Letters

Letters 02-08-2016

Less Ageism, Please The January 4 issue of this publication proved to me that there are some sensible voices of reason in our community regarding all things “inter-generational.” I offer a word of thanks to Elizabeth Myers. I too have worked hard for what I’ve earned throughout my years in the various positions I’ve held. While I too cannot speak for each millennial, brash generalizations about a lack of work ethic don’t sit well with me...Joe Connolly, Traverse City

Now That’s an Escalation I just read the letter from Greg and his defense of the AR15. The letter started with great information but then out of nowhere his opinion went off the rails. “The government wants total gun control and then confiscation; then the elimination of all Constitutional rights.” Wait... what?! To quote the great Ron Burgundy, “Well, that escalated quickly!”

Healthy Eating and Exercise for Children Healthy foods and exercise are important for children of all ages. It is important for children because it empowers them to do their best at school and be able to do their homework and study...

Mascots and Harsh Native American Truths The letter from the Choctaw lady deserves an answer. I have had a gutful of the whining about the fate of the American Indian. The American Indians were the losers in an imperial expansion; as such, they have, overall, fared much better than a lot of such losers throughout history. Everything the lady complains about in the way of what was done by the nasty, evil Whites was being done by Indians to other Indians long before Europeans arrived...

Snyder Must Go I believe it’s time. It’s time for Governor Snyder to go. The FBI, U.S. Postal Inspection Service and the EPA Criminal Investigation Division are now investigating the Flint water crisis that poisoned thousands of people. Governor Snyder signed the legislation that established the Emergency Manager law. Since its inception it has proven to be a dismal failure...

Erosion of Public Trust Let’s look at how we’ve been experiencing global warming. Between 1979 and 2013, increases in temperature and wind speeds along with more rain-free days have combined to stretch fire seasons worldwide by 20 percent. In the U.S., the fire seasons are 78 days longer than in the 1970s...

Home · Articles · News · Art · Rick Daigh
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Rick Daigh

Al Parker - June 13th, 2011
Rick Daigh: Painter aims for ‘a bit of an edge’
By Al Parker
Gaze on the evocative works of Rick Daigh and you might wonder who his
early artistic inspirations were.
The Old Masters? Perhaps the Impressionists?
“When I was about 9 years old, I got Mad Magazine,” he says with a wry
smile. “My heroes were those artists – Jack Davis, Wally Wood, Mort
Drucker. I loved those guys. By the time I was in high school, I wanted to
be an illustrator.”
After a year and a half as nt art major at Sacramento City College and a
tour of duty in the U.S. Air Force, Daigh found work at a number of print
shops and ad agencies in Southern California. He gradually got more
art-related jobs, working as a cartoonist at a greeting card company and
for several design studios where his detailed illustrations were featured
on brochures, print ads and publications.

MAKING A MOVE
After 20 years in California, in 1992 Daigh, his wife Barbara, a talented
artist in her own right, and their sons moved to Traverse City, Barbara’s
hometown. Working each day in SoCal as a full-time illustrator, Daigh had
little creative energy left over for more creative painting until he made
the move to Northern Michigan.
“I really didn’t accumulate much work of my own til I got to Traverse
City,” he says. “The first painting I sold in TC was at the Medici Gallery
on Front Street.”
Eventually word got out about Daigh’s compelling works at the Medici,
attracting the attention of at least one visiting celebrity. “I sold one
of mine, a city scene, to the comedian Gallagher,” he says. “He was
walking through there (the gallery) and liked it. I never met him, but I
understand it’s hanging over his fireplace at his home on Lake Tahoe.”
Daigh’s works are often nostalgic, dappled with a sense of romance. He
doesn’t like to name his works, letting the viewer use imagination to
unlock the story behind the painting.
“I like to think my works have a bit of an edge,” he explains. “They’re
more than just a landscape over the fireplace.”
Whether a wistful likeness, a provocative African scene or a light-hearted
‘50s city streetscape, his projects are almost always done in oils. “A lot
of my favorite illustrators worked in oil,” he explains. “Oil has the most
weight to it. Oil and real turpentine, which is getting harder to get,
gives me the wash affect I like most.”

EXHIBITS:
Daigh’s paintings can be seen at the Kuhlhaus Gallery in Harbor Springs
and in Traverse City at Gallery 50 and The Good Work Collective. In May,
several of his diminutive works were included in the Small Works Sale at
the Dennos Museum in Traverse City.
The Daigh family features three generations of artists. Rick’s father,
Marvin, earned a fine arts degree from the University of Illinois. Unable
to find work, he opted for a military career. Rick’s son, Eric, has earned
wide acclaim for his compelling portraits with push pins and duct tape.
Some 15 years ago, Daigh began working at Britten Banner. He’s still there
as a graphic designer. “I love my job at Britten,” he says. “It’s very
fulfilling.”
Despite his workload at Britten, Daigh still finds time to paint,
sometimes having several works going at once.
“I’m not really a prolific painter,” he explains. “When they’re ready,
they’re ready. Every one of them is a labor of love.”

 
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