Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Music · 4Play: Foo Fighters, The Dears,...
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4Play: Foo Fighters, The Dears, Noah & the Whale, old War Kids 3/21/11

Kristi Kates - March 21st, 2011
Foo Fighters - Wasting Light - RCA
Recorded on defiant analog tape in Dave Grohl’s garage (albeit with the
assistance of superproducer Butch Vig and top-notch mixer Alan Moulder),
the songs on the Foo’s latest are an equally yin-yang mix of the high
sheen and the grungy. First official single “Rope” has pushy drums that
solidify the raw pop/rock beat and charging punk-popster “Bridge Burning”
plays out that garage-band feel, while more restraint and smoother
arrangements are shown on tracks like “These Days,” “I Should Have Known,”
and the Bob Mould-guesting “Dear Rosemary.” The new songs are definitely
fodder for the Foo’s potential headlining spot at Lollapalooza this year.


The Dears - Degeneration Street - Dangerbird
The Dears’ fifth set is a mournful one, mired in the years of backstory -
and member changes - that this band has gone through, with tension and
desperation showing through in many of the songs. Reuniting their original
lineup seems to have added just as many problems as the band had back when
they were a more fragmented group, as evidenced in the melodramatic plot
points of the lyrics; melodically, it’s okay at best, with the “big” songs
(“Stick with Me, Kid,” “Thrones”) being overly earnest, and the quieter
tracks (“Galactic Tides”) falling tepid. Hopefully they’ll work the
wrinkles out and conjure up something better next time.

 Noah and the Whale - Last Night on Earth - Def Jam
After Noah’s lead singer Charlie Fink directed a short film to go along
with the band’s prior album, The First Days of Spring, he found himself
inspired by filmmaking in and of itself, and those visualization elements
are showcased in part here on their third set. The album’s first single is
the ridiculously catchy, modern-campfire singalong “L.I.F.E.G.O.E.S.O.N.”
with its spell-check refrain; “Just Me Before We Met” taps into Fink’s
romantic, poetic side; and “Tonight’s the Kind of Night” depicts a late
night escape from the mundane, which is a good representation of the album
itself, and its quirky brand of indie-folk-pop appeal.
 
Cold War Kids - Mine is Yours - Interscope
American indie-rockers CWK having been making big strides out of their
So-Cal locale the past few years, first with a standout set at
Lollapalooza and now with their latest album. Full of the familiar dense
guitar/busy beats/arena-ready vocals that fans have already become
familiar with, lead single “Louder Than Ever” begins the chartattack with
its immediate hook, and is followed up by the likes of the
Bono-reminiscent “Bulldozer,” the soulful “Royal Blue,” and the
dynamically-arranged “Out of the Wilderness” that almost blends two
different song moods into one great track. It’s more accessible than
previous efforts, but without losing the band’s aim.

 
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