4Play: Paul Simon, Alison Krauss & Union Station, Alexander, Robbie Robertson
April 17, 2011
Paul Simon - So Beautiful, So What - Hear MusicSimon returns with some of his best music since back in the Graceland
days, featuring an emotional range of new songs fully graced (ahem) with
diverse worldbeat instrumentations pinned to intelligent-folk roots. With
vocals barely aged even as Simon approaches 70 years old, he crafts smart
storytelling vehicles via music that beckon the ear and spark discussion.
Questions for the Angels harkens empathy for the homeless through one of
Simons trademark ballads; The Afterlife throws a bit of humor into the
mix; Dazzling Blue mixes exotic percussion and fiddle; and highlight
Love is Eternal Sacred Light is as catchy as Simons music ever was.
Alison Krauss and Union Station - Paper Airplane - Rounder Records
It took a few years for Krauss and crew to craft something that they
apparantly felt would stand up to their 3-Grammy-winning 2004 release
(Lonely Runs Both Ways), but theyre back in full force with this one,
which showcases every facet of Krauss influences, from
Americana/roots/bluegrass music to country and pop. Krauss voice is a
consistent element throughout for the most part (three songs are sung by
Union Stations Dan Tyminski), whether on the pensive Lie Awake, the
serene Dimming of the Day, and the slightly darker Sinking Stone. Its
nothing particularly groundbreaking, but a consistent, strong, and
appealing set of tunes.
Alexander - Alexander - Vagrant
Alexander Ebert - otherwise known as the frontman for indie band Edward
Sharpe and the Magnetic Zeros - steps out as a solo artist for the first
time on this set, which features ten songs that Ebert wrote, performed,
and recorded entirely by himself, solely on guitar, organ, violin,
clarinet, and his vocals. Reminiscent of the simpler, candy-coated songs
of the 60s, these are appealing numbers for the most part, and slightly
more in-depth than the songs of that earlier era - Glimpses is a pretty,
soul-inflected number, while In the Twilight is a deeper mediation on
life happenings; the highlight may be Million Years with its unexpected
hook.
Robbie Robertson - How to Become Clairvoyant - 429 Records
Robertsons fifth solo album sees the guitarist bringing in a colony of
heavy-hitters for his first album in over a decade, including Eric
Clapton, Robert Randolph, Tom Morello, Steve Winwood, and Trent Reznor,
plus production by Marius de Vries. Heavy on retro-rock and various (if
obvious) guitar variations, this is more mainstream than Robertsons
previous recent-ish efforts, and includes the heavy attackers Straight
Down the Line and He Dont Live Here No More for starters (complete
with Clapton on backing vox); diversions from the rockers include the
atmospheric title track, and closer Tango for Django with its
instrumental flair.