Letters

Letters 07-27-2015

Next For Brownfields In regard to your recent piece on brownfield redevelopment in TC, the Randolph Street project appears to be proceeding without receiving its requested $600k in brownfield funding from the county. In response to this, the mayor is quoted as saying that the developer bought the property prior to performing an environmental assessment and had little choice but to now build it...

Defending Our Freedom This is in response to Sally MacFarlane Neal’s recent letter, “War Machines for Family Entertainment.” Wake Up! Make no mistake about it, we are at war! Even though the idiot we have for a president won’t accept the fact because he believes we can negotiate with Iran, etc., ISIS and their like make it very clear they intend to destroy the free world as we know it. If you take notice of the way are constantly destroying their own people, is that living...

What Is Far Left? Columnist Steve Tuttle, who so many lambaste as a liberal, considers Sen. Sanders a far out liberal “nearly invisible from the middle.” Has the middle really shifted that far right? Sanders has opposed endless war and the Patriot Act. Does Mr. Tuttle believe most of our citizens praise our wars and the positive results we have achieved from them? Is supporting endless war or giving up our civil liberties middle of the road...

Parking Corrected Stephen Tuttle commented on parking in the July 13 Northern Express. As Director of the Traverse City Downtown Development Authority, I feel compelled to address a couple key issues. But first, I acknowledge that  there is some consternation about parking downtown. As more people come downtown served by less parking, the pressure on what parking we have increases. Downtown serves a county with a population of 90,000 and plays host to over three million visitors annually...

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4Plat: Moondoggies, Middle Brother, Tino Ghost, Twilight Singers 4/11/11

Kristi Kates - April 11th, 2011
Moondoggies - Tidelands - Hardly Art
Seattle harmony-fans Moondoggies (think Crosby Stills and Nash, not Gidget) teamed up with Erik Blood, Kurt Bloch, and Phil Ek for this set, which finds the band in a more determined mood production-wise, and a more shoegazey mood musically (firmly within their Americana vibe, of course.) They’re strong on the melodies, too, with plenty of songs that offer hooks without pandering to radio - retrofied organ sounds coupled with simply mic’d pianos and guitars set the groundwork for songs like the languid, drawling “It’s a Shame, It’s a Pity,” the violin-seasoned “Lead Me On,” and the chugging, organ-tuneful “Down the Well.”




Middle Brother - Middle Brother - Partisan Records
Featuring singers from Delta Spirit (Matthew Vasquez), Dawes (Taylor Goldsmith), and Deer Tick (John McCauley), the wittily-named trio brings a wealth of indie rock and folk experience to this project and to the album itself, which recorded in something of an old-school tone, much like some thrown-together basement tapes (albeit with far better equipment.) A bluesy-garage sound permeates tracks like “Blue Eyes,” “Someday,” “Blood and Guts,” and “Million Dollar Bill,” while a more folksy approach is taken on tunes like the acoustic ballads “Wilderness” and “Thanks for Nothing,” and the ‘70s-inspired “Theater.”





Tino Ghost - Until Autumn - CDB
Los Angeles musician Jay Rivera - aka Tino Ghost - takes the “singer-songwriter” label to the next level, with a nice balance of alterna-folk and rich pop influences. Featuring dense guitars and pianos and chilled-out vocals, the arrangements here are concise, while the songs tell tales of aggrevation over slowly dissipating dreams, failing relationships, and an attempt to keep everything together. The dichotomy between the pretty melodies and the somewhat serious, introspective lyrics keeps things interesting without veering too far into the melodramatic, and Rivera/Ghost himself has the talent and the skill to pull off such complexities.




Twilight Singers - Dynamite Steps - Sub Pop
Best known for his work with Afghan Whigs, Greg Dulli’s latest project - well, one of two, the other being Gutter Twins - offers up its first album in five years, although it makes only a minor impact. “Last Night in Town” opens the set in reverse motion with a piano flourish and rumbling low end, moving fairly quickly on to “Be Invited” (featuring Mark Lanegan on backing vocals), “On the Corner,” and the Joseph-Arthur-featuring “Gunshots.” A slow shift in the middle of the tracklisting begins with the pretty “She Was Stolen,” and continues in a quieter fashion through “Never Seen No Devil” and “The Beginning of the End” to close the set.
 
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