Letters

Letters 08-25-14

Save America

I read your paper because it’s free and I enjoy the ads. But I struggle through the left wing tripe that fills every page, from political cartoons to the vitriolic pen of Mr. Tuttle. What a shame this beautiful area of the state has such an abundance of Socialist/democrats. Or perhaps the silent majority chooses to stay silent...

Doom, Yet a Cup Half Full

In the news we are told of the civil unrest at Ferguson, Mo; ISIS war radicals in Iraq and Syria; the great corporate tax heist at home. You name it. Trouble, trouble, everywhere. It seems to me the U.S. Congress is partially to blame...

Uncomfortable Questions

defending the positions of the Israelis vs Hamas are far too narrow. Even Mr. Tuttle seems to have failed in looking deeply into the divide. American media is not biased against Israel, nor or are they pro Palestine or Hamas...

The Evolution of Man Revisited

As the expectations of manhood evolve, so too do the rules of love. In Mr. Holmes’s statement [from “Our Therapist Will See Us Now” in last week’s issue] he narrows the key to a successful relationship to the basic need to have your wants and needs understood, and it is on this point I expand...

Home · Articles · News · Music · 4Play: Foo Fighters, The Dears,...
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4Play: Foo Fighters, The Dears, Noah & the Whale, old War Kids 3/21/11

Kristi Kates - March 21st, 2011
Foo Fighters - Wasting Light - RCA
Recorded on defiant analog tape in Dave Grohl’s garage (albeit with the
assistance of superproducer Butch Vig and top-notch mixer Alan Moulder),
the songs on the Foo’s latest are an equally yin-yang mix of the high
sheen and the grungy. First official single “Rope” has pushy drums that
solidify the raw pop/rock beat and charging punk-popster “Bridge Burning”
plays out that garage-band feel, while more restraint and smoother
arrangements are shown on tracks like “These Days,” “I Should Have Known,”
and the Bob Mould-guesting “Dear Rosemary.” The new songs are definitely
fodder for the Foo’s potential headlining spot at Lollapalooza this year.


The Dears - Degeneration Street - Dangerbird
The Dears’ fifth set is a mournful one, mired in the years of backstory -
and member changes - that this band has gone through, with tension and
desperation showing through in many of the songs. Reuniting their original
lineup seems to have added just as many problems as the band had back when
they were a more fragmented group, as evidenced in the melodramatic plot
points of the lyrics; melodically, it’s okay at best, with the “big” songs
(“Stick with Me, Kid,” “Thrones”) being overly earnest, and the quieter
tracks (“Galactic Tides”) falling tepid. Hopefully they’ll work the
wrinkles out and conjure up something better next time.

 Noah and the Whale - Last Night on Earth - Def Jam
After Noah’s lead singer Charlie Fink directed a short film to go along
with the band’s prior album, The First Days of Spring, he found himself
inspired by filmmaking in and of itself, and those visualization elements
are showcased in part here on their third set. The album’s first single is
the ridiculously catchy, modern-campfire singalong “L.I.F.E.G.O.E.S.O.N.”
with its spell-check refrain; “Just Me Before We Met” taps into Fink’s
romantic, poetic side; and “Tonight’s the Kind of Night” depicts a late
night escape from the mundane, which is a good representation of the album
itself, and its quirky brand of indie-folk-pop appeal.
 
Cold War Kids - Mine is Yours - Interscope
American indie-rockers CWK having been making big strides out of their
So-Cal locale the past few years, first with a standout set at
Lollapalooza and now with their latest album. Full of the familiar dense
guitar/busy beats/arena-ready vocals that fans have already become
familiar with, lead single “Louder Than Ever” begins the chartattack with
its immediate hook, and is followed up by the likes of the
Bono-reminiscent “Bulldozer,” the soulful “Royal Blue,” and the
dynamically-arranged “Out of the Wilderness” that almost blends two
different song moods into one great track. It’s more accessible than
previous efforts, but without losing the band’s aim.

 
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