Letters

Letters 07-06-2015

Safety on the “Bridge to Nowhere” Grant Parsons wrote an articulate column in opposition to the proposed Traverse City pier at the mouth of the Boardman River. He cites issues such as limited access, lack of parking, increased congestion, environmental degradation, and pork barrel spending of tax dollars. I would add another to this list: public safety...

Vote Carefully A recent poll showed 84% of Michiganders support increasing Michigan’s renewable energy standard to at least 20% from the current 10%. Yet Representative Ray Franz has sponsored legislation to eliminate the standard. This out of touch position is reminiscent of Franz’s opposition to the Pure Michigan campaign and support for increased taxes on retirees....

Credit Where Credit Is Due I think you should do another article about the Michigan Natural Resources Trust Fund giving proper credit to all involved, not just Tom Washington. Many others were just as involved...

I’ve Changed My Mind The Supreme Court has determined that states cannot keep same-sex couples from marrying and must recognize their unions. This has happened with breathtaking suddenness. It took 246 years for Americans to decide that slavery was wrong and abolish it, but it’s been only a couple of decades since any successful attempt was made to legalize same-sex marriage, and four years since a majority of the American public supported legalization...


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4Play: Beastie Boys, Friendly Fires, Panda Bear, Fleet Foxes

Kristi Kates - May 2nd, 2011
Beastie Boys - Hot Sauce Committee Part 2 - Capitol
Not since the late ‘90s have the Beasties made such a festive, sassy racket. Opening with first single “Make Some Noise,” the Beasties are back in grand form, modernizing their production values while (thankfully) sticking masterfully to their own brand of retro hip-hop sound - no need to conform when you’re this cool. That aforementioned opening track has synths and knows how to use ‘em, while other influences surface, too, just for texture, such as the punky rhythms on “Lee Majors…,” the shoutouts to classic rap on “Nonstop Disco Powerpack,” and the intergalactic funk of “Here’s a Little Something For Ya.”


Friendly Fires - Pala - XL Recordings
Electro-art-popsters Friendly Fires recorded their sophomore set in a pair of studios in France and London, doling out their already-expected catchy choruses into a brew of NYC-influenced postpunk strumming, grand pianos, and busy beats. Huge drums anchor songs like “Hurting” and “Pull Me Back to Earth,” while standouts like “Live Those Days Tonight” and “Chimes” lean more towards radio-pop than art club. Tribal rhythms and undertones play a role in a few of the other songs, including “Running Away,” “Hawaiian Air,” and the darker, ominous title track; closer “Helpless” brings back the thick synths for a thoughtful finale.




Panda Bear - Tomboy - P Tracks
Since PB played the majority of these songs live before they were recorded, there was likely a pretty good idea what would succeed on-record and what wouldn’t, hence this very focused tracklisting. It’s much the same Panda Bear of yore, with the droning, cyclical song patterns that fans have learned to expect (and look forward to), but there are a few flourishes here, such as effect-laden percussion and guitars taking many of the sampler roles, that add new layers of interest. Stnadouts include the huge focus and atmospherics of “Scheherazade” and the shoe-gazy, downhearted meditation of “Slow Motion.”



Fleet Foxes - Helplessness Blues - Sub Pop
Recorded in Woodstock, NY and Seattle, folk-rockers Fleet Foxes have pulled sounds from a variety of insightful peers for this set, including The Byrds, CSN, and Van Morrison, among others. Actual blues are scarce, but the harmonies will be instantly recognizable to music-history aficionados as arriving from that same timeline, especially on tracks like “The Plains/Bitter Dancer,” “Montezuma,” and “The Shrine/An Argument” - although the latter throws in some jazzy experimentation that seems a little out-of-place; other tracks worthy of highlighting include the island flair of “Lorelai” and the mysterious strings of “Bedouin Dress.”
 
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