Letters

Letters 09-26-2016

Welcome To 1984 The Democrat Party, the government education complex, private corporations and foundations, the news media and the allpervasive sports and entertainment industry have incrementally repressed the foundational right of We the People to publicly debate open borders, forced immigration, sanctuary cities and the calamitous destruction of innate gender norms...

Grow Up, Kachadurian Apparently Tom Kachadurian has great words; too bad they make little sense. His Sept. 19 editorial highlights his prevalent beliefs that only Hillary and the Dems are engaged in namecalling and polarizing actions. Huh? What rock does he live under up on Old Mission...

Facts MatterThomas Kachadurian’s “In the Basket” opinion deliberately chooses to twist what Clinton said. He chooses to argue that her basket lumped all into the clearly despicable categories of the racist, sexist, homophobic , etc. segments of the alt right...

Turn Off Fox, Kachadurian I read Thomas Kachadurian’s opinion letter in last week’s issue. It seemed this opinion was the product of someone who offered nothing but what anyone could hear 24/7/365 on Fox News; a one-sided slime job that has been done better by Fox than this writer every day of the year...

Let’s Fix This Political Process Enough! We have been embroiled in the current election cycle for…well, over a year, or is it almost two? What is the benefit of this insanity? Exorbitant amounts of money are spent, candidates are under the microscope day and night, the media – now in action 24/7 – focuses on anything and everything anyone does, and then analyzes until the next event, and on it goes...

Can’t Cut Taxes 

We are in a different place today. The slogan, “Making America Great Again” begs the questions, “great for whom?” and “when was it great?” I have claimed my generation has lived in a bubble since WWII, which has offered a prosperity for a majority of the people. The bubble has burst over the last few decades. The jobs which provided a good living for people without a college degree are vanishing. Unions, which looked out for the welfare of employees, have been shrinking. Businesses have sought to produce goods where labor is not expensive...

Wrong About Clinton In response to Thomas Kachadurian’s column, I have to take issue with many of his points. First, his remarks about Ms. Clinton’s statement regarding Trump supporters was misleading. She was referring to a large segment of his supporters, not all. And the sad fact is that her statement was not a “smug notion.” Rather, it was the sad truth, as witnessed by the large turnout of new voters in the primaries and the ugly incidents at so many of his rallies...

Home · Articles · News · Music · 4Play: Paul Simon, Alison Krauss &...
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4Play: Paul Simon, Alison Krauss & Union Station, Alexander, Robbie Robertson

Kristi Kates - April 18th, 2011
Paul Simon - So Beautiful, So What - Hear Music
Simon returns with some of his best music since back in the Graceland
days, featuring an emotional range of new songs fully graced (ahem) with
diverse worldbeat instrumentations pinned to intelligent-folk roots. With
vocals barely aged even as Simon approaches 70 years old, he crafts smart
storytelling vehicles via music that beckon the ear and spark discussion.
“Questions for the Angels” harkens empathy for the homeless through one of
Simon’s trademark ballads; “The Afterlife” throws a bit of humor into the
mix; “Dazzling Blue” mixes exotic percussion and fiddle; and highlight
“Love is Eternal Sacred Light” is as catchy as Simon’s music ever was.
 
Alison Krauss and Union Station - Paper Airplane - Rounder Records
It took a few years for Krauss and crew to craft something that they
apparantly felt would stand up to their 3-Grammy-winning 2004 release
(Lonely Runs Both Ways), but they’re back in full force with this one,
which showcases every facet of Krauss’ influences, from
Americana/roots/bluegrass music to country and pop. Krauss’ voice is a
consistent element throughout for the most part (three songs are sung by
Union Station’s Dan Tyminski), whether on the pensive “Lie Awake,” the
serene “Dimming of the Day,” and the slightly darker “Sinking Stone.” It’s
nothing particularly groundbreaking, but a consistent, strong, and
appealing set of tunes.
 

Alexander - Alexander - Vagrant
Alexander Ebert - otherwise known as the frontman for indie band Edward
Sharpe and the Magnetic Zeros - steps out as a solo artist for the first
time on this set, which features ten songs that Ebert wrote, performed,
and recorded entirely by himself, solely on guitar, organ, violin,
clarinet, and his vocals. Reminiscent of the simpler, candy-coated songs
of the ’60s, these are appealing numbers for the most part, and slightly
more in-depth than the songs of that earlier era - “Glimpses” is a pretty,
soul-inflected number, while “In the Twilight” is a deeper mediation on
life happenings; the highlight may be “Million Years” with its unexpected
hook.
 
Robbie Robertson - How to Become Clairvoyant - 429 Records
Robertson’s fifth solo album sees the guitarist bringing in a colony of
heavy-hitters for his first album in over a decade, including Eric
Clapton, Robert Randolph, Tom Morello, Steve Winwood, and Trent Reznor,
plus production by Marius de Vries. Heavy on retro-rock and various (if
obvious) guitar variations, this is more mainstream than Robertson’s
previous recent-ish efforts, and includes the heavy attackers “Straight
Down the Line” and “He Don’t Live Here No More” for starters (complete
with Clapton on backing vox); diversions from the rockers include the
atmospheric title track, and closer “Tango for Django” with its
instrumental flair.
 

 
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