Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Art · Photo Replay
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Photo Replay

Al Parker - August 15th, 2011


Steve Ballance says his interest in photographic processes is comparable
to the ancient practice of alchemy where the wizard attempted to turn base
metals into gold.
For decades, he’s been intrigued by how one’s perception is changed by the
processes that translate subject matter to the viewer.
“There’s a lot of conceptualization in my work,” says Ballance, whose
impressive portfolio is dominated by still life cornerstones of flowers
and female nudes who are often adorned in elaborate paper-mache masks.
Much of it is based on classical myths of the Greeks and Romans.
“I just want them (viewers) to look at it and decide if they find it
interesting. I use the masks to get people to not personalize the image.”
Much of Ballance’s works involve a process known as Polaroid Transfer, in
which the image is photographed on Polaroid film. It is then peeled apart
before it can completely develop and the part containing the dyes is
pressed onto dampened watercolor paper. Ballance then scans them into a
computer and has them printed on an inkjet printer.
“There’s something that happens in the transfer process,” he explains. “I
can’t predict what happens, but I like the way it comes out.”

‘MORE FUN TO MAKE’
His work can be seen at the Artist Design Network in Traverse City and
online at the Gallery 50 website www.galleryfifty.com .
“I’m not that interested in marketing my art, I’m much more interested in
making it,” he says. “Frankly, it’s much more fun to make it than sell it.
My audience is a small audience.”
Ballance’s parents moved the family to Traverse City when he was a
three-year-old. He attended TC schools before heading to Michigan State
University where he majored in psychology.
“I didn’t study art, but my girlfriend was an artist, so I was always
around art,” he recalls. “When I graduated, I took my graduation money and
bought a camera. A co-worker taught me some camera techniques and then I
went to Chicago where I learned how to use a darkroom.”
After suffering a back injury in 1973, Ballance returned to Traverse City
and began hanging out at NMC’s burgeoning art department. “The most
interesting people were in the art department,” he laughs. “So I taught a
photo class there and have been there ever since.”
That relationship continues to this day. Ballance is the program’s
Professor Emeritus, though he officially retired from NMC 11 years ago. As
a professor, Balance mainly taught classes in design and digital
photography.

CONSERVING AS RESOURCE
When asked about other artists whose work he admires, he quickly rattles
off the names of NMC colleagues, including printmaker Doug Domine, potter
Mike Torre and photographer Sheila Stafford.
While a handful of artists like Ballance continue to create images with
Polaroid, or Instant film, it has been supplanted for general use by
digital photography. Consequently, in 2008 Polaroid halted production of
its instant film.
Now only two companies continue to manufacture instant film – Fuji and The
Impossible Project, a group of people who took control of the old Polaroid
manufacturing equipment to continue making Polaroid-compatible film after
falling in love with the works of artist Stephanie Schneider.
“I bought up a bunch of Polaroid film and I still have 15 or 20 boxes in
my refrigerator,” says Ballance, who has also been tinkering with
developing images without the use of a camera, directly scanning objects
on a flatbed scanner.
Several of his floral works featuring vibrant tulips display brilliant
colors and richness achieved by directly scanning them on the flatbed
surface. “I’ve always been interested in the tools that are used to create
images and art,” explains Ballance. “Whether they are cameras, scanners or
computers.”
In his ongoing search for new artistic endeavors, Ballance recently
attended a workshop on photopolymer gravure, a process for producing
etchings from digital images. Some feel that these etchings rival the
quality of traditional copper plate photogravure, while others find that
the lack of differential depth in the polymer coating compromises quality.
Currently he’s focusing on building a studio to house his projects. But
Ballance continues to push the boundaries of image making by examining
creative ways to link-up a digital camera and a scanner together to make
innovative images that challenge viewer’s perceptions and ask “What
exactly is photography?”

 
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