Letters 10-12-2015

Replacing Pipeline Is Safe Bet On Sept. 25, Al Monaco, president and CEO of Enbridge, addressed members of the Northern Michigan Chamber Alliance. His message was, “I want to be clear. We wouldn’t be operating this line if we didn’t think it was safe.”

We pretty much have to take him for his word...

Know The Root Of Activism Author and rabbi Harold Kushner has said, “People become activists to overcome their childhood fear of insignificance.” The need to feel important drives them. They endeavor good works not to help the poor or sick or unfortunate but to fill the void in their own empty souls. Their various “causes” are simply a means to an end as they work to assuage their own broken hearts...

Climate’s Cost One of the arguments used to delay action on climate change is that it would be too expensive. Such proponents think leaving environmental problems alone would save us money. This viewpoint ignores the cost of extreme weather events that are related to global warming...

A Special Edition Cuckoo Clock The Republican National Committee should issue a special edition cuckoo clock commemorating the great (and lesser) debates and campaign 2016...

Problems On The Left Contrary to letters in the Oct 5th edition, Julie Racine’s letter is nothing but drivel, a mindless regurgitation of left-wing stuff, nonsense, and talking points. They are a litany of all that is wrong with the left: Never address an issue honestly, avoid all facts, blame instead of solving; and when all else fails, do it all over again...

Thanks, Jack It is so very difficult for the average American to understand the complex issues our country faces in far off places around the globe. (Columnist) Jack Segal’s career and his special ability to explain these issues in plain English in many forums make him a precious asset to all of us in northern Michigan...

Home · Articles · News · Art · Rick Daigh
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Rick Daigh

Al Parker - June 13th, 2011
Rick Daigh: Painter aims for ‘a bit of an edge’
By Al Parker
Gaze on the evocative works of Rick Daigh and you might wonder who his
early artistic inspirations were.
The Old Masters? Perhaps the Impressionists?
“When I was about 9 years old, I got Mad Magazine,” he says with a wry
smile. “My heroes were those artists – Jack Davis, Wally Wood, Mort
Drucker. I loved those guys. By the time I was in high school, I wanted to
be an illustrator.”
After a year and a half as nt art major at Sacramento City College and a
tour of duty in the U.S. Air Force, Daigh found work at a number of print
shops and ad agencies in Southern California. He gradually got more
art-related jobs, working as a cartoonist at a greeting card company and
for several design studios where his detailed illustrations were featured
on brochures, print ads and publications.

After 20 years in California, in 1992 Daigh, his wife Barbara, a talented
artist in her own right, and their sons moved to Traverse City, Barbara’s
hometown. Working each day in SoCal as a full-time illustrator, Daigh had
little creative energy left over for more creative painting until he made
the move to Northern Michigan.
“I really didn’t accumulate much work of my own til I got to Traverse
City,” he says. “The first painting I sold in TC was at the Medici Gallery
on Front Street.”
Eventually word got out about Daigh’s compelling works at the Medici,
attracting the attention of at least one visiting celebrity. “I sold one
of mine, a city scene, to the comedian Gallagher,” he says. “He was
walking through there (the gallery) and liked it. I never met him, but I
understand it’s hanging over his fireplace at his home on Lake Tahoe.”
Daigh’s works are often nostalgic, dappled with a sense of romance. He
doesn’t like to name his works, letting the viewer use imagination to
unlock the story behind the painting.
“I like to think my works have a bit of an edge,” he explains. “They’re
more than just a landscape over the fireplace.”
Whether a wistful likeness, a provocative African scene or a light-hearted
‘50s city streetscape, his projects are almost always done in oils. “A lot
of my favorite illustrators worked in oil,” he explains. “Oil has the most
weight to it. Oil and real turpentine, which is getting harder to get,
gives me the wash affect I like most.”

Daigh’s paintings can be seen at the Kuhlhaus Gallery in Harbor Springs
and in Traverse City at Gallery 50 and The Good Work Collective. In May,
several of his diminutive works were included in the Small Works Sale at
the Dennos Museum in Traverse City.
The Daigh family features three generations of artists. Rick’s father,
Marvin, earned a fine arts degree from the University of Illinois. Unable
to find work, he opted for a military career. Rick’s son, Eric, has earned
wide acclaim for his compelling portraits with push pins and duct tape.
Some 15 years ago, Daigh began working at Britten Banner. He’s still there
as a graphic designer. “I love my job at Britten,” he says. “It’s very
Despite his workload at Britten, Daigh still finds time to paint,
sometimes having several works going at once.
“I’m not really a prolific painter,” he explains. “When they’re ready,
they’re ready. Every one of them is a labor of love.”

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