Letters

Letters 04-14-14

Benishek Inching

Regarding “Benishek No Environmentalist” I agree with Mr. Powell’s letter to the editor/ opinion of Congressman Dan Benishek’s poor environmental record and his penchant for putting corporate interests ahead of his constituents’...

Climate Change Warning

Currently there are three assaults on climate change. The first is on the integrity of the scientists who support human activity in climate change. Second is that humans are not capable of affecting the climate...

Fed Up About Roads

It has gotten to the point where I cringe when I have to drive around this area. There are areas in Traverse City that look like a war zone. When you have to spend more time viewing potholes instead on concentrating on the road, accidents are bound to happen...

Don’t Blame the IRS

I have not heard much about the reason for the IRS getting itself entangled with the scrutiny of certain conservative 501(c) groups (not for profit) seeking tax exemption. Groups seeking tax relief must be organizations that are operated “primarily for the purpose of bringing about civic betterment and social improvements.”


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4Play: Danger Mouse and Daniele Luppi, Death Cab for Cutie, David Guetta, Deadmau5

Kristi Kates - May 31st, 2011
Danger Mouse and Daniele Luppi - Rome - Capitol
Italian film music and spaghetti westerns were the influences behind this collaboration between Brian Burton (Danger Mouse) and Italian talent Luppi. Actually recorded in Rome (on top of the other inspirations), the pair worked with an eye toward copying the recording practices of the late ‘60s, recording live to tape and using mostly vintage gear. Another component of the album were the vocals, contributed by Jack White (“Two Against One,” “The World”) and Norah Jones (“Season’s Trees,” “Problem Queen”), as well as soprano Edda Dell’Orso, making for a pop (yes, pop!) record full of depth and complexity.


Death Cab for Cutie - Codes and Keys - Atlantic
Both more spry and more synth-y than previous efforts, Death Cab’s latest - their seventh studio set - focuses far less on guitars and far more on optimism. Ben Gibbard’s distinctive vocals and the front-and-center songwriting of Chris Walla team up to solid effect here, on such songs as the deft balladry of the title track, the observational, pitiful shake of the head at “Some Boys,” the rolling synth lines of “Monday Morning,” the melancholy “Unobstructed Views,” and Gibbard’s ode to new wife Zooey Deschanel on “Stay Young, Go Dancing.” It’s a different DC album, but in this case, different works quite well.




David Guetta - One More Love - 101
Not sure how long Guetta can keep recycling the same album as a “new” version, since this is essentially his One Love album - again (it’s been the subject already of several “special editions” and re-releases). But, hey, if the fans will buy it, then the fans will buy it. Collaborating as usual with long-time vocalist pal Chris Willis, guests contributors here also include the likes of will.i.am (Black Eyed Peas), Kid Cudi, Estelle, former Destiny’s Child vocalist Kelly Rowland, and Akon, among others; this particular edition of the revamped One Love album also includes a Guetta remix of the Peas’ track “I Gotta Feeling.”


Deadmau5 - 4x4=12 - Ultra Records
Toronto musical performer Joel Zimmerman, aka Deadmau5, is well known for tossing together tracks as if they were so many bowls of salad ingredients, mixing and matching primarily his own works into unique, danceable electronica sculptures that are both catchy and innovative for the genre. The album opens with “Some Chords,” which is reminiscent of Deadmau5’s previous work, and shifts quickly from there to the choppy “Bad Selection,” the tougher “One Trick Pony,” and the more pensive (well, as pensive as you can be within the framework of a disco beat) “Raise Your Weapon” and “Everything Before.”
 
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