Letters

Letters 04-13-2015

Perplexing Eighth Street Changes I’m writing to you about the way 8th Street in Traverse City is organized. I commute on 8th Street daily like hundreds of others.

115 Years of Injustice Investigative reporter Pat Sullivan’s March 23 article “BURNOUT” exposed for the first time to many northern Michigan residents the 115-year-old tragedy that took place at Burt Lake in October of 1900.

Kicking The Prop 1 Can “Proposal 1 consists of only 100 words, but if approved by voters on May 5, it would trigger into law thousands of other words in 10 bills passed by the state legislature in December.”

Expose The Republican Playbook There was much angst among Democratic Party loyalists after the November election about their failure to convey a strong populist message.

Unions Are Essential Thanks to Stephen Tuttle for pointing out in his recent column how we have had trade apprenticeships for decades throughout Michigan and other states.

Home · Articles · News · Music · 4Plat: Moondoggies, Middle...
. . . .

4Plat: Moondoggies, Middle Brother, Tino Ghost, Twilight Singers 4/11/11

Kristi Kates - April 11th, 2011
Moondoggies - Tidelands - Hardly Art
Seattle harmony-fans Moondoggies (think Crosby Stills and Nash, not Gidget) teamed up with Erik Blood, Kurt Bloch, and Phil Ek for this set, which finds the band in a more determined mood production-wise, and a more shoegazey mood musically (firmly within their Americana vibe, of course.) They’re strong on the melodies, too, with plenty of songs that offer hooks without pandering to radio - retrofied organ sounds coupled with simply mic’d pianos and guitars set the groundwork for songs like the languid, drawling “It’s a Shame, It’s a Pity,” the violin-seasoned “Lead Me On,” and the chugging, organ-tuneful “Down the Well.”




Middle Brother - Middle Brother - Partisan Records
Featuring singers from Delta Spirit (Matthew Vasquez), Dawes (Taylor Goldsmith), and Deer Tick (John McCauley), the wittily-named trio brings a wealth of indie rock and folk experience to this project and to the album itself, which recorded in something of an old-school tone, much like some thrown-together basement tapes (albeit with far better equipment.) A bluesy-garage sound permeates tracks like “Blue Eyes,” “Someday,” “Blood and Guts,” and “Million Dollar Bill,” while a more folksy approach is taken on tunes like the acoustic ballads “Wilderness” and “Thanks for Nothing,” and the ‘70s-inspired “Theater.”





Tino Ghost - Until Autumn - CDB
Los Angeles musician Jay Rivera - aka Tino Ghost - takes the “singer-songwriter” label to the next level, with a nice balance of alterna-folk and rich pop influences. Featuring dense guitars and pianos and chilled-out vocals, the arrangements here are concise, while the songs tell tales of aggrevation over slowly dissipating dreams, failing relationships, and an attempt to keep everything together. The dichotomy between the pretty melodies and the somewhat serious, introspective lyrics keeps things interesting without veering too far into the melodramatic, and Rivera/Ghost himself has the talent and the skill to pull off such complexities.




Twilight Singers - Dynamite Steps - Sub Pop
Best known for his work with Afghan Whigs, Greg Dulli’s latest project - well, one of two, the other being Gutter Twins - offers up its first album in five years, although it makes only a minor impact. “Last Night in Town” opens the set in reverse motion with a piano flourish and rumbling low end, moving fairly quickly on to “Be Invited” (featuring Mark Lanegan on backing vocals), “On the Corner,” and the Joseph-Arthur-featuring “Gunshots.” A slow shift in the middle of the tracklisting begins with the pretty “She Was Stolen,” and continues in a quieter fashion through “Never Seen No Devil” and “The Beginning of the End” to close the set.
 
  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5
 
 

 

 
 
 
Close
Close
Close