Letters

Letters 04-14-14

Benishek Inching

Regarding “Benishek No Environmentalist” I agree with Mr. Powell’s letter to the editor/ opinion of Congressman Dan Benishek’s poor environmental record and his penchant for putting corporate interests ahead of his constituents’...

Climate Change Warning

Currently there are three assaults on climate change. The first is on the integrity of the scientists who support human activity in climate change. Second is that humans are not capable of affecting the climate...

Fed Up About Roads

It has gotten to the point where I cringe when I have to drive around this area. There are areas in Traverse City that look like a war zone. When you have to spend more time viewing potholes instead on concentrating on the road, accidents are bound to happen...

Don’t Blame the IRS

I have not heard much about the reason for the IRS getting itself entangled with the scrutiny of certain conservative 501(c) groups (not for profit) seeking tax exemption. Groups seeking tax relief must be organizations that are operated “primarily for the purpose of bringing about civic betterment and social improvements.”


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4Play: Beastie Boys, Friendly Fires, Panda Bear, Fleet Foxes

Kristi Kates - May 2nd, 2011
Beastie Boys - Hot Sauce Committee Part 2 - Capitol
Not since the late ‘90s have the Beasties made such a festive, sassy racket. Opening with first single “Make Some Noise,” the Beasties are back in grand form, modernizing their production values while (thankfully) sticking masterfully to their own brand of retro hip-hop sound - no need to conform when you’re this cool. That aforementioned opening track has synths and knows how to use ‘em, while other influences surface, too, just for texture, such as the punky rhythms on “Lee Majors…,” the shoutouts to classic rap on “Nonstop Disco Powerpack,” and the intergalactic funk of “Here’s a Little Something For Ya.”


Friendly Fires - Pala - XL Recordings
Electro-art-popsters Friendly Fires recorded their sophomore set in a pair of studios in France and London, doling out their already-expected catchy choruses into a brew of NYC-influenced postpunk strumming, grand pianos, and busy beats. Huge drums anchor songs like “Hurting” and “Pull Me Back to Earth,” while standouts like “Live Those Days Tonight” and “Chimes” lean more towards radio-pop than art club. Tribal rhythms and undertones play a role in a few of the other songs, including “Running Away,” “Hawaiian Air,” and the darker, ominous title track; closer “Helpless” brings back the thick synths for a thoughtful finale.




Panda Bear - Tomboy - P Tracks
Since PB played the majority of these songs live before they were recorded, there was likely a pretty good idea what would succeed on-record and what wouldn’t, hence this very focused tracklisting. It’s much the same Panda Bear of yore, with the droning, cyclical song patterns that fans have learned to expect (and look forward to), but there are a few flourishes here, such as effect-laden percussion and guitars taking many of the sampler roles, that add new layers of interest. Stnadouts include the huge focus and atmospherics of “Scheherazade” and the shoe-gazy, downhearted meditation of “Slow Motion.”



Fleet Foxes - Helplessness Blues - Sub Pop
Recorded in Woodstock, NY and Seattle, folk-rockers Fleet Foxes have pulled sounds from a variety of insightful peers for this set, including The Byrds, CSN, and Van Morrison, among others. Actual blues are scarce, but the harmonies will be instantly recognizable to music-history aficionados as arriving from that same timeline, especially on tracks like “The Plains/Bitter Dancer,” “Montezuma,” and “The Shrine/An Argument” - although the latter throws in some jazzy experimentation that seems a little out-of-place; other tracks worthy of highlighting include the island flair of “Lorelai” and the mysterious strings of “Bedouin Dress.”
 
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