Letters

Letters 09-07-2015

DEJA VUE Traverse City faces the same question as faced by Ann Arbor Township several years ago. A builder wanted to construct a 250-student Montessori school on 7.78 acres. The land was zoned for suburban residential use. The proposed school building was permissible as a “conditional use.”

The Court Overreached Believe it or not, everyone who disagrees with the court’s ruling on gay marriage isn’t a hateful bigot. Some of us believe the Supreme Court simply usurped the rule of law by legislating from the bench...

Some Diversity, Huh? Either I’ve been misled or misinformed about the greater Traverse City area. I thought that everyone there was so ‘all inclusive’ and open to other peoples’ opinions and, though one may disagree with said person, that person was entitled to their opinion(s)...

Defending Good People I was deeply saddened to read Colleen Smith’s letter [in Aug. 24 issue] regarding her boycott of the State Theater. I know both Derek and Brandon personally and cannot begin to understand how someone could express such contempt for them...

Not Fascinating I really don’t understand how you can name Jada Johnson a fascinating person by being a hunter. There are thousands of hunters all over the world, shooting by gun and also by arrow; why is she so special? All the other people listed were amazing...

Back to Mayberry A phrase that is often used to describe the amiable qualities that make Traverse City a great place to live is “small-town charm,” conjuring images of life in 1940s small-town America. Where everyone in Mayberry greets each other by name, job descriptions are simple enough for Sarah Palin to understand, and milk is delivered to your door...

Don’t Be Threatened The August 31 issue had 10 letters(!) blasting a recent writer for her stance on gay marriage and the State Theatre. That is overkill. Ms. Smith has a right to her opinion, a right to comment in an open forum such as Northern Express...

Treat The Sickness Thank you to Grant Parsons for the editorial exposing the uglier residual of the criminalizing of drug use. Clean now, I struggled with addiction for a good portion of my adult life. I’ve never sold drugs or committed a violent crime, but I’ve been arrested, jailed, and eventually imprisoned. This did nothing but perpetuate shame, alienation, loss and continued use...

About A Girl -- Not Consider your audience, Thomas Kachadurian (“About A Girl” column). Preachy opinion pieces don’t change people’s minds. Example: “My view on abortion changed…It might be time for the rest of the country to catch up.” Opinion pieces work best when engaging the reader, not directing the reader...

Disappointed I am disappointed with the tone of many of the August 31 responses to Colleen Smith’s Letter to the Editor from the previous week. I do not hold Ms. Smith’s opinion; however, if we live in a diverse community, by definition, people will hold different views, value different things, look and act different from one another...

Free Will To Love I want to start off by saying I love Northern Express. It is well written, unbiased and always a pleasure to read. I am sorry I missed last month’s article referred to in the Aug. 24 letter titled, “No More State Theater.”

Home · Articles · News · Music · 4Play: Danger Mouse and Daniele...
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4Play: Danger Mouse and Daniele Luppi, Death Cab for Cutie, David Guetta, Deadmau5

Kristi Kates - May 31st, 2011
Danger Mouse and Daniele Luppi - Rome - Capitol
Italian film music and spaghetti westerns were the influences behind this collaboration between Brian Burton (Danger Mouse) and Italian talent Luppi. Actually recorded in Rome (on top of the other inspirations), the pair worked with an eye toward copying the recording practices of the late ‘60s, recording live to tape and using mostly vintage gear. Another component of the album were the vocals, contributed by Jack White (“Two Against One,” “The World”) and Norah Jones (“Season’s Trees,” “Problem Queen”), as well as soprano Edda Dell’Orso, making for a pop (yes, pop!) record full of depth and complexity.


Death Cab for Cutie - Codes and Keys - Atlantic
Both more spry and more synth-y than previous efforts, Death Cab’s latest - their seventh studio set - focuses far less on guitars and far more on optimism. Ben Gibbard’s distinctive vocals and the front-and-center songwriting of Chris Walla team up to solid effect here, on such songs as the deft balladry of the title track, the observational, pitiful shake of the head at “Some Boys,” the rolling synth lines of “Monday Morning,” the melancholy “Unobstructed Views,” and Gibbard’s ode to new wife Zooey Deschanel on “Stay Young, Go Dancing.” It’s a different DC album, but in this case, different works quite well.




David Guetta - One More Love - 101
Not sure how long Guetta can keep recycling the same album as a “new” version, since this is essentially his One Love album - again (it’s been the subject already of several “special editions” and re-releases). But, hey, if the fans will buy it, then the fans will buy it. Collaborating as usual with long-time vocalist pal Chris Willis, guests contributors here also include the likes of will.i.am (Black Eyed Peas), Kid Cudi, Estelle, former Destiny’s Child vocalist Kelly Rowland, and Akon, among others; this particular edition of the revamped One Love album also includes a Guetta remix of the Peas’ track “I Gotta Feeling.”


Deadmau5 - 4x4=12 - Ultra Records
Toronto musical performer Joel Zimmerman, aka Deadmau5, is well known for tossing together tracks as if they were so many bowls of salad ingredients, mixing and matching primarily his own works into unique, danceable electronica sculptures that are both catchy and innovative for the genre. The album opens with “Some Chords,” which is reminiscent of Deadmau5’s previous work, and shifts quickly from there to the choppy “Bad Selection,” the tougher “One Trick Pony,” and the more pensive (well, as pensive as you can be within the framework of a disco beat) “Raise Your Weapon” and “Everything Before.”
 
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