Letters

Letters 09-15-2014

Stop The Games On Campus

Four head coaches – two at U of M and two at MSU – get a total of $13 million of your taxpayer dollars each year. Their staffs get another $11 million...

The Truth About Fatbikes

While we appreciate the fatbike trail coverage, the quote from the article below is exactly what we demonstrated not to be true in most cases last season...

Man Has Environmental Responsibility

I tend to agree with Thomas Kachadurian (“Playing God,” Sept. 8) that we should not interfere with the power of nature by deciding what is “native” and what is not. Man usually does what is better for man (or so we believe), hence the survival and population growth of our species...

The Bush & Obama Facts

Don Turner’s letter to the editor on 8/25/14 stated that there has never been a more corrupt, dishonest, etc. set of politicians in the White House. He states no facts, but here are a few...

Ban Pesticides

I grew up downstate in a neighborhood without pesticides. I was always very healthy. Living here, I have become ill. So I did my research and found out a lot about these poison agents called pesticides (herbicides, fungicides, insecticides, chemical fertilizers, etc) that are being spread throughout this community, accumulating in our air, water and soil...

Respect for Presidents?

Recently we read the Letter to the Editor that encouraged us to stop characterizing President Obama as anything other than an upstanding, moral, inspiring “first Black President”. The author would have us think that the rancor in the press, media and public is misguided. And, believe it or not, this rancor is a “glaring exception to … unwritten patriotic rule” of historically supporting all previous presidents...


Home · Articles · News · Music · 4Play: Danger Mouse and Daniele...
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4Play: Danger Mouse and Daniele Luppi, Death Cab for Cutie, David Guetta, Deadmau5

Kristi Kates - May 31st, 2011
Danger Mouse and Daniele Luppi - Rome - Capitol
Italian film music and spaghetti westerns were the influences behind this collaboration between Brian Burton (Danger Mouse) and Italian talent Luppi. Actually recorded in Rome (on top of the other inspirations), the pair worked with an eye toward copying the recording practices of the late ‘60s, recording live to tape and using mostly vintage gear. Another component of the album were the vocals, contributed by Jack White (“Two Against One,” “The World”) and Norah Jones (“Season’s Trees,” “Problem Queen”), as well as soprano Edda Dell’Orso, making for a pop (yes, pop!) record full of depth and complexity.


Death Cab for Cutie - Codes and Keys - Atlantic
Both more spry and more synth-y than previous efforts, Death Cab’s latest - their seventh studio set - focuses far less on guitars and far more on optimism. Ben Gibbard’s distinctive vocals and the front-and-center songwriting of Chris Walla team up to solid effect here, on such songs as the deft balladry of the title track, the observational, pitiful shake of the head at “Some Boys,” the rolling synth lines of “Monday Morning,” the melancholy “Unobstructed Views,” and Gibbard’s ode to new wife Zooey Deschanel on “Stay Young, Go Dancing.” It’s a different DC album, but in this case, different works quite well.




David Guetta - One More Love - 101
Not sure how long Guetta can keep recycling the same album as a “new” version, since this is essentially his One Love album - again (it’s been the subject already of several “special editions” and re-releases). But, hey, if the fans will buy it, then the fans will buy it. Collaborating as usual with long-time vocalist pal Chris Willis, guests contributors here also include the likes of will.i.am (Black Eyed Peas), Kid Cudi, Estelle, former Destiny’s Child vocalist Kelly Rowland, and Akon, among others; this particular edition of the revamped One Love album also includes a Guetta remix of the Peas’ track “I Gotta Feeling.”


Deadmau5 - 4x4=12 - Ultra Records
Toronto musical performer Joel Zimmerman, aka Deadmau5, is well known for tossing together tracks as if they were so many bowls of salad ingredients, mixing and matching primarily his own works into unique, danceable electronica sculptures that are both catchy and innovative for the genre. The album opens with “Some Chords,” which is reminiscent of Deadmau5’s previous work, and shifts quickly from there to the choppy “Bad Selection,” the tougher “One Trick Pony,” and the more pensive (well, as pensive as you can be within the framework of a disco beat) “Raise Your Weapon” and “Everything Before.”
 
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