Letters

Letters 09-26-2016

Welcome To 1984 The Democrat Party, the government education complex, private corporations and foundations, the news media and the allpervasive sports and entertainment industry have incrementally repressed the foundational right of We the People to publicly debate open borders, forced immigration, sanctuary cities and the calamitous destruction of innate gender norms...

Grow Up, Kachadurian Apparently Tom Kachadurian has great words; too bad they make little sense. His Sept. 19 editorial highlights his prevalent beliefs that only Hillary and the Dems are engaged in namecalling and polarizing actions. Huh? What rock does he live under up on Old Mission...

Facts MatterThomas Kachadurian’s “In the Basket” opinion deliberately chooses to twist what Clinton said. He chooses to argue that her basket lumped all into the clearly despicable categories of the racist, sexist, homophobic , etc. segments of the alt right...

Turn Off Fox, Kachadurian I read Thomas Kachadurian’s opinion letter in last week’s issue. It seemed this opinion was the product of someone who offered nothing but what anyone could hear 24/7/365 on Fox News; a one-sided slime job that has been done better by Fox than this writer every day of the year...

Let’s Fix This Political Process Enough! We have been embroiled in the current election cycle for…well, over a year, or is it almost two? What is the benefit of this insanity? Exorbitant amounts of money are spent, candidates are under the microscope day and night, the media – now in action 24/7 – focuses on anything and everything anyone does, and then analyzes until the next event, and on it goes...

Can’t Cut Taxes 

We are in a different place today. The slogan, “Making America Great Again” begs the questions, “great for whom?” and “when was it great?” I have claimed my generation has lived in a bubble since WWII, which has offered a prosperity for a majority of the people. The bubble has burst over the last few decades. The jobs which provided a good living for people without a college degree are vanishing. Unions, which looked out for the welfare of employees, have been shrinking. Businesses have sought to produce goods where labor is not expensive...

Wrong About Clinton In response to Thomas Kachadurian’s column, I have to take issue with many of his points. First, his remarks about Ms. Clinton’s statement regarding Trump supporters was misleading. She was referring to a large segment of his supporters, not all. And the sad fact is that her statement was not a “smug notion.” Rather, it was the sad truth, as witnessed by the large turnout of new voters in the primaries and the ugly incidents at so many of his rallies...

Home · Articles · News · Music · 4Play:R.E.M., Beady Eye, The...
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4Play:R.E.M., Beady Eye, The Strokes, Elbow 3/28/11

Kristi Kates - March 28th, 2011
R.E.M. - Collapse Into Now - Warner Bros.
The Little Athens Band That Could harken back to their good old days with their newest set, as produced by legend-in-the-making Jacknife Lee. Tracked in New Orleans and at Berlin’s famed Hansa Studios, the album includes special appearances by Eddie Vedder, Patti Smith, and Hidden Cameras’ Joel Gibb - but the real elements to note are the songs themselves. “Discoverer” is classic R.E.M. (their more optimistic side, as well), with big Peter Buck guitars and an undeniable hook; “Uberlin” and “Oh My Heart” showcase R.E.M.’s ability to craft evocative indie ballads; and album closer “Blue” lets Stipe’s speaking voice take center stage.



Beady Eye - Different Gear, Still Speeding - Dangerbird
Liam Gallagher’s first project since splitting from his brother Noel and their long-term, highly successful Brit band Oasis, Beady Eye’s songs are often along the same track as Oasis, albeit with a little more sass. First single “The Roller” features that familiar Liam yowl on the lead vocals, with comrades Gem Archer and Andy Bell picking up the rest of the instrumentals; the rest of the songs are plenty catchy and radio-friendly, but not so much as to sell out nor tarnish what Oasis established in the Brit rock genre. Other highlights of this debut set include the quirky “Millionaire,” the pretty “For Anyone,” and the singalongable “The Beat Goes On.”



The Strokes - Angles - RCA/Rough Trade
All eyes are on The Strokes as they release their fourth album, which was reportedly recorded within a swirl of band conflict and a bit of a power play between unofficial bandleader Julian Casablancas and his sidemen - er, bandmates. In spite of all of that, the latest collection of Strokes tunes is as confident and moody as anything that’s been released before, from the buoyancy of “Machu Picchu” to the perfectly balanced guitar/vocal dissonance of “You’re So Right,” the near folk-pop of “Undercover of Darkness,” and the whistling Cars-era synths of “Games.” It’s a solid polish on the band’s signature sound, all arguments aside for the music.


Elbow - Build a Rocket Boys! - Downtown
Manchester indie-rockers Elbow have long sat in queue behind their other Brit-rock peers, although many of their songs are easily comparable. This album may finally set them apart stateside, with concrete-solid hooks and the sweeping instrumentals that reside behind Guy Garvey’s Peter-Gabriel-esque vocal lines. Arena-ready first single “Neat Little Rows” is joined by the life-affirming “Open Arms,” with its equally huge choruses, and “Dear Friends,” a paean to the pals of the song’s title, complete with lyrics just this side of overly-sentimental and horn lines fit for theatre productions. It’s all well-written and performed with sonic self-assurance.
 
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