Letters

Letters 02-15-2016

No More Balloon Launches In the recent Wedding issue, a writer noted a trend of celebratory balloon launches at weddings. Balloon releases are nothing more than a wind-born distribution of litter, not an appropriate way to celebrate a marriage or commemorate cancer victims and survivors...

Plenty Of Blame In Flint Many opinions have been voiced about the Flint water crisis; all have left many questions unasked, such as: Lead is the culprit, and a there is a ban on lead in paint, as well as one on lead in new plumbing materials. There are still many service connecting pipes made out of lead in service. Why? Have any been installed despite the ban?

Stop Balloon Releases I was appalled by the column on the wedding traditions article that suggested making new traditions like releasing balloons at the conclusion of the ceremony! I am the president of AFFEW (A Few Friends for the Environment of the World) in Ludington, and we clean beaches four times a year....

Roosevelt Had It Right 202 years ago the British Royal Navy bombarded Fort McHenry during the War Of 1812. While being held captive aboard the HMS Surprise, Francis Scott Key composed the immortal “Star Spangled Banner” poem. 202 years later I ask, “Oh, say can you see” one of the most appallingly dishonest presidential election cycles since the Adams/Jefferson election of 1800...

Avoid Urban Sprawl In Petoskey I urge Resort Township, the City of Petoskey and Emmet County to dissuade Bay Harbor’s proposal to add new business and residential development along U.S. 31 near the main entrance to Bay Harbor...

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4Play: Beastie Boys, Friendly Fires, Panda Bear, Fleet Foxes

Kristi Kates - May 2nd, 2011
Beastie Boys - Hot Sauce Committee Part 2 - Capitol
Not since the late ‘90s have the Beasties made such a festive, sassy racket. Opening with first single “Make Some Noise,” the Beasties are back in grand form, modernizing their production values while (thankfully) sticking masterfully to their own brand of retro hip-hop sound - no need to conform when you’re this cool. That aforementioned opening track has synths and knows how to use ‘em, while other influences surface, too, just for texture, such as the punky rhythms on “Lee Majors…,” the shoutouts to classic rap on “Nonstop Disco Powerpack,” and the intergalactic funk of “Here’s a Little Something For Ya.”


Friendly Fires - Pala - XL Recordings
Electro-art-popsters Friendly Fires recorded their sophomore set in a pair of studios in France and London, doling out their already-expected catchy choruses into a brew of NYC-influenced postpunk strumming, grand pianos, and busy beats. Huge drums anchor songs like “Hurting” and “Pull Me Back to Earth,” while standouts like “Live Those Days Tonight” and “Chimes” lean more towards radio-pop than art club. Tribal rhythms and undertones play a role in a few of the other songs, including “Running Away,” “Hawaiian Air,” and the darker, ominous title track; closer “Helpless” brings back the thick synths for a thoughtful finale.




Panda Bear - Tomboy - P Tracks
Since PB played the majority of these songs live before they were recorded, there was likely a pretty good idea what would succeed on-record and what wouldn’t, hence this very focused tracklisting. It’s much the same Panda Bear of yore, with the droning, cyclical song patterns that fans have learned to expect (and look forward to), but there are a few flourishes here, such as effect-laden percussion and guitars taking many of the sampler roles, that add new layers of interest. Stnadouts include the huge focus and atmospherics of “Scheherazade” and the shoe-gazy, downhearted meditation of “Slow Motion.”



Fleet Foxes - Helplessness Blues - Sub Pop
Recorded in Woodstock, NY and Seattle, folk-rockers Fleet Foxes have pulled sounds from a variety of insightful peers for this set, including The Byrds, CSN, and Van Morrison, among others. Actual blues are scarce, but the harmonies will be instantly recognizable to music-history aficionados as arriving from that same timeline, especially on tracks like “The Plains/Bitter Dancer,” “Montezuma,” and “The Shrine/An Argument” - although the latter throws in some jazzy experimentation that seems a little out-of-place; other tracks worthy of highlighting include the island flair of “Lorelai” and the mysterious strings of “Bedouin Dress.”
 
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