Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

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4Play: Beastie Boys, Friendly Fires, Panda Bear, Fleet Foxes

Kristi Kates - May 2nd, 2011
Beastie Boys - Hot Sauce Committee Part 2 - Capitol
Not since the late ‘90s have the Beasties made such a festive, sassy racket. Opening with first single “Make Some Noise,” the Beasties are back in grand form, modernizing their production values while (thankfully) sticking masterfully to their own brand of retro hip-hop sound - no need to conform when you’re this cool. That aforementioned opening track has synths and knows how to use ‘em, while other influences surface, too, just for texture, such as the punky rhythms on “Lee Majors…,” the shoutouts to classic rap on “Nonstop Disco Powerpack,” and the intergalactic funk of “Here’s a Little Something For Ya.”


Friendly Fires - Pala - XL Recordings
Electro-art-popsters Friendly Fires recorded their sophomore set in a pair of studios in France and London, doling out their already-expected catchy choruses into a brew of NYC-influenced postpunk strumming, grand pianos, and busy beats. Huge drums anchor songs like “Hurting” and “Pull Me Back to Earth,” while standouts like “Live Those Days Tonight” and “Chimes” lean more towards radio-pop than art club. Tribal rhythms and undertones play a role in a few of the other songs, including “Running Away,” “Hawaiian Air,” and the darker, ominous title track; closer “Helpless” brings back the thick synths for a thoughtful finale.




Panda Bear - Tomboy - P Tracks
Since PB played the majority of these songs live before they were recorded, there was likely a pretty good idea what would succeed on-record and what wouldn’t, hence this very focused tracklisting. It’s much the same Panda Bear of yore, with the droning, cyclical song patterns that fans have learned to expect (and look forward to), but there are a few flourishes here, such as effect-laden percussion and guitars taking many of the sampler roles, that add new layers of interest. Stnadouts include the huge focus and atmospherics of “Scheherazade” and the shoe-gazy, downhearted meditation of “Slow Motion.”



Fleet Foxes - Helplessness Blues - Sub Pop
Recorded in Woodstock, NY and Seattle, folk-rockers Fleet Foxes have pulled sounds from a variety of insightful peers for this set, including The Byrds, CSN, and Van Morrison, among others. Actual blues are scarce, but the harmonies will be instantly recognizable to music-history aficionados as arriving from that same timeline, especially on tracks like “The Plains/Bitter Dancer,” “Montezuma,” and “The Shrine/An Argument” - although the latter throws in some jazzy experimentation that seems a little out-of-place; other tracks worthy of highlighting include the island flair of “Lorelai” and the mysterious strings of “Bedouin Dress.”
 
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