Letters

Letters 10-27-2014

Paging Doctor Dan: The doctor’s promise to repeal Obamacare reminds me of the frantic restaurant owner hurrying to install an exhaust fan after the kitchen burns down. He voted 51 times to replace the ACA law; a colossal waste of money and time. It’s here to stay and he has nothing to replace it.

Evolution Is Real Science: Breathtaking inanity. That was the term used by Judge John Jones III in his elegant evisceration of creationist arguments attempting to equate it to evolutionary theory in his landmark Kitzmiller vs. Dover Board of Education decision in 2005.

U.S. No Global Police: Steven Tuttle in the October 13 issue is correct: our military, under the leadership of the President (not the Congress) is charged with protecting the country, its citizens, and its borders. It is not charged with  performing military missions in other places in the world just because they have something we want (oil), or we don’t like their form of government, or we want to force them to live by the UN or our rules.

Graffiti: Art Or Vandalism?: I walk the [Grand Traverse] Commons frequently and sometimes I include the loop up to the cistern just to go and see how the art on the cistern has evolved. Granted there is the occasional gross image or word but generally there is a flurry of color.

NMEAC Snubbed: Northern Michigan Environmental Action Council (NMEAC) is the Grand Traverse region’s oldest grassroots environmental advocacy organization. Preserving the environment through citizen action and education is our mission.

Vote, Everyone: Election Day on November 4 is fast approaching, and now is the time to make a commitment to vote. You may be getting sick of the political ads on TV, but instead, be grateful that you live in a free country with open elections. Take the time to learn about the candidates by contacting your county parties and doing research.

Do Fluoride Research: Hydrofluorosilicic acid, H2SiF6, is a byproduct from the production of fertilizer. This liquid, not environmentally safe, is scrubbed from the chimney of the fertilizer plant, put into containers, and shipped. Now it is a ‘product’ added to the public drinking water.

Meet The Homeless: As someone who volunteers for a Traverse City organization that works with homeless people, I am appalled at what is happening at the meetings regarding the homeless shelter. The people fighting this shelter need to get to know some homeless families. They have the wrong idea about who the homeless are.

Home · Articles · News · Art · Photo Replay
. . . .

Photo Replay

Al Parker - August 15th, 2011


Steve Ballance says his interest in photographic processes is comparable
to the ancient practice of alchemy where the wizard attempted to turn base
metals into gold.
For decades, he’s been intrigued by how one’s perception is changed by the
processes that translate subject matter to the viewer.
“There’s a lot of conceptualization in my work,” says Ballance, whose
impressive portfolio is dominated by still life cornerstones of flowers
and female nudes who are often adorned in elaborate paper-mache masks.
Much of it is based on classical myths of the Greeks and Romans.
“I just want them (viewers) to look at it and decide if they find it
interesting. I use the masks to get people to not personalize the image.”
Much of Ballance’s works involve a process known as Polaroid Transfer, in
which the image is photographed on Polaroid film. It is then peeled apart
before it can completely develop and the part containing the dyes is
pressed onto dampened watercolor paper. Ballance then scans them into a
computer and has them printed on an inkjet printer.
“There’s something that happens in the transfer process,” he explains. “I
can’t predict what happens, but I like the way it comes out.”

‘MORE FUN TO MAKE’
His work can be seen at the Artist Design Network in Traverse City and
online at the Gallery 50 website www.galleryfifty.com .
“I’m not that interested in marketing my art, I’m much more interested in
making it,” he says. “Frankly, it’s much more fun to make it than sell it.
My audience is a small audience.”
Ballance’s parents moved the family to Traverse City when he was a
three-year-old. He attended TC schools before heading to Michigan State
University where he majored in psychology.
“I didn’t study art, but my girlfriend was an artist, so I was always
around art,” he recalls. “When I graduated, I took my graduation money and
bought a camera. A co-worker taught me some camera techniques and then I
went to Chicago where I learned how to use a darkroom.”
After suffering a back injury in 1973, Ballance returned to Traverse City
and began hanging out at NMC’s burgeoning art department. “The most
interesting people were in the art department,” he laughs. “So I taught a
photo class there and have been there ever since.”
That relationship continues to this day. Ballance is the program’s
Professor Emeritus, though he officially retired from NMC 11 years ago. As
a professor, Balance mainly taught classes in design and digital
photography.

CONSERVING AS RESOURCE
When asked about other artists whose work he admires, he quickly rattles
off the names of NMC colleagues, including printmaker Doug Domine, potter
Mike Torre and photographer Sheila Stafford.
While a handful of artists like Ballance continue to create images with
Polaroid, or Instant film, it has been supplanted for general use by
digital photography. Consequently, in 2008 Polaroid halted production of
its instant film.
Now only two companies continue to manufacture instant film – Fuji and The
Impossible Project, a group of people who took control of the old Polaroid
manufacturing equipment to continue making Polaroid-compatible film after
falling in love with the works of artist Stephanie Schneider.
“I bought up a bunch of Polaroid film and I still have 15 or 20 boxes in
my refrigerator,” says Ballance, who has also been tinkering with
developing images without the use of a camera, directly scanning objects
on a flatbed scanner.
Several of his floral works featuring vibrant tulips display brilliant
colors and richness achieved by directly scanning them on the flatbed
surface. “I’ve always been interested in the tools that are used to create
images and art,” explains Ballance. “Whether they are cameras, scanners or
computers.”
In his ongoing search for new artistic endeavors, Ballance recently
attended a workshop on photopolymer gravure, a process for producing
etchings from digital images. Some feel that these etchings rival the
quality of traditional copper plate photogravure, while others find that
the lack of differential depth in the polymer coating compromises quality.
Currently he’s focusing on building a studio to house his projects. But
Ballance continues to push the boundaries of image making by examining
creative ways to link-up a digital camera and a scanner together to make
innovative images that challenge viewer’s perceptions and ask “What
exactly is photography?”

 
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