Letters

Letters 09-29-2014

Benishek Doesn’t Understand

Congressman Benishek claims to understand the needs of families, yet he wants to repeal the Affordable Care Act, which would cause about 10 million people to lose their health insurance. He must think as long as families can hold fundraisers they don’t need insurance...

(Un)Truth In Advertising

Constant political candidate ads on TV are getting to be too much to bear 45 days before the election...

Rare Tuttle Rebuttal

Finally, I disagree with Stephen Tuttle. His “Cherry Bomb” column in the 8/4/14 issue totally dismayed me. I always love his wit and the slamming of the 1 percent. His use of fact and hyperbole highlights the truth; until “Cherry Bomb.” Oh man, Stephen...

Say No To Fluoride

Do you or your child’s teeth have white, yellow, orange, brown, stains, spots, streaks, cloudy splotches or pitting? If so, you may be among millions of Americans who now have a condition called dental fluorosis...

Questions Of Freedom

The administration’s “Affordable Health Care Act” has ordered religious orders to provide contraception and chemical abortions against the church’s God given beliefs and teachings … an interesting order, considering the First Amendment’s clear prohibitions...

Stop The Insults & Talk

I found it interesting that Ms. Minervini used the Northern Express to push the Safe Harbor agenda for a 90-bed homeless shelter in Traverse City with a tactic that is also being utilized by members of the city commission. Those of us who oppose the project are being labeled as uncompassionate citizens...

Roads and Republicans

Each time you hit a road crater while driving, thank the “nerd” and the Tea Party controlled Republican legislature.

Home · Articles · News · Music · 4Play: Danger Mouse and Daniele...
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4Play: Danger Mouse and Daniele Luppi, Death Cab for Cutie, David Guetta, Deadmau5

Kristi Kates - May 31st, 2011
Danger Mouse and Daniele Luppi - Rome - Capitol
Italian film music and spaghetti westerns were the influences behind this collaboration between Brian Burton (Danger Mouse) and Italian talent Luppi. Actually recorded in Rome (on top of the other inspirations), the pair worked with an eye toward copying the recording practices of the late ‘60s, recording live to tape and using mostly vintage gear. Another component of the album were the vocals, contributed by Jack White (“Two Against One,” “The World”) and Norah Jones (“Season’s Trees,” “Problem Queen”), as well as soprano Edda Dell’Orso, making for a pop (yes, pop!) record full of depth and complexity.


Death Cab for Cutie - Codes and Keys - Atlantic
Both more spry and more synth-y than previous efforts, Death Cab’s latest - their seventh studio set - focuses far less on guitars and far more on optimism. Ben Gibbard’s distinctive vocals and the front-and-center songwriting of Chris Walla team up to solid effect here, on such songs as the deft balladry of the title track, the observational, pitiful shake of the head at “Some Boys,” the rolling synth lines of “Monday Morning,” the melancholy “Unobstructed Views,” and Gibbard’s ode to new wife Zooey Deschanel on “Stay Young, Go Dancing.” It’s a different DC album, but in this case, different works quite well.




David Guetta - One More Love - 101
Not sure how long Guetta can keep recycling the same album as a “new” version, since this is essentially his One Love album - again (it’s been the subject already of several “special editions” and re-releases). But, hey, if the fans will buy it, then the fans will buy it. Collaborating as usual with long-time vocalist pal Chris Willis, guests contributors here also include the likes of will.i.am (Black Eyed Peas), Kid Cudi, Estelle, former Destiny’s Child vocalist Kelly Rowland, and Akon, among others; this particular edition of the revamped One Love album also includes a Guetta remix of the Peas’ track “I Gotta Feeling.”


Deadmau5 - 4x4=12 - Ultra Records
Toronto musical performer Joel Zimmerman, aka Deadmau5, is well known for tossing together tracks as if they were so many bowls of salad ingredients, mixing and matching primarily his own works into unique, danceable electronica sculptures that are both catchy and innovative for the genre. The album opens with “Some Chords,” which is reminiscent of Deadmau5’s previous work, and shifts quickly from there to the choppy “Bad Selection,” the tougher “One Trick Pony,” and the more pensive (well, as pensive as you can be within the framework of a disco beat) “Raise Your Weapon” and “Everything Before.”
 
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