,
with its machine-gun beat, softly spiky (how did they do that?) guitar,
and sympathetic, melodic vocal line. “Good” reverses direction so many
times you’ll feel like you’re on a musical go-cart track (not a bad
thing); and a plethora of songs feature vocals from honorary temporary
member Neko Case, who adds her distinctive croon to the proceedings.
 

 
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